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essays

Personal essays from Krisis on everything from parenting to immigrant life to driving, and much more.

The Gospel of Network Agnosticism

May 26, 2009 by krisis

Being “Network Agnostic” is a practice I’ve been preaching over the past few months as my business and personal lives converge on social networking.

It’s a simple concept: don’t let the technology dictate your content, and make sure your content adapts across multiple technologies.

While the concept is simple, the ensuing conversation is huge. How worried should an individual be about the permanence of their social network content? How responsible is a marketer to keep their business connected with users across a host of different networks?

Here are a few thoughts on the matter. [Read more…] about The Gospel of Network Agnosticism

Filed Under: branding, critique, essays, Twitter, Year 09

Addicted to Twitter: Pt. 3 – How to keep tweeting?

May 4, 2009 by krisis

After two weeks of daily tweeting Twitter still wasn’t quite a habit. I understood why I was tweeting, what to tweet, but I didn’t feel like I was tweeting effectively.

I had found interesting folks to read and my own niche to write about, but I was at a loss at how to stay organized and interesting while I continued to accumulate follows and followers.

It was getting a little overwhelming. That was driven home by my participation in #blogchat, a weekly series where dozens of Twitter users have a live conversation by hash-tagging their posts as “#blogchat” – making them easily found via search. They were certainly easy to find – hundreds of them. I barely had time to hit reload before a whole new page of thoughts got tweeted out.

I had to find a better way!

Here’s where technology can be helpful. Twitter is a basic interface that doesn’t offer much aid when it comes to managing the flow of information, but its open API allows for plenty of developer interaction.

What does that mean to you and I? That there are a bevy of user-developed desktop and web apps that do all the things that can’t be done on Twitter.com. They’re more than a value-add – they’re essential to get the most of Twitter once you follow more than a few dozen people, and a must if you plan to use it as a platform for interaction or marketing.

There are three cross-platform big hitters that are worth investigating:

. [Read more…] about Addicted to Twitter: Pt. 3 – How to keep tweeting?

Filed Under: essays, Twitter

Why isn’t there a long tail of sheet music?

November 30, 2008 by krisis

Towards the end of last night’s fantastic drumming rehearsal in my living room we selected the cover artists for our next go, one of whom was The Strokes.

“Great,” I exclaimed,” I finally have an excuse to buy their sheet music books!”

Chaz eyed me with speculation. “Do you really need sheet music for those songs? Can’t you just figure them out?”

I plucked my Amnesiac book off of the music stand and waved it in his direction.

“Look, given enough time I can figure out anything, but then I can’t play whatever song strikes your fancy at a moment’s notice, and I won’t have something physical to put on the stand, and I can’t give you a starting note if you want to sing, and I certainly won’t know the harmony. Without this book there would have been no awesome version of ‘You and Whose Army.'”

That paragraph explains exactly why I believe all albums should have matching sheet music folios, and plainly illustrates my addiction to sheet music – because I want the ability to cover or arrange a song to be at my fingertips.

I have a sizable sheet music collection – over a hundred books. A significant portion of it is comprised of out-of-print books I hunted down two Christmases ago, including sheet music for every Madonna album and imported, out-of-print David Bowie books that contain the full scores to their corresponding albums.

Pop and rock sheet music is an interesting niche of publishing, not only because of its specialized audience of amateur and professional musicians, but because the sales of each book can be predicted by the sales of the corresponding album and the singles therein. Does every Mariah Carey album get a sheet music book? Of course – because they sell big, and the singles are huge – lots of people know the songs or want to hear them covered. Those are the books that are printed the most often. Similarly, any radio-ready rock band merits a book – like Foo Fighters, Radiohead, and even Paramore. Also, young artists with a breakthrough record often merit a first book to test the water – Anna Nalick got one on the strength of one single, and Sara Bareilles had one out when she was just touring behind “Love Song.”

The smaller or less-played the act, the less obvious the case is for a book. Get too obscureand you’re out of luck, unless you happen to be a Dresden Dolls fan – singer Amanda Palmer arranged and published two sheet music books on her own. Not coincidentally, they’re the two best-edited piano books I’ve ever purchased.

That makes me wonder – what’s the magical sales threshold that’s preventing us from seeing books from Guster or Rilo Kiley? Is it a flat number based on economies of scale in the print run … perhaps twenty or thirty thousand? Or, is it a function of album sales – a gold-shipped album might move two percent of its copies in sheet music – ten thousand units. There’s clearly a fixed, single-run print quantity for most books, because sheet music regularly falls out of print, and if the book wasn’t popular enough the first time around it never comes back.

