Crushing Krisis

The Newest Oldest Blog In New Zealand

Year 14

Happy Birthday To This

by

The Collector

I cannot remember the first thing I collected with the studied intent of completion.

I think that is because the collecting was being done for me before I can recall. Both of my parents bought every record from their favorite artists. My mother documented our adventures in homemade photo storybooks. I had a complete collection of He-Man toys. Collecting is just what you did.

Why have only one record, or memory, or toy, when they are meant to be strung together with magnificent context?

That urge stuck with me past my childhood years. In fact, it was the urge to obsessively collect all of my words into one place that lead me to create this blog, fourteen years ago today.

The Limits

When I was a child, the main limiting factor in my quest for completion was resource availability. I knew who all the GI Joes were, but old lines were impossible to find and even newer ones yielded rare figures. Later, I wrote up a wishlist of every comic issue I wanted, but even after researching how to mail-order my missing issues my budget was the limiting factor. I also wanted to see every episode of X-Files, but I could never catch re-runs of Season 1 even when the show went into syndication.

As I began this blog in 2000, the only limiting factor was my interest. I had all the technical resources and time I could want for, and my other major hobby of songwriting was a natural complement to the content here. The only element that could be in short supply was the will to write.

I never run out of a will for the things I love to do. I think that is the secret of being a good collector, actually – the delight in the effort and chase. It is that delight that made me a good blogger, but also a great bandmate and professional. I would organize all the songs and make all the lead-sheets and know the harmony like the back of my hand. I would reach Inbox 0 and have notes on every project and measure my efficiency every week.

And so I did for many years of happiness and continued improvement in my two chosen careers.

Now, a little over a year into this experiment of raising a small human being, there is no question that the main limiting factors to anything in my life are not will or delight, but space and time. I want to be at Inbox 0, but there are sometimes more emails than minutes I have to read them. I own every issue of X-Men ever published, but I’ve run out of places to put them and I have to sneak them a handful at a time before bed or on my commute. I have every X-Files episode on DVD (well, all of the Mulder seasons, anyway), but when will I watch them again? I barely have the 42 minutes to spare in any given day. What used to take weeks or months to enjoy could now stretch on for years.

I have thousands of songs in my collection, but if I try to listen to them all when will I write, learn, and perform my own music? Even if I gave up performing and focused on recording my music for posterity, I’m out of recording space on a tremendously huge set of hard drives. Plus, when would I fine time to grind away at the perfect track for hours at a time?

I have a blog to collect every fleeting memory and opinion with a veritable unlimited amount of space to fill, but when will I set the words down?

If I am a collector because I yearn to complete every collection, what happens when I realize I cannot have it all every time, forever? Who am I, and what have I spent all of these years doing with my life?

What’s Lost

I can remember the first time I lost something irretrievably.

I was four years old, at the beach with my father, wading out into the water until it reached my waist. I brought my favorite toy – Wonder Woman – with me and had her tied to the string of my swimming trunks. As the water ebbed and flowed around my tiny body, her arms caught the current and she drifted out from my body for a moment before sinking, inexorably, never to surface again.

I later received another Wonder Woman – the first of many – but the lesson was not lost on me. Don’t be capricious with what you’ve collected. Don’t risk.

I was a forgetful teenager, so I lost a lot of other things. Pencil cases, keys, and calculators. But, never anything too important – a thing I collected. Never a GI Joe or a comic book. Only twice the lyrics to songs. Never a friend I meant to keep.

If there is is a second disappointing truth I’ve learned in the past year, it is that I cannot always control the things I lose, no matter how much care I take. Moments left unrecorded are forgotten. Instruments are worn and can break down irreparably. Teams of colleagues splinter and move on. Friends depart.

The Mystery

Every day I debate if I am trying to raise another collector. It helps that one of EV6’s nicknames is “chaos baby,'” and that she enjoys knocking things over and spreading them out much better than amassing them in a neat pile.

Earlier this year a friend gave EV6 a trio of adorably wobbly wheeled dinosaurs, and I noticed on the back of one of their packages there was a fourth. Of course, you can imagine that I immediately set out on an online search for the wayward member of the quartet. After five minutes I looked down to see EV6 mashing one of their heads into her mouth. She’s perfectly happy with three, I thought. The fourth could remain a mystery.

When you’ve spent your whole life being a collector the mystery is both your inspiration and antithesis. You thrill in tracking down a missing piece, but its absence seems to detract from the parts of the puzzle you’ve completed. So you strive to eliminate the mystery, brighten all the corners, place every piece – only to find that your completed collection sans the mystery isn’t as satisfying as it was with one last thing to strive for.

