Conan The Barbarian Omnibus, Vol. 1 is the #54 Most-Wanted Marvel Omnibus of 2017 on Tigereyes’s Secret Ballot.
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What Is It? Marvel’s first ongoing Conan series launched in October 1970 and ran continuously through issue #275 in December 1993 alongside several other Conan ongoing comics and magazines.
Past Ranking: Tied for #38 in 2016, its first year on the survey.
Creators: Conan The Barbarian (1970) was written by Roy Thomas through issue #115 and again from #240-275. This early run featured pencils mostly by Barry Windsor-Smith with colors by BWS and Mimi Gold through #24, as well as Gil Kane, and John Buscema (with Neal Adams and Rich Buckler on the tail end).
Probable Contents: Conan The Barbarian (1970) #1 to 23-26, or even as far as #42, as well as material from Savage Tales (1971) #2-3 (and maybe also #1 and 4-5).
There’s the added wrinkle that Dark Horse would be releasing this collection rather than Marvel – more on that below.
Can you read it right now? Yes, via Dark Horse’s Chronicles of Conan, as well as the Barry Windsor Smith illustrated content in special Archives editions. See the Guide to Conan for the full details.
All of the possible content of this omnibus is available via Comixology Unlimited, and Amazon has all 34 volumes(!) of Chronicles of Conan available digitally in Kindle/Comixology versions.
Marvel went through a craze of licensing properties and spawning horror comics in the 1970s. While many of these experimental expansions are now mostly-forgotten, one of the earliest spawned and entire group of comics and would only grow in popularity over the years – Conan!
Marvel’s Conan’s comics are neither a direct adaptation from novels originally by Robert E. Howard or entirely their own story. Instead, they are loose adaptions of key tales, inserting connective tissue between them. They are also mostly one-shot stories – even when they begin to continue more directly from the end of the previous story, each issue tends to be self-contained with a definitive end.
What is Conan really about? Conan is a Cimmerian, a people known for their barbarism, but he has thrown in against the Vanir in a regional conflict between different tribes of men. The comic follows his adventures, sometimes as a soldier, sometimes as a mercenary, and often simply as a wanderer encountering all of the brutality of the fiefdoms in his region.
These early Conan stories were written entirely by Roy Thomas, and they have a relatively set formula. Issues tend to open in the midst of conflict, or with Conan wading into a trap. There’s often a brief alliance with a gorgeous woman who is brutally killed. Conan is frequently too stubborn to retreat once gaining the upper hand, determined to continue until he slays the big bad or burns down an entire city, tower, or dungeon.
While Conan’s genre is described as “Sword and Sorcery,” that might give you the wrong idea about the action. In the first 24 issues, Conan is fighting men for over three quarters of them. Beasts tend to be singular and not too fantastical – just giant-sized or semi-sentient versions of things like apes, lizards, or spiders. When he does fight magicians, it’s not a D&D style battle with thrown fireballs – the magicians tend to be controlling beasts, or undead armies, or some form of glamour.
Over the course of the issues Conan begins to develop a personality and a moral code that makes him less of an anonymous warrior for continuing readers. Yet, this is still meant as an anthology-style pulp story, which explains the repetitiveness of some of the story beats. Conan The Barbarian is not a comic meant for binge-reading. It’s more of an issue-a-day sort of series.
What really distinguishes this run is that the majority of it is illustrated with fantastic detail by then newcomer Barry Windsor-Smith and a set of fantastical colors from Windsor-Smith and Mimi Gold.
Panels from the original comics are breathtaking, which is why I’ve included two of my favorites here with my own color balance. Unfortunately, reprints of this run have used a heavier hand on color correction, erasing the bold presentation of the original issues in favor of a muddier, modern take on the colors. The majority of voters are likely wishing for a faithful restoration of the original, rather than a digital remaster.
(And here’s a fun fact from the letters page – Windsor-Smith penciled the early issues in the order of #1, 2, 5, 4, 3, 7, 6, then Savage Tales #1.)
