Next week is the 8th new comic book day of 2025! This post covers Marvel Comics February 19 2025 new releases. Missed this week’s releases? Check out last week’s post covering Marvel Comics February 12 2025 new releases.
This week in Marvel Comics: One of Marvel’s hugest release weeks OF ALL TIME! Doom Academy, a Battleworld omnibus, Hickman’s Avengers take their fight against xenomorphs to space, Wanda the Queen of Chaos, Casey’s Weapon X-Men debut, Storm’s eternity, Thunderbolts return, and so much more!
The Krisis Pick of the Week: This might surprise you, but for me it’s Doom Academy (2025) #1! The Strange Academy kids eventually won me over, and I’m really curious to see how their personalities evolve while under Doctor Doom’s tutelage. Plus, Kid Krisis has all of their trade paperbacks and has literally been asking me about when this new issue would come out at least once a week since Marvel teased it late last year.
This post includes every comic out from Marvel Comics February 19 2025, plus collected editions in omnibus, hardcover, paperback, and digest-sized formats.
This isn’t the typical comic releases post you can find on other sites. Why? I explain each collection and review every series with a new issue out this week. Plus, for every new release, I’ll point you to a personally-curated guide within the Crushing Comics Guide to Marvel Comics to find out how to collect that title in full!
There’s no other website on the internet that can claim that.
And now, onto Marvel Comics February 19 2025 new releases!
Marvel Comics February 19 2025 Collected Editions
Guardians of the Galaxy Epic Collection Vol. 2: Quest for the Shield
(2025 paperback, ISBN 978-1302956417 / digital)
See Guide to Guardians of the Galaxy. This is a somewhat peculiar collection of classic Guardians stories in that it collects the remainder of the 70s and 80s tales of the future Guardians of the Galaxy and also the first six issues of the 1990 series. Usually Epic Collections have slightly cleaner breaks than that.
We’ve seen that 1990 series collected before in its entirety in Epic-esque paperbacks, but it’s nice to have confirmation Marvel will be recollecting it into Epics – I expect the remaining 56 issues, 4 Annuals, Galactic Guardians #1-4, and assorted tie-in appearances will take four Epic volumes to cover.
Marvel Masterworks: The Fantastic Four – Remasterworks Vol. 3 HC
(2025 “Remasterworks” hardcover, ISBN 978-1302956004)
See Guide to Fantastic Four. Marvel’s remastering of their oldest Masterworks editions continues with a cleanup of the linework and coloring on the third Masterworks of Lee/Kirby Fantastic Four. That volume was originally released in 2003, so scanning and remastering capabilities have come a long way since then.
I’m not sure if there is going to be a cut-off for these remasterworks volumes. Do things that got Masterworked from 2010 and on need to get masterworked again, or are we just using it as an excuse to do reprints at that point?
Either way, happy to see these early volumes back in print and I hope this line expands beyond the core few books it has tackled so far so people can get in on the ground floor of other long-running lines.
Miles Morales: Spider-Man by Cody Ziglar Vol. 5 – Blood Hunt
(2025 paperback, ISBN 978-1302958459 / digital)
See Guide to Spider-Man – Miles Morales. For me this is where Cody Ziglar’s Miles run really came together and started cooking. All of the themes and characters from earlier in the run really connected here and the story felt really centered and tense to me. For that reason, I think this is a fine place to pick up the run – if it clicks for you here, you can always go back for earlier stuff.
But, why not just read it from where it was awesome?
The Punisher: Welcome Back, Frank
(2025 paperback, ISBN 978-1302964795)
See Guide to Punisher. A reprint of the year 2000 Garth Ennis & Steve Dillon in-continuity classic that ultimately inspired the MAX line.
Scarlet Witch [by Steve Orlando] Vol. 4: Queen of Chaos
(2025 paperback, ISBN 978-1302957476 / digital)
See Guide to Scarlet Witch. Despite having “Volume 4” in the title, this actually collects the first arc of Scarlet Witch (2024), which is actually a good thing – it means Marvel is numbering all of these trades sequentially even as they hopscotch through different series.
Personally, I’d track back to start with Volume 1, which was fantastic and sets the scene for this series. But, this was also pretty good!
Secret Wars: Battleworld Omnibus Vol. 1
(2024 oversize hardcover, ISBN 978-1302959685 / digital)
See Guide to Marvel Universe Events – Secret Wars (2015). This is the first omnibus collection of all of the Battleworld mini-series of bottled one-shot non-continuity stories that happened during Secret Wars in Alphabetical order. There’s no real reading order, because they all just happen … mostly at some point between Secret Wars (2015) #1 and 8.