I’m trying to learn to appreciate the mystery. It’s still hard for me to not go back for an episode of a show I dozed off while watching, or to avoid picking up an awful back-catalog album from a now-mature musician.

However, I have come to accept that this blog isn’t complete. It never was. Each year I spend this day highlighting my favorite posts, but also the memories that went by the wayside – now disappearing through a haze of recollection like that tiny plastic superhero into the waters of New Jersey.

The best thing I can do here is the same as the best thing I can due with my tiny ball of chaos: be honest. Be honest about what I do write, and about what doesn’t need to be written. Be honest that I appreciate my memories and your attention to them, but that if I don’t go out and live I’ll never have stories to tell later. Be honest that it hurts to lose things, but you’ve never truly lost a thing you’ve loved.

I love this blog and every moment I’ve spent writing it, so it will never be lost. I delight in adding to it whenever I am able because I am always willing.

Thank you for finding it and reading it for these past fourteen years.

Thank you, and happy birthday to this.

In Memoriam, Dante Bucci

by

On Sunday I went on my first hike.

I’ve walked through a forest before, even along a trail when we visited Muir Woods in California last year, but this was the first time I needed to prepare in advance of our journey. What would I wear? How would I stay hydrated? How would I know where I was going?

The internet could have told me, but I have friends who hold that knowledge and were able to share with me directly. My well-travelled friend Jessica coached me on what to wear. My sister-in-law Jenny helped me find the right CamelBack for my battered L.L. Bean bookbag. My dear friend Jack took charge of our little group of hikers to make sure we took the right trail.

The hike went well. We spoke, sweated, laughed, and sang until we reached the top of the mountain and it’s Pinnacle Rock.

An outtake from Dante's press kit shoot with E.

An outtake from Dante’s press kit shoot with E.

We were there to say one final goodbye to our mutual friend, Dante Bucci, who had passed away the week prior due to a tragic and random accident in his home. That mountaintop was one of his favorite places – and where he recorded a video that thrust him into the spotlight as one of the world’s foremost players of the Hang drum.

Dante was in the first play I acted in on the main stage at Drexel. The Man Who Came to Dinner has 29 listed cast members, of whom Gina and I were two. Neither of us had any idea of how much impact some of them would go on to have on our lives, while others would quickly recede. Two were members of my wedding party – three, if you count Gina. One would become my co-worker and good friend. Another, my first kiss.

It took some time to understand what Dante would become to me. I still don’t know if I can articulate it. I remember so clearly how he had to emerge repeatedly from a pair of pocket doors to deliver these brief, exasperated lines, and how the doors would get stuck and eventually Dante’s exasperation and the character’s exasperation were indistinguishable, which made it even funnier.

That lack of distinction between Dante and the part he played was his hallmark. He was not merely an actor, a singer, a musician, or a human being. Dante embodied his art from the first note to the last. He was a work of art himself.

Dante acted. He joined Drexel’s male acappella group 8 To The Bar midway through a season, lending his astounding vocal percussion to their songs. He sang in choir and in a select Madrigal group, whose intricate, interwoven melodies first escaped my comprehension and later delighted me to no end. He was the first drummer I ever recorded, playing the talking drum on the demo of “Amphibious” with Gina for Blogathon. When he was E’s roommate he focused on guitar, playing and replaying songs until he got them right – down to the last little riff. Shortly after, he was on congas when he invited me to join my first band, a rough-at-the-edges covers act with our friends Justin and Geoff. That fall he cut the first drums on any of my original songs for a hi-fi recording of “Icy Cold” for my old podcast Trio.

Dante was always growing and refining. He could play any instrument he picked up in a mere moment. (One of my proudest memories is producing “Twinkle Twinkle Little Star” on a cello slightly faster than Dante could manage when we were both introduced to the instrument.) As we moved up and on from college his tastes in instruments became more electric. Didgeridoo (of which he constructed his own). Nose flute. Theremin. Hang drum.

The Hang drum had something none of the other instruments had. It was more restrictive – it could not play a full chromatic scale, and Dante could not bend or slide notes as he could on so many other instruments. Yet, the Hang is otherworldly. It’s a drum that sings. It’s meditative but insistent.

It was a perfect match for a musician who was as much music as he was man, so it made perfect sense that it was the instrument of his sudden explosion of popularity on YouTube and in the Philadelphia music scene. I watched many times as Dante and his Hang brought a chattering room to awed silence, the air filled only with his melody.

