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lyrics

January 21, 2002 by krisis

The feelings i have are these slippery things, and i wish they were more like velcro. I wish i could throw words at them and have them stick. I feel… slighted, continuously slighted by life despite my attempts to make it worthwhile. I feel unappreciated for being someone i enjoy being and over-valued for things i despise. And, of course, alone on a Sunday night my immediate reaction is to try to write a song about how i feel and, failing that, to blog about it.


The thing is, i’ve written this song already and blogged about it a hundred times. Yesterday Lindsay and i had a ridiculously deep conversation while watching the Eagles game, and i said something about getting married and having children and a house, and i meant it. But, i can never have any of that so long as i live within this private universe i’ve constructed, with all of its own symbolism and meaning.


I’m usually not shy with my lyrics, but this week i wrote something that says how i feel and i purposefully tucked it away. It Says how i Feel, but i can’t sing it or play it because for it to really come out and do justice to all the slippery feelings i have inside i need to make it perfect. In my head i hear the sighing melody and the double bass beat on the chords in the chorus, but try as i may i can’t get even a line of it to come out like that at all. Anyway, i don’t know what to say about this feeling other than what i already said in these lyrics last week, so here’s the latter half of them:

Imagine my whole life as Technicolor — with someone painting the shades into the scenes, and everyone acting from scripts with each other. They’re all off-book except for me, so every day is a stumble-through rehearsal, and each night is an actors’ worst dream because i never know the right thing to say, and i’m left silent in the spaces in-between. So, my front porch is a consolation, my door is a sigh of relief. The stairs are invigorating, my room is a reprieve. It’s then that i open my mouth, and the room is filled — the words come pouring out. My guts are spilled. It’s a shame i can only find my voice between four lonely walls of brick and concrete, but i don’t really have any choice: it’s just something about emptiness and me. Outside i feel just slightly out of focus; around other people i sing a little off-key. I wonder all the time if anyone will notice that i seem to be coming apart at the seams. I am coming apart at the seams.

It’s a one-dimensional representation of what i’m trying to say… my words stripped of inflection and tone. But, it’s the closest i can come to opening this up to you, so take it for what it is.

https://www.crushingkrisis.com/2002/01/8889949/

Filed Under: identity, isolation, lyrics, self image, thoughts, Year 02 Tagged With: lindsay

July 30, 2001 by admin

i… i will wait past the fuss and the hustle that keeps me awake but it comes right down to faith you’ve got it in your eyes there are no surprises in store for you – until you awake

and i can see the good in all people except for in me but i never could be satisfied without someone like you to point these things out to me – until you awake

just another simple melody my hands wrung out of me but if it’s just the same i’d like to give it your name that is – until you awake

so you’ve got this guy who’d spend eternity with you right by your side but you’ve got to put up a fight to hold on night to night he will be waiting – until you awake

this is just another simple melody my hands wrung out of me but if it’s just the same to him i’d like to give it your name that is – until you awake

i had this bright idea to sit here and play until my voice wore thin but i don’t say the words that i really meant and it take you to get the page and the pen all syunced up again and i promise to stop thinking of you – when you awake

but i’ll keep playing this tune – until you awake

and i’d to finish soon – so please won’t you wake.

https://www.crushingkrisis.com/2001/07/4798661/

Filed Under: bthon'01, lyrics

July 30, 2001 by admin

(i honestly don’t know who’s got which guitar on this one except for i’m the one with the wrong note at the beginning, but here’s the lyrics from slowjam)

… i keep trying to take a step forward, but you are a hundred steps back, you know? but, i’m trying to find a new attitude, but i am finding you are making me sarcastic. and i can’t get rid of you even when i want to ’cause you’re deadweight because i carry you with me, deadweight the way i can’t leave you behind, deadweight the way i will keep running to you… for help… which you know you’ll deny me.

… you know i am looking out at the new horizon and your face, babe, eclipses it black. i’m looking forward to a whole new life, and you refuse to let me have it. i can’t get rid of you even when i want to ’cause you’re deadweight the way you serve no purpose, you’re deadweight the way you drag me down, deadweight the way i will keep needing you so bad that i will keep you around… one, two three, one – a one, two three…

…cut you loose, you tie me down! and you’re just like a noose, you know you’re tied around my neck! and i just want to ditch you; you do me no good. does it make me a bitch now? i hope it does: i’m loving every minute of it – i’m loving every minute of it. i can’t cut you loose, you drag me down. and, you’re just like a noose – oh – you’re tied around my neck. and i just – wanna – ditch you… you do me no good! does it make me a bitch now? ’cause i’m loving every minute of it, loving every minute of it, i am loving… loving!… two! three! four!

deadweight the way i carry you with me, and you’re deadweight the way i can’t leave you behind, and you’re deadweight the way i keep running to you for help: oh, you deny me again! deadweight the way you serve no purpose ,and you’re deadweight the way you drag me down, deadweight the way i keep needing you so bad that i keep you… i keep you around, yeah.

https://www.crushingkrisis.com/2001/07/4798231/

Filed Under: bthon'01, lyrics

July 30, 2001 by admin

i scream so silent/ i cry so dry/ i wish on a star/ that’s not in the sky/ i’m so happy when I frown/ and for fish who tend to drown/ in water so hot it’s cold// and you aren’t like putty/ in my hands/ with which I can mold// so numb until you feel/ it’s not all quite for real/ and it’ll do you no much good/ and i’ll still cry so dry/ and wish not to the sky/ and you’ll never be with me// i can’t control you/ and I can’t console you/ so what use can you be?/ you’re so indepent-needy/ and unscathed-bleedy/ emotional and otherwise…// we’re not meant for each other/ i’m more like your brother/ so with you I’ll never be/ so i’ll wish my last wish/ say goodbye to the fish/ and drown into the sea…//

https://www.crushingkrisis.com/2001/07/4797557/

Filed Under: bthon'01, lyrics

July 30, 2001 by admin

Fellow theatre-chick (erm, that came out wrong) Hillary declared “Hold On Me” the “creepy fingers” song from the first time she heard it backstage at rehearsal for good woman of setzuan, and to this day i’m more likely to refer to it as “creepy fingers” than by it’s given name. Someone else entirely made the comment that the lyrics and the music don’t quite feel like they match… like one is rawer and bloodier and angrier than the other. However, i’m not sure which one is which.

i slept on top of the sheets because i didn’t trust what might happen. i didn’t mind your looming lips, but i was worried about your hands. i knew you’d put me under them soon enough – yeah i knew you’d play rough. your intentions were as clear as the act that you put up to get me into you. and who-oa you’ve got a hold on me. 2am and i am walking to your place wondering if these feelings will ever last. but, either way you’ve got your hooks sunk deep into me, and don’t you know that they’re holding fast. and who-oa you’ve got a hold on me. and everything with you feels just like the first time. so. let’s refine this, baby, let’s define this; i’ll need a dictionary for what i’m feeling. but a 1,000 words could never paint the picture of my face close enough to steal your breath! and all i ever wanted was something real – someone to listen to all these words, and your ears would be my favourite part of this except for all that i’ve left unheard. and who-oa you’ve got a hold on me. i slept on top of the sheets because i didn’t trust what might happen; i didn’t mind your looming lips, but i was in trouble when i set foot in your bed

https://www.crushingkrisis.com/2001/07/4796600/

Filed Under: bthon'01, lyrics

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