Crushing Krisis

The Newest Oldest Blog In New Zealand

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New for Patrons: Legion of Super-Heroes Guide

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I’m back with a guide for Patrons of Crushing Krisis that has been thwarting my efforts to complete it for over two years! Well, I’m happy to report that today I have finally defeated…

The Definitive Legion of Super-Heroes Guide

I first started drafting this Legion of Super-Heroes guide in 2019 when news broke that Brian Bendis would be reviving the Legion of Super-Heroes (LOSH) franchise for the Rebirth era.

I quickly realized I was in over my head. I might be an X-Men X-Pert, but when it comes to the 30th and 31st Centuries of DC Comics continuity I am a complete neophyte. I quickly pinged several Legion mega-fans, who gave me wonderful advice. In fact, in one instance I actually hired one of them to help me with an outline of the many different eras of LOSH because I was so overwhelmed!

And then… life happened. I changed jobs. We moved houses. ComicBookDB went down. I got a new job. The pandemic began. I got a new computer. I changed jobs again. I built my new solicits database. The pandemic finally reached NZ in full force. Comixology died an ignominious death.

Through each of those changes, I kept pecking away at the Legion guide in my spare moments. Was it really as complicated as I was making it out to be? Actually, it seemed like every time I worked on it, it just got more complicated and even longer!

Finally, over the past two months I began to wrangle it into a discernible shape. And, having spent many hours and thousands of words on The Legion of Super-Heroes, I am now going to summarize the entire franchise for you as simply as someone who has only read about 20 LOSH comics can… [Read more…] about New for Patrons: Legion of Super-Heroes Guide

It’s time to DIE – pre-order the deluxe hardcover AND the role-playing game!

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DIE is a brilliant comic book about role-playing from Kieron Gillen, Stephanie Hans, and Clayton Cowles.

DIE is also a brilliant storytelling role-playing game (RPG) from Kieron Gillen and Rowan, Rook and Decard.

This takes some explaining.

The thing you need to know right now is that if you want a deluxe physical copy of the RPG you have only three more days to Kickstart it, and if you want a deluxe physical copy of the entire comic run you can pre-order it right now (including pre-ordering from your local comic shop – yes, it’s already time to pre-order November hardcovers).

Okay, now on to the explaining!

DIE is one of the most-fascinating indie comic books of the past few years, both in concept and execution. The comic has already come and gone – it ran for 20 self-contained issues from December 2018 to September 2021 in four tight 5-issue arcs with no fluff.

(Mild first-issue spoilers lie ahead.)

The story started something like Stranger Things: 25th Anniversary Reunion.

A group of friends used to play role-playing games together in high school, but it ended with their sudden, inexplicable disappearance – and just-as-sudden reappearance years later, minus one member of their party and with a bevy of physical and psychological scars.

Where were they? They’ve never uttered a word about it to each other or anyone else and went on with their lives. Some of them were successful, some started families, while others could never shake their trauma and subsequent guilt.

On the anniversary of their disappearance they receive an unsettling reminder of their shared experience and they cannot help but be sucked back into something they know is much more serious and deadly than any game.

There are plenty of “real world people are transported into fantasy” stories out there, but DIE had a special, undeniable magic to it.

Central to that were the real world characters – five wounded adults, some of whom had spent their lives trying to be completely different than their game characters while others chased after becoming more like their fictional selves. They each had relatable stories about loss, addiction, identity, and disability, and those themes were amplified by the fantastical world around them.

As the story progressed, it became clear that this was a fantasy story with a very specific structure. In fact, the structure was so well-formed we could refer to it as a set of rules.

That’s because Kieron Gillen, in all of his wild genius, not only scripted a 20-issue comic story, but also the complete ruleset of the role-playing game the characters were playing in the story. [Read more…] about It’s time to DIE – pre-order the deluxe hardcover AND the role-playing game!

Music Monday: “King” – Florence + The Machine

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We all experience music in different ways.

When Cecily told me there was a new Florence + The Machine song out a few months ago, she said, “the first time I listened to it, I saw colors.”

Seeing (or otherwise experiencing) colors when you hear music is a form of Synesthesia. Explained simply, Synesthesia is when you experience one kind of sensory input, but it triggers a secondary perception or sensation. A common example is that some people think or see the color blue when they see the number “8” – even if the number is written in black or yellow.

