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Daniel Acuna

Wolverine by Jason Aaron, Vol. 2 – The #33 Most-Wanted Marvel Omnibus of 2017

May 31, 2017 by krisis

I read Jason Aaron’s run on 2010’s Wolverine series live as it was happening… and I did not like it at the time.

In fact, “did not like” isn’t really strong enough language to describe my reaction to Jason Aaron writing Wolverine. If I was ever going to consider burning some comic books, it would have been this run, which I considered to be offensively bad.

However, with the hindsight of where Jason Aaron took Wolverine after this run I can appreciate what he accomplished, and even enjoy some of the individual turns. Weirdly, if this omnibus ever came to pass, I’d be sorely tempted to buy it.

Wolverine_2010_0001

Wolverine by Jason Aaron, Vol. 2 is the #33 Most-Wanted Marvel Omnibus of 2017 on Tigereyes’s Secret Ballot. Visit the Marvel Masterworks Message Board to view the original posting of results by Tigereyes and collect all of these issue right now as detailed in my Guide to Wolverine.

Past Ranking: A 2017 debut!

Probable Contents: This would mirror a pair of Jason Aaron Complete Collections by collecting Wolverine (2010) #1-20, 5.1, & 300-304, plus Astonishing Spider-Man & Wolverine #1-6 and material from Wolverine: Road to Hell.

It should also add X-Men: Schism #1-5 and the digital-first series “Wolverine: Japan’s Most Wanted” co-written by Aaron with Jason Latour.

Creators: Written by Jason Aaron.

Wolverine series letters by Cory Petit.  Wolverine #1-5, 10-14, & 20 pencils by Renato Guedes, inks by Oclair Albert and Jose Wilson Magalhães, and colors by Matt Wilson (with backups drawn by Jason Latour with colors by Rico Renzi). Wolverine #6-9 art by Daniel Acuña (with Jefte Palo colored by Nathan Fairbairn on #5.1). Wolverine #15-16 line art by Goran Sudžuka with color art by Matt Wilson. Wolverine #17-19 line art by Ron Garney with color art by Jason Keith. Wolverine #300-304 by multiple artists, including Ron Garney, Adam Kubert, and Steven Sanders.

Astonishing Spider-Man and Wolverine pencils by Adam Kubert, inks by Mark Morales and Dexter Vines, colors by Justin, and letters by Rob Steen. X-Men: Schism by multiple artists. Wolverine: Japan’s Most Wanted co-written by Jason Latour with line art by Paco Diaz, color art by Marte Gracia and Israel Silva, and letters by Cory Petit.

Astonishing_Spider-Man_and_Wolverine_2010_003

Can you read it right now? Yes! This run was very thoroughly collected in modern Premiere Hardcovers and trade paperbacks, all listed in the Guide to Wolverine – the simplest way to do it is to pick up Wolverine by Jason Aaron Complete Collections Volume 3 and Volume 4.

Plus, every single issue is on Marvel Unlimited – head to Astonishing Spider-Man and Wolverine, Wolverine, X-Men: Schism, and Wolverine: Japan’s Most Wanted.

The Details:

You can think of Jason’s Aaron’s time with Wolverine in three parts – Vicious Wolverine, Vengeful Wolverine, and Fatherly Wolverine.

Yeah, that last one wouldn’t work so well as a title as the first two.

The first Jason Aaron omnibus contains all of the Vicious Wolverine stories. These are super-bloody, knock-down drag out tales that – despite being forgettable – got Wolverine back to short-arc adventures after his ongoing got burdened with bigger stories and event tie-ins.

Fatherly Wolverine is entirely contained in Wolverine and the X-Men by Jason Aaron, which features a kinder, more-custodial version of our hero.

That leaves the most remarkable, marketable, and contentious portion of Aaron’s run uncollected in oversize format. [Read more…] about Wolverine by Jason Aaron, Vol. 2 – The #33 Most-Wanted Marvel Omnibus of 2017

Filed Under: comic books Tagged With: Adam Kubert, Cory Petit, Daniel Acuna, Goran Sudzuka, Jason Aaron, Jason Latour, Jefte Palo, Most Wanted Marvel Omnibus, Renato Guedes, Ron Garney, Steven Sanders, Wolverine

Comic Book Review: Secret Empire #0 by Spencer, Acuna, Reis, & Lanham – On bad stories, responsible portrayals, and Holocaust etiquette

April 19, 2017 by krisis

Should certain stories be off-limits?

