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Archives for November 2008

November 21, 2008 by krisis

The state of me at the moment is outstandingly tired.

Last weekend was our trip to NJ, and the weekend before a crazy deadline for Trio and arranging. Just now Elise was whisked away by our darling Mary in top secrecy for her bachelorette party … which you would think is a recipe for a restful, sleepy weekend.

But, hello, this is Crushing Krisis. Either we’re crushed or we’re having a crisis.

So, with a spare thirty minutes after Elise’s departure I am due at the Dark Horse South Street with Gina to play a benefit for Stand Up For Kids alongside plenty of our favorite musical friends: Joshua Popejoy, Bill Butler, Dante Bucci, Jon Glaubitz, and Andra Taylor.

(I was actually just mentioning to a co-worker that I’ve played more spots this year as Arcati Crisis or individually than I had played combined as either in my life to date. That kindof blows my mind.)

And, um, i was going to write more but Dante is in my living room to pick me up and I haven’t packed a bag yet for the second half of the odessey: staying over in East Falls to help Kate and Lindsay MOVE INTO THEIR NEW HOUSE tomorrow before escaping for the Amanda Palmer concert oh my god do i even have any clean socks okay now i am going to hit publish

https://www.crushingkrisis.com/2008/11/3410/

Filed Under: arcati crisis, Engagement, Philly, thoughts Tagged With: mess

Gimme Gimme Gimme

November 20, 2008 by krisis

Ten toys, of which I can presently afford to purchase one, roughly in order of how badly I am pining for them.

  • A Digital Audio Workstation from Woot Computers. Price: ~$2200 (My computer is now 5+ years old and, though it works as well as the day I bought it, its age makes me increasingly uneasy. Also, I’d like to record a proper demo CD rather than just four-track exercises.)
  • A 16- or 24-channel mixer, powered or unpowered, with inline or accompanying reverb and compressesion. Price: ~$1000 (I am so fucking sick of using other people’s PAs. Seriously. Never again.)
  • A mid-range vocal condenser mic and an XY pair of directional instrument mics. Price: $850 (For solo recording awesomeness.)
  • A light-weight laptop w/at least two gigs of ram. Price: ~$800 (I would be so much more productive, and so much more willing to go places.)
  • An Android Phone. Price: ~$200 + $360 additional services fees in a year. (I love it, but not really, because I don’t like T-Mobile. Hopefully Sprint comes through with their 1st gen in the nick of time before the wedding.)
  • A 160-Gig iPod. Price: ~$320. (I can’t add any more audio to mine; on the flipside, this endeavor probably requires a larger hard-drive to be of full use.)
  • Something that is a pedometer AND has GPS. Price: $150. (I’ve just wanted this for so long. Possibly the above phone would take care of this?)
  • An auto-feeding CD-Duplicator. Price: ~$800 (Seriously, burning 100 Brown Bag CDs is a major chore. Note that the Woot Computer would two lightscribe drives for duping, which would knock this off the list.)
  • A flat-panel monitor with a 19″ wide viewable area. Price: ~$250. (Work has spoiled me, a bit.)
  • New computer speakers. Price: ~$150. (I’m still using the ones I bought from Lindsay’s Digital Media teacher, and my reference monitors aren’t really appropriate for general listening.)
  • So, if anyone feels like giving me a $7k Amazon.com shopping spree…

    Filed Under: gear, shopping, thoughts Tagged With: lindsay

    Spike Jonze knows Where the Wild Things Are

    November 19, 2008 by krisis

    Ain’t It Cool News posted a monstrous, wide-ranging interview with director Spike Jonze, mostly focusing on his unusually organic approach to filming the Maurice Sendak classic Where the Wild Things Are.

    If you’ve kept up with the gossip on this flick you know it was originally scheduled for release this holiday season, but its debut is now slated for next year. Was there any truth to the story floated that early test footage was flat and lifeless? The interview says “maybe,” but qualifies that by divulging intriguing details about the process of editing the performance of their child star and creating individual personalities for each of the Wild Things.

    Jonze is a master craftsman, and each of the stories that unravel during the interview are fascinating – from his holistic approach to special effects to taking turns with Katherine Keener standing-in as an 8-year-old boy, and his idea to promote the film by having kids talk about their feelings (rather than hawking toys at Burger King).

    Fantastic long-form journalism.

    Filed Under: childhood, flicks, journalism

    One Hang Drum Per Child (complements of Dante Bucci)

    November 18, 2008 by krisis

    The new promo video for One Laptop Per Child features my friend and sometimes percussionist Dante Bucci‘s original composition for hang drum:

    Earlier today I briefly quizzed Dante on how this came to be, and he said:

    The firm they hired to do the animation somehow came across my YouTube video and they wanted to use the song. It happened to be one of the songs I recorded but didn’t make it to the EP, so i had a good quality recording for them to use.

    The hang drum (pronounced “hung”) is a ufo-shaped, hollow percussion instrument that’s not unlike an inverted steel drum. Each hang has a root note in the center and a scale surrounding it, as marked by tiny divets around the circumference of the instrument. Each year a limited number of hangs are made, in specific keys and scales.

    At this point Dante is one of the international experts on the Hang. He’s taken the instrument to places other people hadn’t previously conceived – playing multiple drums at once, and tracking the hang against drums and bass on his new EP.

    This tune – “Fanfare” – is my current favorite.