Cecily’s comment made me consider how I experience new music.

As a musician, when I hear a song for the first time my brain usually begins to dissect it. How does the story in the lyrics track, what are the intervals in the melody, what is the chord structure, how do both change in the chorus, etc.

Yet, if I can press pause on my musician brain for long enough, I also hear music in a different way. Sometimes when my musician brain is switched off I hear a song and I get an intangible feel from it, separate from its genre or musical structure.

I don’t meant that the song makes me feel something, like happy or sad. It’s hard to describe. It’s almost more like a sensation. Some songs feel cold, slick, and metallic, like if I were to lick them my tongue would get stuck. Others feel like rubbery bubbles in a roiling boil, all ricocheting off of each other. Some have a sensation of fullness, even if their arrangements are sparse. I’m not picturing an image or a scene, but a concept.

I don’t get a feel from every song, and I don’t necessarily like a song if I get a feel from it. Sometimes I get the feel and I’m like, “Oh, so that’s what this song is,” and then I never need to hear it again. Sometimes the feel is addictive and I immediately crave more of it. Other times it is fleeting, and if I don’t jot it down in the moment I lose it forever.

Is that also a form of Synesthesia?

It’s hard to say, partially because I have so much difficulty defining it. My “feels” are not frisson, or “musical chills,” where certain musical passages give you physical goosebumps. I get those, too, especially on big crescendos! But, they’re distinct from this other sensation.

This was all on my mind the first time I listened to “King” with E (a major Florence fan). We pumped it out at maximum volume through our stereo speakers in the living room. [Read more…] about Music Monday: “King” – Florence + The Machine

RuPaul’s Drag Race All Stars Season 7, Episode 4 – Fairytale Justice: recap & power ranking!

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Welcome to my recap of the fourth episode of RuPaul’s Drag Race All Stars Season 7 – Fairytale Justice, an improv acting challenge!

I have done improv in college classes and as a warm-up for rehearsals, but I’ve never officially performed improv for an audience. That still gives me a lot more exposure to improv than average TV viewer. I’d guess that the vast majority of people’s experience with improv comedy comes from watching Whose Line Is It Anyway? and having heard of the rule of “Yes, and…”

Broadly, the idea of “yes and” means that you accept what others in your scene have said as reality and then you add to it.

That might be the primary rule of improv, but it’s not a rule in the sense that people who haven’t done improv often expect it to be. It doesn’t mean that you must always say “yes, and..,”, that your character can never disagree with another character, or that the story can never contradict itself. It also doesn’t mean that everything in improv has to be done without a plan or with no preparation.

“Yes and” is simply a guideline for productive collaboration. It’s a means of always moving forward instead of pausing to correct or edit, even if that means you move forward into conflict. Any good conversation you’ve ever had involved an amount of “yes and.” So have most of your successful group projects. Even working from an agenda in a meeting requires an amount of “yes and”!

As it turns out, life is largely a game of improv.

RuPaul emphasizes improvisation on Drag Race because improv is foundational to not only his idea of comedy, but his entire career. Ru loves the idea of “volleying” – being able to trade an escalating series barbs live with another player. That quick wit has been a huge part of what has made him an enduring icon in entertainment. He picked that up from a wide array of silly 60s, 70s, and 80s influences like Laugh-In, The Sonny & Cher Show, comedians on gameshows like Match Game, and late night hosts like Johnny Carson and Joan Rivers.

Not all Drag Race contestants fully grasp this idea of “yes and,” let alone how to use it to play for laughs. That has resulted in many uneven improv moments over more than two dozen seasons of the show’s many franchises. Yet, in this episode, we saw two of the best ever examples of “yes and” in Drag Race history!

Do you know which two queens I mean? Keep reading to find out in my full recap of “Fairytale Justice.” Plus, at the end of the recap I’ll update my Episode 3 power rankings to show where the queens stand after another week of Legendary Legend badges. (Want to skip right to the power rankings? Go for it!)

Readers, start your engines! And, may the best drag queen… win! [Read more…] about RuPaul’s Drag Race All Stars Season 7, Episode 4 – Fairytale Justice: recap & power ranking!