Crushing Krisis

The Newest Oldest Blog In New Zealand

Archives for August 2008

Taking The Dive

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Last night Gina and I were completely out-of-sorts, which lead to not one of our more productive rehearsals ever, except for it seems like whenever we have one of those “Real End” is impossibly great. Probably because it’s our oldest tune.

(Actually, en route an LP meeting last week I discovered that Gina has a Blogathon 2001 best-of disc in her car, which is the only existing high fidelity copy of all of those songs, including the first ever demo of Real End. Which is kinda awesome. Like, it doesn’t sound like us – it’s got a borderline indie-rock awfulness to it but it still totally holds together. I think if we still sounded like that people would like us better.)

In any event, the point of this post is that after our incredibly unfocused rehearsal we walked a few blocks over to The Dive to open for our new band-friend Kursten Bouton.

It was an interesting excursion. The Dive is, in fact, a dive. It’s essentially a South Philly row home that happens to be a bar.

We were in the upstairs, a tiny triangle of a room fronted with an abbreviated bar and terminating in a stack of huge speakers and a strange, little, wooden sidecar of a room containing an awesome, old, 16-channel board with wooden trim that I had way too much fun with. The mics and stands were a little suspect, though, and if we ever head back there I’ll probably bring my own.

Despite a relative lack of audience we had a good time hanging out with Kursten again and hearing even more of her repertoire (though my favorite pair is still “Don’t Surrender” and “Polaroid Migration”). After a few songs of intro I talked Kursten into doing an Ani song with me, and in a pinch we belted out “Gravel.” Afterwards AC played a solid 45 minute set, ending with a comfortably loungy rendition of “Noncommittal.”

Pretty fun, but mostly because of Kursten. The Dive is a cool bar to have in the neighborhood, but I’m not sure if I’d head out there just for the open mic when I could hit South Street instead.

I Nearly Died.

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Today I nearly died.

I am not a fan of lunch. Or breakfast, actually. Essentially, daytime meals just aren’t my thing. My ideal workday starts with a twenty ounce, all fruit smoothie and includes a brief, protein-filled snack, enabling me to power through my afternoon in a frenzy of incisive edits and timely project management.

Some days, though, I need more serious refueling, and at noon when I came out of four back-to-back meetings over three hours I decided today was one of those days.

Mindful of my pre-wedding, pre-house budget, I turned down an offer from our designers to pick up sushi (sob), and instead headed for my #1 most reliable lunch destination – Mama’s Vegetarian.

(Note that on my proverbial desert island all that is served is sushi and falafel.)

I ordered my usual, “large mama’s, whole wheat, hummus, not hot,” and headed over to the salad bar to stock up on pickles, extra tahini, and something I hadn’t seen there before – some awesome, super-green tabouleh, dotted with couscous, or maybe pine nuts?

A good falafel causes me to maul it with wild abandon, as if I’ve been starved for weeks. Crumbs and tahini explode in every direction – I have no semblance of restraint.

Today was no exception, except for when I took that first voracious bite I discovered that my “not hot” got translated as “with hot.”

This is not how I nearly died. Mama’s hot sauce is hot, but not too hot. I can and do enjoy it from time to time. I just wasn’t prepared for the hot sauce – it caught me off guard.

I glanced around my desk for a method of fanning the flames now active on my tongue. I ate a pickle, which helped. I eyed my extra tahini, but I would need that to douse the rest of the falafel.

My eyes settled on the tabouleh. Leafy, grainy – perfect to scrape the hot out of my throat so I could better prepare for the next bite. I scooped up a heaping portion of the tabouleh on my fork – at least a tablespoon, and crammed it into my mouth, swallowing some as soon as it hit my tongue.

This is how I nearly died. You see, the tabouleh was not tabouleh. It just looked like tabouleh. It was actually ground up hot peppers.

Oh yes. And that couscous and/or pine nuts? Those would be the hot pepper seeds.

It was the hottest thing I have ever tasted. Or felt. Or contemplated. I don’t have a word for its hotness. And, take note, my father is a hot pepper farmer.

My face flushed with blood and drained of color in rapid succession. My tongue went absolutely numb from shock. I couldn’t breath.

I reflexively – foolishly – swallowed the entire tablespoon of not-tabouleh just to get it out of my mouth.

This was the incorrect stratagem to ameliorate the situation.