Since these are non-continuity I’ve almost entirely avoided reading them, and the few I’ve picked up have seemed pretty dreadful… but, alternate reality rarely hits for me, and certainly not in this bait-and-switch “it’ll all matter later (but never did)” format.
X-Force Epic Collection Vol. 4: Toy Soldiers
(2025 paperback, ISBN 978-1302959814 / digital)
See Guide to X-Force. We’ve seen this post-Fatal Attractions / pre-Age of Apocalypse X-Force (1991) material collected many times over, but good on Marvel for maintaining a chronological walk through collecting early X-Force while picking and choosing which later issues to hit.
Honestly, all of X-Force was pretty dang great with Fabian Nicieza writing. If you enjoy these characters at all from other runs you really can’t go wrong with this one, which is where many of them were at their best and most-definitive.
X-Men: Heir of Apocalypse
(2025 paperback, ISBN 978-1302958091 / digital)
See Guide to X-Men – The Age of Krakoa (2019 – 2024). This is the parting shot from the Krakoan Age, a brief epilogue to try to give some context to Apocalypse’s hairpin heel turn in X-Men (2021) #35.
Unfortunately, it was all a bit overstuffed – with a dozen characters compelled to compete for Apocalypse’s power. Some of them were peculiar fits for this story and it was hard to understand why they didn’t simply tap out immediately, even with all of the deadly impediments thrown in their way.
Essentially, Steve Foxe tries to speedrun a redux of “The Twelve” … and, actually, wouldn’t it have been amazing to finally repair that critically flawed storyline rather than get whatever this way?
Read on for a summary of all of the Marvel Comics February 19 2025 single issue releases!
Marvel Comics February 19 2025 Physical Comic Releases
Alien: Paradiso (2024) #3 (of 5) (digital) – See Guide to Aliens comics. A quite dull series about a group of mobsters and interstellar cops caught on a resort planet during a Xenomorph outbreak.
Aliens vs. Avengers (2024) #3 (of 4) (digital) – See Guide to Aliens comics. This slow-to-release comic from has been nothing less than a meteoric smash hit from Jonathan Hickman, Esad Ribić, Ive Svorcina, and Cory Petit.
I love that this is Hickman swinging as big and as hard as he is able with no restrictions on maintaining the continuity of either Marvel or Aliens. Hickman is deep into his multiversal nonsense in the most pleasing possible way. But, our guy has limited pages to accomplish his goals even in these double-sized issues, so there are some plot conveniences along the way.
Some of the climax of issue #2 felt a bit pat as a result, but otherwise this story been quite taut and deadly with its twists, both positive and negative.
Amazing Spider-Man (2022) #68 (digital) – See Guide to Spider-Man – Peter Parker (2018 – Present). I just paged back through the entirety of this nearly-weekly “8 Deaths” storyline, and I think it’s net positive despite being soft on a few of the recent issues.
There’s a real feeling of this arc being carefully plotted as a whole in a way that’s leading to a good payoff at the end. Sure, it might read better if it was entirely written by Joe Kelly instead of him tag-teaming with Justina Ireland, but Ireland is a strong Spidey writer who absolutely gets who Peter is as a character. She’s just not yet as effortlessly hilarious as a veteran like Kelly.
Last issue was interesting because it really made Peter a secondary character in his own book as Juggernaut and the X-Men arrived to take a swing at the children of Cyttorak. Ireland was surprisingly nimble in scripting Cyclops’s team… like, maybe we should be looking at for an appearance from her in the X-Office sometime soon (perhaps on the Hellions team teased in X-Men (2024) #9?).
In this issue, it sounds like Spidey will be spurred back into action – and might run out of lives in the process. I enjoy that video game quality of this arc – where he has a store of extra lives to use to survive this trial, but he’s got to pace himself. It reminds me of playing CONTRA on Nintendo back in the day, where if you lost a life before getting your first power up you might as well just start over again. Except, Spidey can’t start over again once he hits an extra-life deficit.
I find myself excited to return to this story every month, and I hope that carries over to the new Joe Kelly run that follows.
Daredevil (2023) #18 (digital) – See Guide to Daredevil. If Spider-Man feels like one, big, deliberately-plotted, carefully-planned arc, this Daredevil run feels like someone just spitballing plot ideas and them being drawn every month without a plan for how it will read as single issues or as a collected whole.