Will we see this omnibus in 2018? Maybe, but not in the way we think of a Marvel Omnibus.
Dark Horse owns the reprint rights to Marvel’s complete Conan library. They don’t currently have a regular format that’s equivalent to Marvel’s Omnibuses, although they did produce a single massive The Colossal Conan to collect #51 issues of their own 2003 Conan series.
However, that’s not typical of Dark Horse’s collected output. On the higher end side, they produce Library Editions – books in the 200-400 page range that are slightly taller and much higher in quality than omnibuses for a similar price per page. On the paperback side, they’re known for massive 500ish page paperback omnibus volumes that are absurdly affordable.
With Dark Horse through with their Chronicles of Conan reprints, why wouldn’t we leap to Library Editions with this content? Well, the thing is… we already have. The Barry Windsor-Smith Conan Archives collects all of the BWS issues from #1-23 in Volume 1 and Volume 2.
We could see a paperback omnibus instead, likely collecting the first three Chronicles of Conan paperbacks, but that’s not really what voters on the secret ballot have in mind.
Basically, voters want The Colossal Conan The Barbarian Volume 1, which Dark Horse could follow with an additional four or five volumes to collect the entire series if interest persisted – although, that would be hard to gauge given the added punch of this volume collecting all of the BWS material.
Would I recommend buying it? Yes, if you enjoy early Bronze Age comics and the swordplay of Conan.
I’ll be honest – I’m entranced by this material in concept. In reality I find it a very slow read that I’m not necessarily in love with as I’m reading, although I tend to remember it as a massive, fully-realized cinematic epic – as if I watched a high-budget film of what the comic depicted.
I can tell that the comics are good, but reading just one before bed is plenty of Conan for me. Each issue is like its own mini-novel.
(Is that how some modern fans feel when they get recommendations to read key Bronze Age superhero tales like Dark Phoenix Saga or Wolfman’s Teen Titans?)
I suspect I would enjoy an accurate restoration of the artwork rather than the digital recolor on the current Chronicles reprints.
What does Conan fight?
You’re Conan. People say you’re a barbarian, but that’s kind of a slur for Cimmerian. To be fair, you do kind of fight everything in sight that you’re not interesting in shagging.
I gave myself 60 seconds to page through every one of these early issues to see if I could quickly summarize who Conan is fighting in each one. Some of the descriptions are… let’s say, purposefully reductive. Sixty seconds isn’t much time to spend with these wordy comics!
#1 …men and flying demons
Conan is on the Aesir side of a brutal conflict between Aesir vs. Vanir (plus their Shaman and his horde of flying demons), even though he’s more of a freelance barbarian who is scared of sorcery.
Conan is adventuring through the snow of Aesgaard, where he slays a frost giant just for being himself before being lured by a pretty face into the trap of Brutorian slavers, against whom he starts a successful rebellion.
Adapts “The Grey God Passes,” where Conan gets in the middle of a war between Hyperborea and Brythunia, whose dead are claimed by a fleet of Valkyries.
Adapts “The Tower of the Elephant,” where Conan gets into a barroom brawl and then fights a giant spider and puts a green elephant demon named Yag-Kosha out of its misery.
#5 …magical people
Adapts “Zukala’s Hour,” where a Zamorian village trembles in fear of a tax-collecting total babe of a were-tiger, who wants to settle down with Conan.
#6 …women, a black man, and a giant bat
Still in Zamora, Conan falls prey to a lovely grifter playing the long haul, is racist agains a citizen of the “imaginary” nation of “Zembabwei,” and eventually fights a giant bat because it gets in the way of shagging said grifter.
#7 …wolves and a serpent god.
Adapted from “The God in the Bowl,” Conan falls into the employ of a haughty women as her chariot driver despite not having any experience (oh, to have the confidence of a barbarian!) and battles a murderous serpent-god.