To its credit, my body – perhaps sensing my impending peril – did everything within its power to expel the offensive material from my esophagus. I coughed. I trembled and heaved. I began to rapidly hiccup.

All to no avail – I was committed to digest this foul pepper paste – a paste so hot that for the rest of the day I could physically feel its exact location within my digestive system at any given time by pinpointing the intense burning sensation within my body, and which resulted in several occasions of me lying prone on the floor of my cube, praying to whatever gods would listen to purge me of this awful misery.

Let’s just say that the average adult has four to seven meters of small intestine, and that after today I am acutely aware of that fact.

Exteriors.

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Over the past few days I’ve spent most of my free moments unknotting the multi-thousand post mess that is my neglected Google Reader.

It’s fascinating to me that I let it go unread for so long, because I’m always looking for something to consume. I spend all night pinging in a circle from LiveJournal to MySpace to FaceBook to Huffington Post to Ain’t It Cool News, seeking out ever-more-incremental updates. Eventually if none of them seem to be in motion I’ll settle for mindlessly playing the newest game over at Kongregate.

Think about that for a moment. Elitist, progress-oriented me will settle for the empty feedback mechanism of a flash video game rather than check up on the lives of hundreds of my peers via my Google Reader.

What the hell? It seems my introversion extends to the blog arena as well.

And, I know you’re all like, “Peter, enough with the introversion already, you’ve kept a blog for eight years and in each of those years I’ve seen you make a willing spectacle of yourself in public at least twice.”

I had that in mind as I caught up on Confessions of a Pioneer Woman, reading her tongue-in-cheek FAQ post. In response to a question about agoraphobia, she says:

I diagnosed myself with mild agoraphobia because although I PREFER to never leave my house, I still CAN leave my house if it involves doing something fun. But even then, I usually choose to stay home. I’m emotionally, physically, psychologically, urologically, and ophthalmologically attached to my home.

Note that this woman lives and actively works on a ranch, so to some degree the concept of “home” likely includes some portion of the vast outdoors, which makes her not your traditional agoraphobe. Yet, in her mind she is still mildly agoraphobic, because left to her own devices her natural orientation is to remain in her home space.

That description perfectly fits my view of my own introversion. In areas I define as “home” I’m a natural socializer: work, meetings with friends, the stage … all perfectly comfortable environments where I can be myself.

However, socializing with co-workers, attending friends’ parties with people I don’t know, or hanging at the bar prior to playing … those experiences all make me feel weird and out-of-place. And, I know not everyone is a social butterfly and that it takes time to adapt to different environments, but my reaction is on a different level. I stop being interesting, opinionated, vocal me. I literally forget how to do it. I’m back in grade school, unsure of which lunch table I should approach to garner the least teasing.

That can really get in the way of my success in the arena of local music. Because, much to my disappointment and chagrin, you do not get booked all across the town just for showing up once or by being able to play for an hour without interruption. I assumed people would listen if I trained my voice and wrote well-structured songs.

Well, I was mostly wrong. You have to be persistent. You have to make connections. You have to build to your own personal tipping point. Otherwise, you’re some asshole stranger trying to make a splash in an unreceptive room.

I’ve been that asshole too many times, and I’m really trying to learn how to just be a regular regular, even if my regularity is slightly irregular, because being regular is really an extroverted attitude rather than a frequency of appearance.

I’ve been striving for that this summer, both solo and as Arcati Crisis. Each has their own challenges.

Solo means its hard to get me out of the house, but once I’m out I’ll sit and endure hours of open mic. Usually after my set I work up the nerve to say hello to a few people, as prior to it I am endlessly revising my set list. (One day I’ll play a solo gig and adhere to my setlist exactly. Once. Eventually).

Arcati Crisis gets me out of the house more quickly, because – duh – I get to hang out with Gina. But, once we’re installed at a coffee shop or bar I clam up around the other musicians because – duh – I get to hang out with Gina.

For a while we’d hit entire strings of open mics without making any new connections or friends, but lately we’ve been taking turns being sociable, and we’ve been rewarded by meeting some amazing musicians, like Andra Taylor, Year Long Day, and Kursten Bouton, just to name a few we’ve gotten up the balls to talk to.

So, that’s going well. The more people I meet, the more reasons I have to get out of the house and play – I am cultivating pocket of “home” at every open mic in Philadelphia. At Lickety Split I can be myself at a single table, but at Blarney South I’m me at the whole back half of the room.