Consider if you have ever watched a movie or read a book where you felt a certain story beat was in particularly poor taste. Perhaps it should have been avoided altogether.

Does that mean no author ought to attempt it again?

I find that to be a difficult question to answer. Personally, I loathe plots where someone who is abused comes to trust or love their abuser. I think that plot relies on outdated trope about the internalization of cruelty as a form of affection.

Creators ought to be wise enough to steer clear of that plot in most instances, but I don’t think it should be outlawed. I can imagine a time when you might want to steer into that curve – not to be divisive or subversive, but to say something about your flawed characters. But it’s not a curve that should be mistaken for terrific character development.

There are other plot points that result in me getting up and walking away from the book or TV show I had been consuming a moment prior, whether they be personally triggering, advocating harmful behavior, racist, sexist, homo- or trans- phobic, or just plain dumb.

I don’t think any of them ought to be off-limits. Writing a bad story is entirely up to you. I won’t stand in your way, nor should anyone else.

I do think some portrayals of plots ought to be off-limits – not by rule, but in practice –  because they irresponsibly normalize dangerous behavior without context. People are now savvy enough to understand how to reject dangerous stories at face value, but not all consumers understand how to reject dangerous framing of concepts.

This can be insidious. I cannot watch a TV show or a movie that portrays sexual violence with a romanticized gaze. If you are going to make the choice to depict a sexual assault, it should be viscerally disturbing to the viewer. Their gut should twist. Not because you are editorializing about sexual assault, but because that’s what sexual assault is.

It is the difference between my ability to endlessly re-watch Watchmen despite it disturbing rape scene and my inability to make it through the sexual violence in the first season of Game of Thrones. One was viscerally disturbing. The other one kind of wanted to be sexy. Yet, many people causally watch both the former and the latter.

(You can substitute another topic for sexual violence, if you prefer.

This week, the depiction of death by suicide has become a hot topic due to its portrayal on 13 Reasons Why.

Romanticized portrayals of violence or self-harm erode a viewer’s ability to discern the objective truth of an event in reality. The fictionalized version takes over – whether that’s the seductive ease of ignoring informed consent or the glamorization of suicide.

It’s not that people object to suicide as thematic content. It’s the way it was framed.

Last week, news broke that a new BBC show depicting the UK Black Panther movement was centering a South Asian woman as it primary protagonist rather than a black woman. Regardless of the dubious historical accuracy of such a choice, choosing to cast non-black woman as central to a black civil rights movement erases black women from their own history. We saw a similar act of erasure of trans women of color in the movie Stonewall.

It’s not that people object to non-black characters appearing in historic civil rights narratives. Is the lack of portrayal of black woman.)

Having established my particular dichotomy of offensive story vs. irresponsible portrayal, now let me lay this one on you:

Last year, Marvel Comics and author Nick Spencer made Steve Rogers – the original Captain America – a Nazi.

(Let’s not split hairs – Hydra is a Nazi organization whose ideals have been slightly sanitized for comics. More on that in a moment.)

He isn’t pretending. He wasn’t brain-washed. Hydra used the Cosmic Cube to retroactively change Steve Rogers from American boy with a heart of gold to Nazi-sympathizing double-agent.

On one hand, I don’t think Cap being altered to be a truly vile villain should be off-limits as a story. I don’t think making him the symbol of everything he has fought against ought to be immediately rejected.

On the other hand, Nazis. [Read more…] about Comic Book Review: Secret Empire #0 by Spencer, Acuna, Reis, & Lanham – On bad stories, responsible portrayals, and Holocaust etiquette

Filed Under: comic books, reviews Tagged With: 13 Reasons Why, Captain Marvel, Daniel Acuna, Guerilla, Holocaust Etiquette, Jessica Jones, Man In The High Castle, Nick Spencer, Riri Williams, Secret Empire, Sonewall, Travis Lanham, Watchmen

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