Either way, any kind of threshold puts up a barrier between older and lesser-heard albums and the musicians that are clamoring to play them. Effectively, there can be no “long tail” of sheet music books. Yet, any DIY guitarist might argue that it’s okay, because of the internet. Why wait for a publishing company to spend production dollars arranging and laying out a book of sheet music that will cost you twenty bucks when you can crowd-source the task to guitar players in basements across American, who can tab out an entire album for free?

If the industry supported this solution I’d be all for it, but that relationship is tenuous at best. In the late 90s the Harry Fox Agency sued prominent guitar tab sites – primarily Harmony Central so they would remove all of their guitar tab archives – mostly on the argument that reprint of the lyrics without permission was illegal. It was a selfish, spiteful move on the part of the music publishing business – they shut down a venue for people around the world to play their artists’ songs, which is one of the best forms of word of mouth advertising an artist can have, yet they didn’t offer any commensurate response to the clear demand for a long tail of transcriptions.

I’ve been buying rock sheet music for the intervening decade, and I can tell you that the situation has not improved, except now Transcribed Score books are slightly more common – and they certainly represent increased value over internet tabs. Otherwise, if anything I’d say that in the 90s the threshold to print must have been lower – more niche artists got a short run of their own books. Today I don’t know that I’d be able to find my cherished book of Tracy Bonham’s The Burdens of Being Upright, or the tightly edited edition of Elastica’s self-titled disc.

The clear solution is a variation on Amanda Palmer’s Dresden Dolls model. Amanda, being just about the savviest indie artists I know of, made it a point not only to compile the best-edited sheet music possible, but to also turn her books into collectors items rife with stories and photos not available anywhere else. She sought to expand the audience for her product outside of musicians to more casual fans, which would increase her personal threshold for turning a profit on the endeavor in the long term.

It’s a valid strategy, but it’s a gamble – the extra material drives the price of the book, and relies on non-musicians fans to snap up the book for that half to help subsidize the sheet music portion. It’s probably working just fine for Amanda, because her fans are amazing, and the books were a labor of love to begin with. But, what about all of the other niche and indie artists out there who want to spread their music to the masses?

I think the best model would be for artists to offer a PDF of an album’s sheet music for download – either for free or a small fee – and to also offer a physical book containing that music plus some additional content – more detailed song histories and performance notes. Similarly, publishing companies need to find a way to do the same for out of print sheet music. In either case, if certain books prove to be big-movers on the print-on-demand front then you know to go to an actual print-run. If not, you at least have all of your sheet music compiled and available, which will draw a steady stream of revenue as a long tail shopping solution, and you can easily release a “Greatest Hits” book at any time.

Once Arcati Crisis actually records an album (hopefully next year) I’ll be undertaking that endeavor – I’ve already arranged “Standing” and “Moscow, Idaho” as a test. I’m under no illusion that we have hoards of fans waiting to play our songs, but I want to prove my point. More importantly, I want to insert my idea into the marketplace – maybe the only way I’m going to get my long tail of sheet music is to grow the damn tail myself.

Filed Under: essays, guitar, long tail

Happy Birthday To This

August 26, 2008 by krisis

I.

Lately I’ve been struggling with the concept of success – specifically, how to discern the difference between progress and success.

I am always progressing – I do not do well with sitting still. Nevertheless, moving forward doesn’t equal succeeding. Motion doesn’t equal a milestone.

Or, at least, that’s my typical mantra of over-achievement.

It can be hard mantra to upkeep; over-achievement requires a lot of regular achievement to maintain, and that requires plenty of milestones to mow down while you’re in motion.

It’s an especially hard mantra to have when no new milestones are in sight … when it starts getting tempting to view motion as a milestone. It’s akin to the kid who wants a teevee break just for doing the first page of his homework. Should I reward myself just for learning one new song, or completing one workout? The slope from those minor successes to learning a new chord or doing one push-up is treacherously slippery.

This was the quandary that stopped my progress cold last week, grinding my life to a halt. I spent a long night of discussion with Elise, reviewing the successes of the past year, and trying to figure out how to translate further forward motion into more milestones.

Elise is the panacea to those inconsolable moments, and as we laid in bed talking it became apparent that part of the problem is that I had forgotten the other, single, proven solution to all of my various doldrums – eight years of Crushing Krisis archives documenting every success and failure, and all the moments of paralysis found in between the two.

Eight years of proof that I am always in motion, and always finding a new milestone.