Google Reader presents the same opportunity – to turn peers into pockets of extended home. Yet, if I neglect to read Pioneer Woman, and Mark Larson, Akkam’s Razor, Moose In the Kitchen, What If No One’s Watching, You’re Doing It Wrong, and dozens of my other favorite blogs, then they stop being familiar, and my barriers go up. No emails, or comments, or track backs. CK becomes the splashy asshole.

In my Google Reader cruise I was also catching up on longtime CK peruser Karl Martino, and happened upon a post about the apparently ongoing Philly Blogger Meetup.

Imagine that – a setting that can combine the terror of going to an unfamiliar open mic with the daunting task of talking to total strangers alongside the deeply uncomfortable experience of talking about my blog to someone who has never read it before.

I signed up.

Happy Birthday To This

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I.

Lately I’ve been struggling with the concept of success – specifically, how to discern the difference between progress and success.

I am always progressing – I do not do well with sitting still. Nevertheless, moving forward doesn’t equal succeeding. Motion doesn’t equal a milestone.

Or, at least, that’s my typical mantra of over-achievement.

It can be hard mantra to upkeep; over-achievement requires a lot of regular achievement to maintain, and that requires plenty of milestones to mow down while you’re in motion.

It’s an especially hard mantra to have when no new milestones are in sight … when it starts getting tempting to view motion as a milestone. It’s akin to the kid who wants a teevee break just for doing the first page of his homework. Should I reward myself just for learning one new song, or completing one workout? The slope from those minor successes to learning a new chord or doing one push-up is treacherously slippery.

This was the quandary that stopped my progress cold last week, grinding my life to a halt. I spent a long night of discussion with Elise, reviewing the successes of the past year, and trying to figure out how to translate further forward motion into more milestones.

Elise is the panacea to those inconsolable moments, and as we laid in bed talking it became apparent that part of the problem is that I had forgotten the other, single, proven solution to all of my various doldrums – eight years of Crushing Krisis archives documenting every success and failure, and all the moments of paralysis found in between the two.

Eight years of proof that I am always in motion, and always finding a new milestone.

II.

As of today Crushing Krisis is an alarming eight years old – absolutely ancient in blogging years, and still the reigning longest running blog in my fine city of brotherly love.

I have a blog old enough to be in third grade. If that’s not a major milestone, I don’t know what is.

Not only is CK itself a milestone, it’s a collection of them – a chronicle of my greatest hits, the succcesses that sketch my evolution from aimless straight-A college student and hapless singer-songwriter through hopelessly overcommitted yuppy and emerging artist.

The amazing thing about the last twelve months is how many successes they encompassed. I played a show at the Tin Angel with my band (two, actually). I got engaged to the love of my life. I completed six months of voice-lessons, emerging with newly revitalized vocals. Lyndzapalooza threw not only a hugely successful music festival, but two modestly awesome off-season events. I finally became the senior member of my team at work. I’m planning the most kick-ass party I’ve ever thrown, which coincidentally happens to be my wedding.

In hindsight I feel as though the vast majority of my personal greatest hits record is contained in the last year of my life – like I’m one of those artists who has one big album and that ten years later my record company will release a 21st Century Masters collection of me that regurgitates that one album end-to-end, plus some random cover I did for a soundtrack.

In the midst of all those hits I could easily lose track of the progress I made, but that’s exactly what CK is here for. I already chose the best of them to feature in the Year 8 topic, but my most indelible memories extend far beyond the posts I’d deem as “best.”

Our band got censored for the first time. I had two of my most memorable taxi-driver conversations. I played a game of “what if I managed Britney?” I conquered my quarter-life crisis. I co-invented (and later conducted) an Upscale Bar Crawl. I blogged daily for an entire month for no reason at all, highlighting my favorite (remastered) Trio Tracks along the way.

I dissected Radiohead’s record release, along with the entirety of the “blogosphere.” I became fascinated for an entire night by a trick of photography. I learned valuable lessons from my longest period of bachelorhood in the past half decade.

I began telling the story of our engagement, further chronicled here and here. I disclosed my previously deeply personal delight in hot food eaten cold. I saw Elise’s brother make his theatrical debut. I posted a rare Trio that I liked as soon as it was recorded.