This comic has it all! Badly-paced writing. Constant artist switch-ups. Covers that have nothing to do with the interiors.
I’m not a reader who gets too hung up on covers, so that last point doesn’t bug me too much. However, interiors are a different story. If Aaron Kuder and Jesus Aburtov had been on art for the entirety of this series (or even the entirety of this arc) things would feel VERY different. I think only the issues specifically focused on other Deadly Sins needed a merry-go-round of artists – which is how I fell in love with Farid Karami last year!
As for the pace… it looks like this Deadly Sins story will finally wrap up next issue after a year-and-a-half. I am the president of the “lets break out of six-issue arcs” fanclub so we can enjoy longer arcs with more plot threads. But, that’s not what’s happening here. Plot lines appear and disappear randomly. Bullseye was viciously maimed on panel a few issues ago and then just disappeared, because he only existed as a temporary impediment to Daredevil’s quest.
Everything in this run feels like temporary impediments. We get another well-drawn but ultimately meaningless fights full of narrated platitudes but no real purpose other than dragging out this story. And, afterward, there will be another scene of recriminations in the foyer of the Rectory or Orphanage or whatever, which we’ve seen at least five times already.
I’ve got one positive to note: I love She-Hulk as a co-star for Daredevil. There’s a strong argument to be made that she always ought to be Matt’s supporting cast in the same way Elektra is, especially since Shulkie sometimes wobbles when it comes to sustaining her own title (even if it was Marvel’s best book last year). She has been a fun addition here, but she isn’t getting any character development of her own.
I’m always rooting for every comic to be great, so I’ve got my hopes up for the new arc starting in issue #20. But, it really feels like this book’s entire creative and editorial team doesn’t understand what its best parts are and how to focus on them.
Daredevil: Unleash Hell [Red Band] (2025) #2 (of 5) (digital) – See Guide to Elektra, as this Red Band title that is digitally unreadable has Elektra starring as the titular Daredevil.
Doom Academy (2025) #1 (of 5) (digital) – See Guide to Doctor Strange (& Strange Academy!). The Academy kids are back after we saw them defect to Doom’s side at the close of Blood Hunt.
I’m really excited for this. So many of the Strange Academy students exist on a knife-edge of heroism vs. potential villainy. With Strange, there was scaffolding of heroes around them nudging them to use their powers for good. With Doom? Who knows. And, who knows what guest lecturers he might pull in.
Especially with Dormammu tipped as a foe in upcoming issues of the main One World Under Doom (2025) book, plenty of sparks should fly.
Exceptional X-Men (2024) #6 (digital) – See Guide to X-Men – From the Ashes (2024 – Present). I dunno, y’all. I don’t really buy all of this fuss over Kitty killing Orchis soldiers. They deserved to die. They were trying to kill mutants.
I can get Kitty feeling bad about killing people but I don’t really enjoy this whole “I turned into someone I’m not” thing because it rejects one of the best eras of storytelling in her history.
Also this is SLOOOOOOOW. Like, okay, some scenes of the mutant little cousin having trouble at school is nice, but Claremont would’ve handled it all in 2pgs tops in New Mutants – and let’s be clear, this is a New Mutants book. Too slow, too decompressed, too off the mark, but still scripted well and with gorgeous art.
The Incredible Hulk (2023) #22 (digital) – See Guide to Hulk – Bruce Banner. Phillip K. Johnson’s monstrous run continues as his teenage sidekick is now also a monster so they are both monsters together and also fighting monsters..
The Infinity Watch (2024) #2 (of 5) (digital) – See Guide to Thanos? I guess? Because he’s going to show up again eventually, right?
This is the unlikely team of personified Infinity Stone bearers who have been teased the past few years and then solidified in last year’s “Infinity Watch” annuals – which subbed in Colleen Wing for one of the original characters and pulled in Phil Coulson as the embodiment of the newly-forged Death Stone.
This might surprise you given how negative I trend on… just about everything Marvel releases… but I really enjoyed the #1 of this comic! Derek Landy has a real gift for writing fizzy, fun team dynamics that he showed off on his pair of Avengers mini-series over the past few years, and the art was clean and easy to follow.
I don’t think we have a hit on our hands and I recognize this team is just a vehicle to tell an Infinity Stone story. However, this was an unexpected delight for a team book that is anchored by a pair of characters who are C-List at best. (Sorry, Ms. Wing, I love you but you know it’s true).