Despite preparing me for my hike, in the preceding week no one could explain to me how to grieve for a friend who was so dear, so talented, and so essential to to the world and to my own life’s story. When E and I first learned the news I couldn’t breathe, my mouth frozen in a silent scream, hands clutched to my heart as if to make sure it would keep beating. I didn’t know how I would walk into his viewing and speak to his family, let alone go on living and listening to his beautiful music without breaking down. I gamely asked our friend Tony the next day, a doctor of Psychology, just in case there was an easy solution that experienced grievers would know about.

He said, “There’s no right thing to say or do. Just be there, and hold people close.”

I have held many people very closely over the past ten days. Some of them repeatedly.

I felt happy and alive at the top of the mountain despite the mournful purpose of our journey. I hiked to the top with friends who I used to see every day at rehearsal and impromptu parties, who now I see every few months or years. We clambered from rock to rock, laughing and watching hawks and vultures circle in the distance. When the rest of our company joined us, including Dante’s family, the mood grew more somber. We gathered around a high rock jutting out into the sky with nothing surrounding it. Lindsay sang “Blackbird” with Dante’s friend John to begin our ceremony with her daughter seated on her lap, smiling. After others spoke and read, Anthony (yet another face from The Man Who) held up his iPhone above his head.

From the speakers wafted Dante’s voice, now gone from this world, singing Paul McCartney’s “Junk.”

I attended the record release show where Dante debuted the song to an audience. I cried there, silently smiling. I used to stand next to Dante in choir to steal his notes, and later in our acappella group Progeny. I knew the perfection of his voice, how it was just one more instrument to bend to his will. (No, not “bend” – Dante never bent, just coaxed.) I never thought of him as a bass or a baritone, but instead a complex machine like that cello – one who could resonate low and deeply only to then sigh so high and delicately.

“Junk” has all of those parts of Dante’s voice. When E and I left his show with his album Kinesthesia in-hand, I turned to her and said, “That is the song I’ve always wanted to hear Dante sing.” I couldn’t stop playing it. I played it for anyone who came to our house – mostly my mother, who kindly said after the second time, “Yes, you’ve played that before – it’s beautiful.”

At Pinnacle, Sunday.

At Pinnacle, Sunday.

All this past week I couldn’t play the song. On the morning we learned the news, I was crying desperately on the floor with E and EV6 squeezed between us and said, “I want to hear him sing so badly, but I’m afraid to hear him, because then I’ll know I can never really hear him again.” E held me close and said, “We already can’t hear him again, but you can listen to him whenever you want.”

Dante gave us songs, and he gave me so many memories – many of which are documented here. He was the best possible friend no matter how close you were or how often you saw him, always supporting, laughing, and dispensing hugs. He and Lindsay brought me to New Hope for the first time. We held music festivals at his family’s house from 2004 through 2008, and in 2005 he agreed to join me for a solo set. I practiced for it so much that I completely wore through all of my calluses, but I would just keep playing – how could I not take advantage of time to play with Dante? Later he would play drums with Arcati Crisis for a Winter Mixer show, and again at a little coffee shop where my father saw me play for the first time.

When his Hang music grew in popularity, his was the first press kit I ever put together, revising repeatedly to try to express the truth of his music in inadequate words. In 2010, he got me booked for my first solo set at the Tin Angel on a bill he was headlining. I don’t think he ever missed an Arcati Crisis show in Philadelphia proper, always hugging and congratulating me as I stepped off the stage.

I did the same for him twice this year, at two record releases – one for his solo album, and another for a thrilling project he undertook with Angela Sheik, who made it a point to have Dante play as many instruments as he was able on stage at each show. Those two shows were a delightful greatest hits of Dante, all those things E used to hear through the wall or that he would excitedly introduce me to in his parents’ basement. This was the true Dante I loved, the human work of art on display for all the world to see.

When Anthony played “Junk” at the top of the mountain, for a moment I was transported back to my first moment of grief, breathless and terrified, clutching my chest. Then the song reached the point between the verses where Dante simply moans the melody in delicate harmony with the strings.

I could breathe, then. I looked up into the beautiful sky from atop the mountain – Dante’s mountain – with nothing between the clouds and I except the air and the waves of sound carrying Dante’s voice away into the distance.

I cried there, silently smiling up into the sunlight.

Dante gave me that moment, too.

retrain

by

When I am not paying close attention, my left shoulder still slouches slightly inward from when I broke my collarbone in college.

I step too hard on my heels when I walk. I speak and sing with too much tension in my jaw and uneven air support. I touch-type perfectly with my right hand, but hunt and peck with my left. I underuse my pinkies when I play guitar.

These are my thoughts as I struggle to get my left pinky facing down into the plane of water this morning as I backstroke.