I contemplated being a real band. I reflected on my childhood masquerade as a born-again Christian. I posted yet another awesome-right-out-of-the-box Trio. I celebrated Gina’s birthday by recounting our first time singing together. I cultivated an ulcer. I learned about sibling rivalry by way of working out regularly for the first time in my life, and in the process got to know Elise’s sister a little bit better.

I almost shattered the fragile, bird-like skeleton of one of my SVPs. I taught the entire internet how to edit their MySpace Music profiles (seriously, you should see the referrals I get on that one damn post). I nearly got laughed out of a coffee-shop due to my savant-like knowledge of Clue.

I played my band’s first honest-to-goodness solo gig, and made friends with 13-year-olds. I spoke at my mother’s wedding, and reflected on how just a few decades ago mine would be illegal in some states. I became a big brother, and started becoming my mother, all in the span of a week. I reflected on GBLT rights in Iraq by way of Ani DiFranco and teenage theatre. I posted the best and worst of my teenage poetry.

And, still fresh in my mind, I was the victim of a crime of hate.

Other things happened too – good things and bad things left unsaid as I skipped a few months of blogging while I was out succeeding a life.

I never finished our engagement story. I haven’t been blogging about wedding prep, including dress shopping and invite-making. I didn’t relate how I got chewed out by a co-worker for bashing Jesus on our last Live @ Rehearsal disc. I continuously redacted a post entitled “Figure Skating Pants” because it never turned out as funny on-screen as it was in my head. You haven’t yet heard about house-hunting.

A hundred other things.

If Crushing Krisis is as much about progress as it is about success, as much about motion as it is about milestones, it’s also as much about silence as it is about sound. My evolution is sketched as much by the words I withhold as the ones I write.

III.

I write these birthday posts each year … letters to my future self. Internet time travel.

Last year I said:

If Year 6 of Crushing Krisis was about finding stability, then this past year has been converting stability into happiness.

To amend that quote, if Year 7 was about converting stability into happiness, this past year was about finding a way for happiness and success to finally co-exist in my life.

In their own quiet way, those successes have brought me as close to quitting CK as I’ve ever been. Even though this blog documents my successes the actual act of blogging is all progress, and progress without success in sight can be daunting.

On and off, I plotted CK’s demise. Merge it into a band blog, I thought. Not as important as wedding planning, I decided. My writing has already peaked, it’s time to focus on other things, I resolved. Not saying much of importance anyway, I mused. It’s not as if anyone’s reading it, I whined. Blogs are ubiquitous and thus unremarkable, I opined. I’m out of things to say, I worried.

Yet, here I am, still, heading into Year 9.

Why? Because Crushing Krisis is one of the best ideas I’ve ever had, one of the best things that has ever happened to me, and the best way I know to show that I am not only progressing into adulthood but slowly and surely succeeding at life.

And because of you. You – indefinable and intangible, yet indefatigable.

Not just you – singular you, tu – you there on the other side of the screen reading this now, so much as you – plural you, vous – all of you. The royal you. The Schrodinger’s Cat of you. The mere potential of you.

“You” could mean you – now, in the present, two seconds after I post this; you – far in the future, maybe after I’ve gone; you – both of you; or you – neither of you … some other you entirely.

Thank you, no matter which you I am addressing. Thank you for being a part of and a party-to my never-ending progress and my continuing success. Thank you for reading, listening, commenting, and linking. Thank you for your time, for your attention, and for being you.

Thank you. And, happy birthday to this.

Steer Clear

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Last Saturday we awoke to some vicious knocks on our door, and declined to answer.

It was another block party on our street – another one of dubious legality where we were given less than ten hours of notice before its start – one situated plumb in the middle of our first long weekend together this year. We keep to ourselves, and no one thinks to ask us to sign their petition, or remind us there is a party upcoming, or ask us we have anything to contribute (such as, I don’t know, my mixing equipment? But, I digress).

So, we declined to answer. The first time. But a few minutes later the knocks came again, insistent and vicious.

We had hoped to sleep in – at the back of the house, away from the noise.

No such luck.

I dressed quickly, pieces patched together, and flung open the door to be greeted by an unfamiliar face. White, stubbly, firepluggish but not so intimidating, a tattoo or scar on his cheek next to his eye.

“Izzat your car?” Gesturing broadly at a boxy sedan parked a few spots to the right of our door. Already a tent had been struck on our sidewalk, nearly obstructing our front steps.

I replied sharply. “Look, we don’t own a car, and even if we did we wouldn’t have to move it for the block party. That’s not how the permit works.”