Laura Kinney: Wolverine (2024) #3 (digital) – See Guide to Wolverine – X-23. Erica Schultz continues writing her “Wolverine/Daredevil” comic that is actually “Laura Kinney / Elektra.”
I could do without turning this into a non-red-band Elektra team-up book for the second issue in a row after a terrific one-shot first issue. If we’re going to use them to prop each other up just give them a fucking team-up book.
Team-up aside, some of the voicing for Laura last issue was flat-out wrong. Yet, I admire that Schultz can make an action comics feel like a substantial read with several different scene set-ups. I think Giada Belviso does a very nice plainclothes Laura, though I’m still struggling with how angular he makes her in her hero garb.
Laura is one of my favorite characters, so I’m thrilled to see her in her own solo title (or is it a team-up) and in Wolverine and anchoring a team book. I just wish any of them were as high as the quality pedigree this character demanded in her appearances prior to Krakoa.
Miles Morales: Spider-Man (2022) #30 (digital) – See Guide to Spider-Man – Miles Morales. It’s the second chapter of Cody Ziglar’s direct crossover between his pair of high profile books.
I’m hype to see more of Deadpool bumping up against Miles, especially after the major art-fail one what should have been a very memorable Wakanda arc that wrapped up last issue.
Mystique (2024) #5 (of 5) (digital) – See Guide to X-Men – From the Ashes (2024 – Present). I could not have hated issue #4 more and I am happy this rotten mini-series is finally over.
Listen to me completely lose my chickens over it on Crushing Comics Live.
NYX (2024) #8 (digital) – See Guide to X-Men – From the Ashes (2024 – Present). This Jackson Lanzing & Collin Kelly had a precipitous fall from grace after a strong initial trio of issues, due in part to art changeups but largely to bad writing.
Everything about last issue was… dare I say “dumb”? Having Sync appear out of nowhere to stage a revolt against Prodigy – who is suddenly the de facto ruler of New York’s mutant underground – felt completely random. Also, the Ms. Marvel B-plot that attempted to give her a solo storyline in this ensemble book was a flatline.
It was novel that the initial issues of this title felt like a reaction to Krakoa since so much of the X-Men line seems intent on ignoring it. However, that can’t be the book’s entire identity, and so far it is fumbling the idea that it’s the book of mutant youth – unfortunately, that’s just not the strong suit of this writing team.
This issue promises a confrontation between former schoolmates X-23 and Hellion. I’m slightly anxious about how Lanzing & Kelly will play Laura compared to how she is being portrayed in her solo title, which is also out this week. More than that, it leaves me wondering what this book is even about.
Star Wars: Ahsoka (2024) #8 (of 8) (digital) – See Guide to Star Wars Expanded Universe Comics. I still haven’t watched this Rosario Dawson vehicle, so I’m not going to spoil myself reading the comic!
Star Wars: The High Republic – Fear of the Jedi (2025) #1 (of 5) (digital) – See Guide to Star Wars Expanded Universe Comics. This is billed as Cavan Scott back for “the galaxy-shattering final arc” of this string of High Republic series.
I don’t know how you can have a final arc of an entire time period? Maybe that just means Scott, who writes perfectly serviceable licensed comics (and not one ounce more), is finally moving on from High Republic. It would seem super weird to me to abandon this entirely time period after the past five years of comics. It’s such a broad range of years and this story has been so tightly focused that it feels like there should be plenty more to explore.
Storm (2024) #5 (digital) – See Guide to X-Men – From the Ashes (2024 – Present). Every release week with an issue of Storm feels like a special event.
That’s the impact of what is unequivocally the best comic in the “From the Ashes” line – and, maybe in all of 616 Marvel. It’s a fever dream, an epic poem devoted to the heart and power of the X-Men in a way she has never experienced before in her comic history.
When I say a comic reads like a poem, the thing that I mean is that it is not operating on a typical comics pace or using a typical comic language. Poems have internal structure, sometimes prescribed (a sonnet), sometimes loosely defined (a song), sometimes changing from line to line (free verse). But, even if a poem does not literally rhyme or have a measured meter, it often has little moments of reflection, tiny echoes, threads connecting it back to itself.
A story has those things too, yes. But, in a story, the threads are SINEW. They are bones, muscle, architecture. A poem is much looser than all of that. It’s not a story engine, it is wind, a whirlwind, barely contained by words.