#8 …men, giant-lizard, and undead
Adapted from an unnamed Robert E. Howard synopsis, Conan sports luscious locks that would later inspire “The Rachel” haircut twenty years later as he fights a vengeful Vanir, a very sad little dragon, and some undead goons.
#9 …men (some with wings)
Adapted from “The Garden of Fear,” Conan fights barbarian-er barbarians and an ebon hawkman in a particularly gorgeous issue.
#10 …men and a bull-man
Conan and Jenna (a femme fatale who survives more than one issue!) fight some guards and fights the Bull of Anu.
#11 …men, a woman, and a giant ape
Adapted from “Rogues in the House,” Conan is jailed after Jenna turns him in and has to fight his way free, including slaying a man-ape losing touch with his human manners.
#12 …men and an octopus
Conan is ambushed by desert guards demanding he pay a tribute to their queen for drinking from their oasis. The tribute is sex. Later, he is left in a dungeonous sewer to be eaten by an angry octopus.
#13… men, a hawk, and a giant spider
Conan is left for dead in a dessert, beats a bird to death (just a normal bird, not, like, a giant one or anything), and fights a local spider-god.
#14 …Elric of Melnibone
Conan fights the albino, drugged-up Elric, though they later team up.
Conan and Elric fight assorted demonic creatures, though its his disposable lady companion who battles Terhali, Green Empress of the Melniboné.
#16 …men (potentially some half-frost-giants)
Adapted from “The Frost Giant’s Daughter,” Conan slays an impressive amount of Vanir and chases the Frost Giant’s daughter around. In a back-up, he fights the Wizard Trull and his creations.
#17 …men and a lizard creature (and, briefly, a shark)
Adapted from “The Gods of Bal-Sagoth,” it’s Conan’s first comic adventure on the high seas! At least, briefly, before he and the Vanir captain go overboard and wind up embroiled in the overthrow of a Bal-Sagothian high priest.
#18 …men and creatures.
A rare Conan story continued into a second issue! Conan and his uneasy Vanir ally Fafnir continue their vacation in the city of Bal-Sagoth, first defending its new queen Aala from the murderous former high priest but later fighting against her forces.
Conan continues his adventures with Fafnir as they invade the city of Makkalet.
#20 …a hound
Continues from the end of the prior issue. Conan takes another trip into the city of Makkalet to try to find some purpose behind their previous siege and all of the death that ensued. A relatively brainy issue, for Conan.
#21 …men and a front
Adapted from “The Black Stone,” Conan is still stuck in Makkalet, and takes on a mission for the king and queen – to ride to the city of the queen’s father to ask for aid in the never-ending seige of Makkalet. However, he is waylaid in his journey.
#22 reprints #1 because BWS’s art was lost in the mail!
Adapted from “The Shadow of the Vulture,” Conan finishes his mission but dislikes the civilizes surroundings of Makkalet’s sister city, yet an entire army gives chase – but the mercenary soldier Red Sonja intervenes. Conan returns to Makkalet
#24 …men and a golden serpent
Conan and Sonja continue to carouse in and defend Makkalet.
The 2017 Most-Wanted Marvel Omnibus Secret Ballot Results
- #60 – What If? Classic Omnibus, Vol. 1
- #59 – House of M Omnibus
- #58 – Captain Marvel by Peter David, Vol. 1
- #57 – X-Force by Kyle & Yost
- #56 – Namor, The Sub-Mariner, Vol. 1
- #55 – X-Force, Vol. 3 AKA Cable & X-Force, Vol. 1
- #54 – Conan The Barbarian, Vol. 1
- #53 – Thor: God of Thunder by Aaron & Ribic
Allen Plant says
Today–January 12, 2018–Marvel announced that the company had reacquired the rights to Conan properties. Announcements have yet to be made concerning reprints, but I should think this would have some consequences for Masterworks, Omnibuses, etc.
Holy @!@# – just seeing this news! Wow, it’s crazy to think of it leaving Dark Horse after they’ve done such great work with it over the past decade.