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February 19, 2002 by krisis

Every day is a day that your whole life has been leading towards; each step is the step that all of your life has been preparing you to take. Until the next one.

Two years ago i auditioned for Hair. I had so far only had a bit part in a main stage show, and i had never sang on stage before. But, i had the most hair of any of the boys who were auditioning. This, i was sure, was my shoe-in.

Our director asked who would sing first, and a hush fell over the room packed with aspiring tribe-members — no one wanted to set the bar. So, i did… with assurances that i could get up and try it again later. It was one of the most terrifying experiences of my life: my arms went numb, i forget my lyrics, and i couldn’t understand the piano arrangement. I barely remember the act of singing so much as i remember the lights blinding me as i wandered off the side of the stage, knowing that my second try would not make much of a difference.

When i didn’t get a callback, i was not entirely surprised.


Everything between then and now has been my stumbling rehearsal for tonight’s audition for Fiddler on the Roof. Every failed audition, and every successful one. Every note i’ve hit and every note i’ve missed. Every smile, every tear, everything. Yes, it’s about whether or not i can hit my E, as i am acutely aware. But, it’s also about who i was when i took the stage 730-odd days ago and who i can be tonight.

It’s not about hitting your stride in the moment, every moment, living for each. It is about sustaining through them all, stringing them together like a legato string of pearls.

Not coincidentally, that’s what my voice teacher keeps telling my about hitting the high notes in my audition piece. Maybe after i get it right in my singing i can manage to apply it to life.

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Filed Under: singing, theatre

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