I closed (not slammed) the door to an echo of protest (“Hey, I’ll break your door down and kick your ass”), but that was a wolf not big or bad enough to warrant my concern on a summer Saturday morning. I’ve lived in South Philly long enough to know an idle threat.

Nothing else happened, and several hours of booming, inescapable music later we left. We were dressed as sharp as my earlier words for Erika’s engagement party, and everyone on the block saw us depart just as the daylight was ripening into a pretty golden evening.

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The party, which is a topic for another time, was wonderful. The two parts that are germane to this story are that I drank quite a bit of Bombay Sapphire and we that took a cab home shortly after 3 a.m.

I stepped (stumbled) out of the cab, intent on a trip to the bathroom and the chance to get into some more comfortable clothes (having entrusted Elise with my wallet and the ability to do arbitrary math).

At the steps I fetched (fumbled for?) my keys, and when I looked up I was greeted with black magic marker scrawl across our door:

Steer Clear of Queer

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Was it the message or the gin that sent me into hysterical sobs, pounding on the door with my fists until it was feeling unsure on its hinges?

Does it matter? What was I supposed to feel, or do, the first time a message of discrimination I’ve heard off and on for years at parties and bars and from passing cars found itself tangible and branded on my home?

The next part is a blur: Elise getting to the door, our exchange, my dash into the house only to collapse on the floor, crying, screaming:

“This is our house; I just want to live here.”

Elise, rational and sober, called 911, and discovered as she shut the door that our newfound aphorism had been accompanied by an even more tangible reminder – used cat litter fed painstakingly through our mail slot so that it would be swept across our threshold when the door was opened.

I’ll spare you the visit of the police, protective and sympathetic, or my repeated calls to Lindsay, my voice splintering and breaking as I screamed to her that I didn’t understand, upset as much about myself as with my demographic-sharing double, the straight white male who thought this sort of thing was okay to go writing on someone’s door because he didn’t have enough muscles or force when he opened it or because he left the house in a wrong-colored shirt, and also how I would be happy for people to write on my door and shove crap through my mail slot for the rest of my life as long as they left Lindsay and Kate and our gay neighbors (yes, the irony) alone and in peace.

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I would never compare this experience to the discrimination that other people endure every day. It was passive – intimidation from a coward. It’s not even really about me. It’s not even really offensive, as a statement.

Yet while I would never compare, it remains that those words were written on our home, and that the crime of petty vandalism was undoubtedly about hate. I articulated as much to the lieutenant in my living room, feeling strangely sober and my stare fixed on the floor.

“Do you feel that this was a hate crime?

“Yes, officer. All that matters is what he thought of me when he opened the door, and the intended effect of his message.”

“I’m so sorry this happened to you and your roommate.”

“Fiancee,” I whispered, more to myself than to him. “We’re getting married.”

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With Sunday came concern; we had no way of knowing if the vandalism was an arbitrary one-time event or the first step of continuing harassment; we didn’t know if it was the work of a single actor or a faceless group of disgruntled neighbors. But we discovered that – after the initial shock – we were not concerned about the words on our door.

To scurry out that morning to clean it off would mean we didn’t want the neighbors to see. To cover it up surreptitiously by cover of darkness would mean we didn’t want to be seen responding to it.

Both would show that the message met its mark – that it had intimidated us. We may be a lot of things – maybe even a little queer – but one of them certainly isn’t easily intimidated.

I’ve been avoiding this box all this week because I’ve been uncomfortable with my own voice – the voice that got me into this mess – just as I haven’t felt comfortable in my own living room. Now that our door is finally back to its single solid color (plus a peephole) I also feel okay to return here, my virtual home, to begin to describe how I feel … how I’ve felt the graffiti on my own skin all week, how our house feels different now, and how every time I approach our door I am ever-so-nauseous in anticipation.

As to why we ultimately decided to leave the words on display until our landlord could have them painted over in broad daylight for the entire block to witness, Elise blogged it better than I ever could, so I’ll let her speak for me:

[I]t doesn’t reflect on us, it reflects on the people who did this and on the people who allowed it to happen. It’s a reminder to us of what emotionally, intellectually, and spiritually small people are capable of (though we would still see it there whether we painted it over or not), and it’s a reminder to everyone else that while this time we were the target, it could just as easily be them, next time.

They probably have not realized this, yet.