There are many people who always square their shoulders, walk correctly, speak and sing well, touch type, and nimbly play guitar. I bet some of them even swim pretty decently, too.

For someone with a reputation as a perfectionist, I have a lot of rough edges. As I look back at learning all of those skills, it not as though I purposely skimped on practice. Well, maybe on walking – you’d have to ask my parents.

Sometimes these imperfections make me afraid, as if I am a fraud at posture and walking and talking and typing and playing guitar. I fear that one day I’ll be exposed as a fake and I won’t be allowed to move or express myself ever again.

It’s not a valid fear. These are my skills that people always appreciate the most – yes, even my fast walking. They are part of who I am, even if I do them a bit wrongly. All I can do to alleviate my fear is retrain myself in increments. Roll my shoulder back every time I notice it leaning forward. Let go of a little of that tension and breathe more. Take the time to play the solo the efficient way instead of the quick way.

My left arm breaks through the water. I swing it up, rotate, and plunge down to slice the water with my pinky finger.

We are all imperfect and we are all improving, and that doesn’t make any of us a fraud.

the one where the baby potty-trains herself

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Hark, it is my first post about baby waste! Our baby is at least this chubby. Detail of the Cherubs Fountain at St Peter's Basilica or Basilica di San Pietro, Rome, Italy.

Hark, it is another post about baby waste, as they foretold! Our baby is at least this chubby. Detail of the Cherubs Fountain at St Peter’s Basilica or Basilica di San Pietro, Rome, Italy.

Of all of the challenges that fatherhood held in store for me, I felt the most trepidation about diapers. Luckily, my high-quality baby sensed my weakness in this area and toilet-trained herself to make my life easier.

Maybe I should start at the beginning.

Sure, no one takes a special delight in dealing with human waste (well, certain fetishists excluded), but I just don’t have the coping mechanisms in place for even the briefest of ordeals. Urine, at least, is typically sterile when it’s straight from the tap. The idea that poop might touch some part of my person was enough to cause an anxiety attack even before her birth. I don’t even do well with cleaning a toilet with a very long-handled and disposable brush.

Luckily, baby diapers are really not so hard to manage once you graduate from the initial “explosive bowel movements can happen at any time” phase. After a month or so of finding my footing with disposables so that I could whip them off and quickly … well, dispose of them … we graduated to cloth diapers. It took me a little while to come to peace with them using the same washing machine as all of my clothes, but as with everything else in my life I discovered and documented a multi-step coping process. With that in place, mostly they’re the same as normal diapers – you just roll them up, drop them in a smell-proof pail, and forget about the waste inside.

(Expansive cloth diapering made easy for people who just want to throw money at it without doing any crafting essay to come.)

Cherubs by Fiamiughi [?], Bologna. Brooklyn Museum Archives, Goodyear Archival Collection.

Cherubs by Fiamiughi [?], Bologna. Brooklyn Museum Archives, Goodyear Archival Collection.

Around the six-month mark, a new theme emerged. The problem was not #2, it was #1. For some reason, EV6 viewed the diaper coming off of her butt during a changing as a signal that NOW IS THE TIME TO PEE EVERYWHERE ZOMG GO FOR IT. If that baby had any liquid reserved in the nether half of her body, it was going to gurgle up and out in a matter of seconds once that tush was exposed to air.

This was amusing at first, mostly because EV6 is so incredibly chubby that she looks like some sort of Rubenesque cherub meant to be cast in plaster, peeing off of the side of an Italian fountain. She never failed to giggle maniacally while it happened.

That got me through the first 10 or 15 sopping wet diaper changes. Then I got a little frustrated. Really, EV6? You couldn’t have done that five seconds earlier when the diaper was still beneath your chubby bottom, or twenty seconds later into a new one?

At wit’s end and running twice the amount of laundry to compensate for all the soiled stuff, we ordered a potty she wouldn’t topple off of. I mean, why not? If I could even point her at the darn thing in time it would save a lot of soggy trouble.

Then a magical thing happened. After I rushed EV6 from the pad to the potty in the first few changes, she stopped her reflexive peeing and just waited for the potty. In fact, on many occasions she stopped wetting her diaper entirely and just saved it up for the inevitable potty trip. Then, realizing she vastly preferred the constant dry diaper over an routinely damp one, she began to signal her need to visit the potty while she was still dry.

The first few times this happened I had no idea what she was trying to tell me. It’s not like I was trying to teach her potty-training. There was no established routine or special sign language vocab. I was just avoiding getting hosed down like a front-row audience member at Sea World during changes. Meanwhile, she devised this whole language of little grunts, claps, and sleeve-tugs to indicate her potty-readiness.