So, when I say this comic to me is like a poem, that is what I mean. Ayodele & Werneck are making something that is recognizably a comic book, but they are not following the rules of comic book stories with dogged devotion. Last issue was a dinner with Doom. It was about food, taste, sensation, memories. The conflict was not between Doom and Storm, but Doom’s ego and Storm’s willpower, each operating separately. And, that willpower is literally – has been prophesied to be – the death of her.
I’m intrigued to see of Ayodele can keep up this epic poem of a comic book, but as of right now I do believe it has pulled into the lead as Marvel’s best comic – and nothing else is particularly close.
Thunderbolts: Doomstrike (2025) #1 (of 5) (digital) – See Guide to Thunderbolts & Dark Avengers. We’ve got a Thunderbolts* movie incoming, so why not a revived comic?
Jackson Lanzing & Collin Kelly enjoy mining continuity. Even if the “Thunderbolts” brand trending towards simply being about Marvel’s spies and mercenaries as led by Winter Soldier, they found a reason to bring back O.G. team members like Songbird, Atlas, and even… Citizen V?!
I’m into it. Lanzing & Kelly have been struggling to deliver on second arcs across all of their Big Two work this past year, so maybe a quick event mini-series is just what they need to show off their talents. Who knows – maybe we could get a revived Thunderbolts ongoing out of the deal.
Ultimate Black Panther (2024) #13 (digital) – See Guide to Marvel Ultimate Universe. Black Panther heads into Year Two having accomplished very little in Year One.
Bryan Hill’s scripts for this series have been inconsequential. Issue #12 was a dream sequence, a pages long conversation that could’ve been done in one, and a fight with obscure choreography and crowd shots.
All of that was interspersed with some fantastics lines for T’Challa, but they landed with a thud due to Hill’s script focusing on the wrong moments for the magnificent Stefano Caselli to draw. To have one of the best artists working in comics and waste him on this inconsequential bullshit makes me irrationally angry.
Hear more about why I think Hill is taking a screenwriter’s approach to comic writing in last month’s Crushing Comics Live.
Ultimate Wolverine (2025) #2 (digital) – See Guide to Marvel Ultimate Universe. The first issue of this fifth Ultimate Universe title had a lot of heat thanks to a crackling script from Chris Condon and Alessandro Cappuccio delivering pencils with more texture than I’ve seen from him in the past.
I think 99% of readers are going to love this book. It’s everything that Ultimate X-Men (2024) isn’t in terms of having a cast of recognizable mutants. Plus it delivers a mysterious and amnesia-plagued version of Logan – which is what a lot of readers expect from the character.
Me? This was a very rare comic where I was soft on the issue due to the lettering! Veteran pro Cory Petit is usually terrific or at least transparent. But, his lettering on issue #1 was at war with Cappucio’s artwork and Brian Valenza’s muted watercolor approach to the coloring. Lettering effects were clean, colorful, and boldly-lined while obscuring rough, bloody artwork, and narration boxes were backed with pastel colors that shook me out of the tragic, bloody confrontation at the climax of the issue.
Things could have been worse: the lettering was readable, at least! But, this isn’t just me being a petty nitpicker – I serious got pulled out of the narrative repeatedly by how silly and bright the lettering was. I had a hard time finishing the issue because I was so frustrated with the lettering getting in way of the tone of the art and story.
Hopefully Petit moderates his choices as this series continues, because I’d hate to be dinging this book every month on lettering when Condon, Cuppucio, & Valenza are delivering and otherwise outstanding comic. If you’ve been waiting for an Ultimate X-Men book that matches the tone of the rest of Jonathan Hickman’s Ultimate Universe, here it is!
Uncanny X-Men (2024) #10 (digital) – See Guide to X-Men – From the Ashes (2024 – Present). Last issue of this title was a total disaster – a horrible script and a really bad match between art and colors.
Well, the team is back for another go!
If you want to hear me literally scream about how much I hate this comic (and last issue especially), you can check out Crushing Comics Live. What I’ll say here is that this book is very much about the new characters it introduced, not only due to how much panel time they get, but because of how badly Gail Simone is using the cast of five big names she claimed.
One particularly egregious example was using Jubilee as a mentor to a mutant kid obsessed with death without referencing her past as a vampire or the fact that she’s a mom to a toddler who is sometimes a dragon. I’m not saying every word balloon from Jubilee needs to be a recap of her entire continuity. But, if you cast this character purely to exist as a human sparkler, you could have easily used Boom Boom or Firestar or any number of other explosive young women.