II.

As of today Crushing Krisis is an alarming eight years old – absolutely ancient in blogging years, and still the reigning longest running blog in my fine city of brotherly love.

I have a blog old enough to be in third grade. If that’s not a major milestone, I don’t know what is.

Not only is CK itself a milestone, it’s a collection of them – a chronicle of my greatest hits, the succcesses that sketch my evolution from aimless straight-A college student and hapless singer-songwriter through hopelessly overcommitted yuppy and emerging artist.

The amazing thing about the last twelve months is how many successes they encompassed. I played a show at the Tin Angel with my band (two, actually). I got engaged to the love of my life. I completed six months of voice-lessons, emerging with newly revitalized vocals. Lyndzapalooza threw not only a hugely successful music festival, but two modestly awesome off-season events. I finally became the senior member of my team at work. I’m planning the most kick-ass party I’ve ever thrown, which coincidentally happens to be my wedding.

In hindsight I feel as though the vast majority of my personal greatest hits record is contained in the last year of my life – like I’m one of those artists who has one big album and that ten years later my record company will release a 21st Century Masters collection of me that regurgitates that one album end-to-end, plus some random cover I did for a soundtrack.

In the midst of all those hits I could easily lose track of the progress I made, but that’s exactly what CK is here for. I already chose the best of them to feature in the Year 8 topic, but my most indelible memories extend far beyond the posts I’d deem as “best.”

Our band got censored for the first time. I had two of my most memorable taxi-driver conversations. I played a game of “what if I managed Britney?” I conquered my quarter-life crisis. I co-invented (and later conducted) an Upscale Bar Crawl. I blogged daily for an entire month for no reason at all, highlighting my favorite (remastered) Trio Tracks along the way.

I dissected Radiohead’s record release, along with the entirety of the “blogosphere.” I became fascinated for an entire night by a trick of photography. I learned valuable lessons from my longest period of bachelorhood in the past half decade.

I began telling the story of our engagement, further chronicled here and here. I disclosed my previously deeply personal delight in hot food eaten cold. I saw Elise’s brother make his theatrical debut. I posted a rare Trio that I liked as soon as it was recorded.

I contemplated being a real band. I reflected on my childhood masquerade as a born-again Christian. I posted yet another awesome-right-out-of-the-box Trio. I celebrated Gina’s birthday by recounting our first time singing together. I cultivated an ulcer. I learned about sibling rivalry by way of working out regularly for the first time in my life, and in the process got to know Elise’s sister a little bit better.

I almost shattered the fragile, bird-like skeleton of one of my SVPs. I taught the entire internet how to edit their MySpace Music profiles (seriously, you should see the referrals I get on that one damn post). I nearly got laughed out of a coffee-shop due to my savant-like knowledge of Clue.

I played my band’s first honest-to-goodness solo gig, and made friends with 13-year-olds. I spoke at my mother’s wedding, and reflected on how just a few decades ago mine would be illegal in some states. I became a big brother, and started becoming my mother, all in the span of a week. I reflected on GBLT rights in Iraq by way of Ani DiFranco and teenage theatre. I posted the best and worst of my teenage poetry.

And, still fresh in my mind, I was the victim of a crime of hate.

Other things happened too – good things and bad things left unsaid as I skipped a few months of blogging while I was out succeeding a life.

I never finished our engagement story. I haven’t been blogging about wedding prep, including dress shopping and invite-making. I didn’t relate how I got chewed out by a co-worker for bashing Jesus on our last Live @ Rehearsal disc. I continuously redacted a post entitled “Figure Skating Pants” because it never turned out as funny on-screen as it was in my head. You haven’t yet heard about house-hunting.

A hundred other things.

If Crushing Krisis is as much about progress as it is about success, as much about motion as it is about milestones, it’s also as much about silence as it is about sound. My evolution is sketched as much by the words I withhold as the ones I write.

III.

I write these birthday posts each year … letters to my future self. Internet time travel.

Last year I said:

If Year 6 of Crushing Krisis was about finding stability, then this past year has been converting stability into happiness.

To amend that quote, if Year 7 was about converting stability into happiness, this past year was about finding a way for happiness and success to finally co-exist in my life.

In their own quiet way, those successes have brought me as close to quitting CK as I’ve ever been. Even though this blog documents my successes the actual act of blogging is all progress, and progress without success in sight can be daunting.