I wish you could have been there the day I figured out what she was telling me. Mind: blown. I had always mocked the idea of “elimination communication” as a whacky excuse to hold your baby over a chamber pot every five minutes, yet this little cherub taught me how to communicate about elimination.

If that was the whole story it would be awesome enough. Yet, that is not the end. No. This baby got even more awesome all on her own. Because, you see, though the focus of this exercise was never #2, suddenly she also began hold them for the potty. I have not dealt with a smelly diaper in months.

Like, twenty minutes ago – hilariously, midway through writing this post – we were laying on the couch, and she was like, “Yo, father, potty me.” And I said, “What? Are you sure? We were just there half an hour ago. Aren’t you comfortable here? Aren’t we snuggling?”

She proceeded to stare directly into my eye, mash one fist into an open palm, and grunt at me, as if to say, “You better take this mother-smooshing baby to the mother-smooshing potty RIGHT NOW.”

Up she went with a totally clean, dry diaper. Back we came, having deposited a stink-bomb into the potty rather then earmarking it for the washing machine.

I’ve never been down for this whole “babies are miracles” nonsense, but in this particular instance this baby has been miraculous.

a crucial mission

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There were fourteen minutes left on the timer.

“I can do this,” E said. “Ten minutes to finish, three whole minutes to carefully get to the second floor and back, one minute to spare.”

“And when have you ever known this to take ten minutes?”

“Oh, it takes you longer?” She remarked a little “hmph” to herself and set about her initial task. I could not help but watch her progress out of the corner of my eye with the rest of it glued to the screen and its ticking clock. She performed her duty steadily, just as I do, but a little more delicately. Her hands are more deft. Marching band member versus rocker. One of us has subtler fingers.

Subtlety has its applications. We were five minutes in and, though it did not look like she was halfway done, she also had not blown it all by being too forceful. That’s why she was the one doing the doing and I was the one doing the watching. I forced my eyes back up to the clock, as if the weight of my stare on E’s fingers might burden them down in her task. Hers always seem impossibly delicate to me, even though I have seem them hammer nails and move earth. Years ago I hardly could believe the one would bear the weight of my ring, but there it was glittering at the edge of my vision.

The clock ticked. We both watched the screen in silence as it panned across crowds of people breathing the same cold air as we were breathing but miles away. It was not going well for the woman the cameras were currently focused on, her fists pumping against the night as if trying to piece the dark and cold and slip away.

She let out a pained howl. The crowd cheered politely. Eleven minutes in, now, and just three minutes left. E was not finished.

“You aren’t going to make it.” My voice was still husky from all the commotion earlier in the night. “You could just stay.”

“I’ll be fine,” she mouthed back to me as she adjusted her grip.

Two minutes. I looked down to see E had finished, but she had yet to make a move. If it was me, I would be moving. Better to put things into motion. Pull the pin out, let the grenade lend you some urgency.

Seventy-five seconds. How long just to climb the stairs? E began to shift her weight, gathering her feet below her. Sixty. The count began. Fifty-nine. Fifty-eight. She rose, balanced, and crossed the room to the stairway with the stride of a dancer or a cat. All arches and flexed muscles, power hidden beneath lithe grace.

She disappeared through the archway. I hardly heard her on the stairs. Maybe she chose not to climb them after all. Maybe she had resigned herself that she wasn’t going to make it, and was just watching me as I watched the numbers close in on zero. Forty-two. Forty-one.

Twenty. Still enough time to descend the stairs and fit her body into the seat beside me, neatly filling the negative space. One day you stop being your own unit and the way you hold yourself starts to suggest the people that are meant to be surrounding you.

Ten. Nine. Eight. I stopped expecting her face to emerge from the arch at the front of the room. Seven. It was fine. Six. The mission was what mattered. Five. Four She would come back when she could come back.

Three. Two. One.

It was not the first new year that we would not open with a kiss, but at least the baby was asleep.

E returned at 12:02, blithe to the fact that her walk up the stairs with a limp, milk-drunk baby had taken the full three minutes she originally prescribed after draining the bottle rather than the fifty seconds she gave herself.

“Did I miss it?”

“No, it’s still 2014.”

“So I missed it. The ball.”

“They didn’t even show the ball. Just lots of awkward kissing. No more of that woman’s caterwauling, thank goodness. I’m surprised it didn’t wake her while she was drinking her milk? She’s down?”

“Totally out.”

We did not kiss. E whisked into the kitchen, in search of the champaign. Then we watched the Koi channel while everyone sipped champagne until I turned into a pumpkin at 12:58.

Happy New Year!