    You can catch a set on the hang from Dante most Wednesdays (though not tomorrow) at Lyndzapalooza’s open mic at Intermezzo Bar & Café @ 3131 Walnut Street. You can also hear him playing percussion and singing background vocals at Mutlu’s shows in the Philly area.

    Filed Under: lyndzapalooza, philly music, weblinks

    Bridezilla vs. The Groomlin

    November 17, 2008 by krisis

    As we hit the two-month mark on our wedding plans it’s becoming increasingly clear that Elise is the calm, measured one, and I am the rational, demanding one.

    In layman’s terms, that would make me “Bridezilla.” Or, as we deemed me almost a year ago, “The Groomlin.”

    Except, I don’t think my behavior has been all that monstrous. This is the most expensive endeavor I’ve undertaken in my personal life, but it pales in comparison to the cost of my projects at work. I’m being just as detail-oriented about the wedding as I would about a 300m-piece mailing, and there are plenty of details to orient to in both.

    Part of being rational and demanding means holding the line when presented with unacceptal options. I carefully vetted caterers for ones who would take requests for vegetarian and vegan meals seriously. I had firm words with my jeweler when they nicked up Elise’s engagement ring without noticing. I refused to sign a contract with our first shuttle company because they were evasive and rude to Elise when she asked them to clarify their deposit policy.

    Which brings me to the story of this weekend, my erstwhile wedding band, and the double-standard of “Bridezilla.”

    .

    Elise knows I like unusual, modern design, and early in the band-shopping process she turned me on to tension-set rings. They’re typically titanium or stainless steel bands, and the strength of the band holds a jewel without any prongs or inset.

    Since I don’t wear much jewelry I liked the utilitarian idea of a stainless steel band, and I loved that I could finally have an excuse to wear a sapphire, my birth stone. I picked a sample setting, and we set out to find a store that carried something like it.

    We found said store in New Hope – awesome, since that’s one of my favorite places in the area to spend the day. We visited once to nail down the exact ring and jewel – a thin stainless steel band with tension set princess cut sapphire almost the exact height of the band.

    The store didn’t have it in stock, but it wasn’t a custom design – just a more obscure band/jewel combination. They told us they’d order it from the company headquarters in Europe, and that it would be in shortly. Sure enough, they rang us barely a week later to let us know that the ring was in, which is what brought us back to New Hope on Saturday.

    Once we were at the counter I was so aflutter with excitement to get the band on my finger that I didn’t really look at it before I slipped it on. As I turned it round my knuckle, admiring its fit, Elise immediately exclaimed, “That’s not it!”

    I looked down, and saw that though the band was right the stone was wrong – round cut, not princess.

    Of course, at the point you’re paying hundreds of dollars for a ring you’ll spend the rest of your life wearing you want the stone that you asked for. The jeweler’s wife understood completely, and she told us she’d ship the ring with the correct stone directly to us.

    .

    That’s essentially how we recounted the story in Elise’s father’s kitchen later in the day, but as I told it I saw something in my mind that I hadn’t noticed earlier. As I turned the wrong ring round on my finger the company’s logo was etched on the rear of the band. But, why would it be marked visibly on the outside of my ring?

    Elise, she of the eagle eyes, had no recollection of said branding. Maybe I had seen it on the inside of the band?

    No. I could not shake the image of turning the ring around on my finger and noticing the mark as it turned. It was on the outside of ring.

    Knowing me as well as she does, Elise thrust her phone at me. “Just call them,” she insisted. “Better than spending the next week wondering about it.”

    So, sitting in Elise’s father’s kitchen with the entire assembly of her siblings around me, I dialed the jewelry store.

    P – Hi, it’s Peter, with the tension set ring. I have sort of a strange question. When I was there earlier and I tried on the ring I thought I saw the company’s logo etched on the outside of the band. But, I’m sure it would have really been on the inside. Can you just look for me?

    Jeweler’s Wife – Oh, sure, just let me get it out. (rummaging sounds) Here we are. Let’s see. Yes, yes, there’s the mark. It’s on the outside.

    P – Well, that must be some sort of mistake.

    JW – No, no, now that I think of it, all of the rings in the case have it on the outside as well, so it’s just like the one you tried on.

    P – Yes, but they’re for display. They’re display models. Of course they would be branded. I didn’t think my actual ring would be branded.

    JW – Well, that’s how their rings come to us.

    P – Can’t we get one without a brand? Or, have it on the inside?

    JW – I don’t think they do that.

    P – Right.

    …

    P – Can you just hold on to our order for another day or so? I need to decide if I’m still interested in the ring.

    JW – I don’t understand. You might not want to order the ring?

    P – Yes.

    JW – Because of the brand mark?

    P – (firmer) Yes.

    JW – But, why?

    P – Because it’s my wedding band. It shouldn’t have any extraneous marks on it.

    JW – But, it’s just the company logo…

    P – It’s my wedding band, not a fucking Toyota.

    …

    P – So please hold our order until we call back. Thanks.

    .

    Clearly I went a little Groomlin there, but the various bystanders in the kitchen forgave me. Of course I don’t want the company’s logo to be visible on exterior of my ring. Of course I was flustered by the jeweler’s wife treating it as a non-issue. No, it wasn’t unreasonable to tell her to hold my order. Aside from dropping an F-bomb the call had been entirely rational.

    So, here’s my question for you: if I was a bride, would you say that I was a Bridezilla? And, if so, what does that say about the double-standard of weddings – that a man who’s concerned about having things his way is in-control, but a woman who wants things her way is a monster?

    Filed Under: Engagement, ocd

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