On and off, I plotted CK’s demise. Merge it into a band blog, I thought. Not as important as wedding planning, I decided. My writing has already peaked, it’s time to focus on other things, I resolved. Not saying much of importance anyway, I mused. It’s not as if anyone’s reading it, I whined. Blogs are ubiquitous and thus unremarkable, I opined. I’m out of things to say, I worried.

Yet, here I am, still, heading into Year 9.

Why? Because Crushing Krisis is one of the best ideas I’ve ever had, one of the best things that has ever happened to me, and the best way I know to show that I am not only progressing into adulthood but slowly and surely succeeding at life.

And because of you. You – indefinable and intangible, yet indefatigable.

Not just you – singular you, tu – you there on the other side of the screen reading this now, so much as you – plural you, vous – all of you. The royal you. The Schrodinger’s Cat of you. The mere potential of you.

“You” could mean you – now, in the present, two seconds after I post this; you – far in the future, maybe after I’ve gone; you – both of you; or you – neither of you … some other you entirely.

Thank you, no matter which you I am addressing. Thank you for being a part of and a party-to my never-ending progress and my continuing success. Thank you for reading, listening, commenting, and linking. Thank you for your time, for your attention, and for being you.

Thank you. And, happy birthday to this.

Filed Under: adulthood, arcati crisis, august 26th, betterment, corporate, elise, Engagement, essays, lyndzapalooza, memories, over-achievement, self-critique, singing, Year 08 Tagged With: gina, resolve

Alla This

July 26, 2008 by krisis

On Thursday morning I was very much in my head while sitting on the trolley, listening to Ani DiFranco’s madly terrific new song “Alla This.” The song is partially about the intersection of the personal and the political, with Ani at one point delivering the following:

i won’t rent you my time
i won’t sell you my brain
i won’t pray to a male god
cuz that would be insane
and i can’t support the troops,
cuz every last one of them’s being duped,
and i will not rest a wink
until the women have regrouped

I already love the song as much as anything she’s done this decade, but at her concert earlier this month that verse sent a thrill through my body – in eight lines it succinctly hits commercialism, religion, war, and feminism. Amazing.

The verse ended as I stepped off the trolley, and my mind began to wander. I thought about Ani’s constant challenging of the patriarchal status quo, and how any form of discrimination ultimately connects back to that hegemony.

In the distance between the trolley doors and the stairs to sunlight somehow that rolled into my wondering about the Iraqi citizens, and if life has actually improved for those that exist outside of the patriarchy both of that nation and of the force the world is imposing on it.

I wondered, what about the gays and lesbians in Iraq? I knew nothing about this group, though I was sure they existed. What was their life like before the invasion, and what was it like now? While I am advocating for the rights of my lesbian friends to marry are their Iraqi counterparts struggling for the simplest of rights – for the ability to exist as themselves without fear?

Sometimes my brain and the internet do a peculiar zeitgeist tango, where the same day I wonder about a topic it shows up in my daily reading, and sure enough when I got to my desk CNN was running a story entitled “Gays in Iraq terrorized by threats, rape, murder.”

As it turns out, as the Iraqi government came unmoored the situation of their GBLT citizens deteriorated. Any hint of their sexuality risks not only their own lives, but the lives of their entire families.

What a terrifying closet to be trapped within.

.

Just a day later I was at the Philadelphia Theatre Company to see Elise’s brother in his weekly theatre lab.

One of his classmates – barely a teenager – wrote a brilliant play about how bullying can go too far, as the actions of a few are enabled by the inaction of their peers at large. Here the result was the death of a young girl at the hands of her tormentors – their faces unimportant, as all of her classmates were complicit in her fate.

In the play’s last scene Elise’s brother acted as a federal agent, gingerly interrogating one of the girl’s classmates, getting nowhere. Finally, grimly, he asks her:

“Is it true that the girl who was murdered had a crush on you?”

And then, brilliantly, sparking immediate tears in my eyes as much for his delivery as for the line itself:

“Have you ever heard of a boy named Matthew Shepard?”

So powerful, and from the pen of a girl half of my age. Vital proof that we still have some terrifying closets of our own, whether their doors are open or closed.

As the lights came up, Ani’s voice rung out again in my mind as the voice of murdered girl, of those Iraqi men, of Matthew, and of Larry.

i will not stand immersed,
in this ultra violent curse
i won’t let you make a tool of me
i will keep my mind and body free
bye bye minutiae
of the day to day drama,
i’m expanding exponentially,
i am consciousness without identity

Filed Under: essays, family, feminism, gblt, journalism, politics, theatre, Year 08 Tagged With: Ani DiFranco

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