I don’t know what else to say. The fact that anyone is enjoying this book is one of the biggest mysterious of comics in 2025 to me. I think this is as bad as an X-Men comic can get, and it’s coasting by on a popular cast being used incredibly badly and having Matt Wilson on colors.
Weapon X-Men (2025) #1 (of 5) (digital) – See Guide to Weapon X. Oh HELL yes. Into the blood’n’claws gap left by a badly-branded X-Force (more on that, below) comes the kind of cast and premise we all want to see from an X-Force book from the reliably-weird Joe Casey and the reliably slick ChrisCross.
The cast? Wolverine! Deadpool! Cable! Plus, personal favorite Chamber and total wildcard Thunderbird!
The premise? A deadly rescue mission that intersects with “One World Under Doom.”
That’s what I’m talking about, baby! Casey is never going to give you something expected, so kicking off with this all-star cast in the middle of an event is sure to yield something unexpected. I wouldn’t mind seeing a few other past X-Force or Weapon X favs join in, but I am definitely hyped to see what this series brings – even if all three of its leads have their own solo titles right now.
Werewolf by Night [RED BAND] (2024) #7 – See Guide to Werewolf by Night. This Red Band title isn’t available digitally, so I have nothing to say about it until the first trade hits!
However, the solicit for issue #9 promises it “sets the stage for the next year of WEREWOLF insanity to come” – so, it seems like Jack Russell might make it past 12 issues for the first time since the 70s!
Also? The covers to this run from Erik Gist have been fire!
X-Factor (2024) #7 (digital) – See Guide to X-Factor. Last issue brought an unexpected surprise and this issue is a “One World Under Doom” tie-in. Could we be seeing a turnaround for this widely-reviled X-book?
It turns out this book has the power to be pretty great when Mark Russell totally drops the jokes and writes a sincere slice of unseen Krakoan history. Instead of just focusing on X-Factor being a cruel joke, Russell shifted the focus to the cruel irony of having an important job to do in a world that hates and fears you.
Last issue we glimpsed that for the first time – from Polaris’s ongoing resistance to Cecilia’s boundless grief to Pyro’s clumsy condolences to Havok’s earnest leadership. Of course, between those scenes Russell went right back to cringe-inducing parody with the cardboard cutout human characters shoehorned into this cast.
But… there was a glimmer of something magical for a moment. Something that would make this comic something more than a watered-down parody of X-Statix.
If the book can get rid of the chip on its shoulder and play to more of those genuine emotions instead of having Darkstar yell at a refrigerator, then there’s some hope for this title. The only event tie-in I can recall from Russell is his brief Avengers (2018) one-shot during Judgment Day, so this issue of Angels return and a mission to Genosha could hold more surprises in store.
I think you’re safe to pick things up here, as this is the start of a new arc.
X-Force (2024) #8 (digital) – See Guide to X-Force. I can’t tell if this book has gotten slightly better after its first arc or if I’m simply hypnotized by Geoffrey Thorne centering last issue on characters I enjoy.
Rachel Summers is one of my favorite characters of all time, and any time an author takes her, her powers, and her continuity seriously I am tuned in. Betsy Braddock is also pretty darn high on that list. So, last issue and its focus on Rachel’s time-splintered identity was a delight. It revealed things to us about our characters and why they are acting like they are, which is the thing to start doing when your thrilling-but-mysterious first arc is over.
Another thing I think the issue got right was having Forge be competent. Forge is not as widely-beloved a character as Betsy (or even Rachel) and he’s had some seriously villainous turns. I don’t think he needs to be a perfect know-it-all, but the adversarial relationship the team had with him throughout the first arc left us without a lead character to root for. Seeing him get some things right is important to push the narrative forward unless it’s meant to be an outright tragedy.
Look, ultimately I feel like this book is doomed – it’s an X-team not living up to what its title is known for (Cable! Claws! Blood!) and with zero characters that generate sales now that Kwannon has her own Psylocke comic. But it’s nice to see those characters used well, and last issue did that. Future solicits hint that something big is coming in issue #10 AKA #300, but I suspect that could be too late to light a fire with fans on this run.
Your Friendly Neighborhood Spider-Man (2024) #3 (of 5) (digital) – See Guide to Spider-Man – Peter Parker (2018 – Present). This is the a prelude comic to the Disney + series.
That’s for Marvel Comics February 19 2025 new releases! What were you already pulling? And, did I convince you to check out anything new? Sound off in the comments below.
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