I’m long overdue on commenting on the best music of 2000, aren’t i? To be fair, i got some of my favourite albums of last year in a post-christmas shopping spree, so i needed some time to adjust to them. However, i think i might have a top five ready to go – only, it’s not so much a top five as it is five #1’s in different categories. Here we go…

Stories From the City, Stories from the Sea, PJ Harvey – Albums this good aren’t made all that often. Crunchy rock songs, flowing earthy ballads, and the ability to turn love into a tangible wavelength of sound for three minutes at a time. Hardly a single song misfires, and standouts like “Good Fortune” and “You Said Something” are easily some of the best songs to have been released all year. A must have.

The Trouble With Poets, Peter Mulvey – It’s hard to be objective about this album, because i’ve known it for so long. The live album that preceded it featured its title track, and i had seen Peter play over half of the album live in 1999 and early 2000. But, the album’s release was anything but anticlimatic; Peter’s sparse live acoustic sound is something totally different than the textured mix found on his album, complete with sighing backing vocals and drums that just emphasize the incredible rhythms he establishes with his guitar. Every song is good, but the title track is perfection itself.

You Were Here, Sarah Harmer – I would have never bought this album, except that i came into work early one day and heard it played straight through on our local folk station. Of course, i was busy making lattés and hardly could pay the sort of attention Ms. Harmer warrants, but i definitely was intrigued by her sound. On a whim i picked up her disc in my post Christmas shopping spree, and i have to say that it’s the best whim i’ve had in years. The album as a whole resides somewhere in the vast expanse between Ani DiFranco and Sarah McLachlan, but individual songs like “HideOut” and “Lodestar” defy such easy categorization as much as they defy you to not like them. Album opener “Around This Corner” is almost too catchy to even recommend to you for fear you might never listen to another first track the same way again, the wailing “Weakened State” conjures up more angst then any Limp Bizcuit song i’ve ever suffered through while still sounding great, and “Basement Apartment” definitely deserves to hit it big on college or AC radio. This album has something for almost any fan of female folk or pop music, so i suggest you listen.

The other two albums of the year are still in flux. Do i sell out and pick Madonna’s Music just because it’s Madonna and surpassed my wildest expectations. Can i really place indy-rock Death Cab for Cutie’s We Have the Facts and We’re Voting Yes amongst some of my musical idols without a flinch? Or, is Veruca Salt’s first post-humus effort deserving of the best of recognition for it’s shining moments even when there are terrible ones mixed in… I’m altogether unsure. I’ll tell you as soon as i figure it out…