Crushing Krisis

The Newest Oldest Blog In New Zealand

Alan Davis

New For Patrons: Guide to Captain Britain

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Today I have a solo guide for a character who previously lived in the shadow of a team guide on the site…

Captain Britain – The Definitive Reading Order and Collecting Guide

On Wednesday, a new Excalibur title launched as part of Dawn of X – the new line-up of x-books curated by Jonathan Hickman. In this new series, Betsy Braddock (AKA Psylocke) takes on the role of Captain Britain from her brother who is… indisposed.

Captain Britain is an interesting case because he, his sister Psylocke, and his extended mythology are one of only two major imports from Marvel UK to American Marvel.

(I’d say the other is Death’s Head.)

Not only that, but Captain Britain is one of the characters who has had the biggest impact on Marvel’s Universe. Ever. [Read more…] about New For Patrons: Guide to Captain Britain

Oversize X-Men: A map of every existing omnibus, plus what’s missing (Part 1: 1963 to 1991)

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The Most Wanted Marvel Omnibus Secret Ballot allows collected editions fans to play “Fantasy Collections Department” by picking the runs they’d most like to see in an oversized format.

Now that I’ve recapped the history of past years of the Ballot, we’re up to two weeks of the really fun stuff – thinking up dozens upon dozens of suggestions for Marvel omnibuses we’d love to see on our shelves!

I highlighted 50 runs that deserved an omnibus at the close of the survey last year, but this time I’m going to be a lot more comprehensive.

I’ll begin on my home turf: The X-Men. It’s how Crushing Comics guides began, and I own every issue of X-Men in either single issue or collected format, so I’m accutely aware of the gaps in oversized content.

Today I’ll cover both existing and potential Omnibuses for X-Men from their debut in 1963 through the launch of X-Men, Vol. 2 in 1991. Then, tomorrow we’ll look at the tumultuous and under-collected 90s, before finishing up on Wednesday with the pair of most recent X-Men eras – from Grant Morrison’s New X-Men in 2001 through present day.

After that, we’ll rinse and repeat this exercise in reverse for the entire Marvel Universe, working backwards from the current All-New All-Different Marvel to look at the top possible omnibuses across the entire line from every period until we’re back to the few books still left uncollected from the 1960s.

So, if you haven’t yet voted in the poll or just need a few more books to fill out your personal Top 20, get ready – the next two weeks of CK will have over 100 omnibus suggestions for you to choose from!

Now, let’s get to some X-Tensive X-Men omnibus mapping, staring with the Classic X-Men era from 1963-1974, before moving on to Chris Claremont’s tenure on X-Men from 1975-1991 (plus, all of the tie-in series from that era.

There are 19 potential omnibus volumes in this material! Collected Edition mapping can be exact and contentious work, so if you have a correction or disagreement don’t hold back – sound off in the comments below!

[Read more…] about Oversize X-Men: A map of every existing omnibus, plus what’s missing (Part 1: 1963 to 1991)

Review: Savage Hulk, Vol. 1: The Man Within by Davis, Farmer, & Hollingsworth

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Lately, I’ve been thinking a lot about audiences and about screaming into the void.

One of my earliest ongoing creative endeavors was writing fan fiction inside the Final Fantasy II (Japan IV) universe. I was writing it just to write it, but then I discovered a few other like-minded folks on the internet and we had a small, shared universe of fiction. Honestly, I have no idea how 14-year-old me put it all together – the details are a blur. It was mostly just that same handful of people who were reading it. No one was writing for attention or exposure. We were all writing for the joy of writing.

The same is true for my songwriting. I spent years writing songs for no one to hear before I started pushing to play them for more people. Even after being in a gigging band for years, to this day the vast majority of my catalog has never been heard outside of our house or this website because I write so darn many songs. I’d have to put out an album a year to keep up and tour constantly.

I have the luxury of doing those things for fun. My fanfic was niche and so is my music, but it doesn’t really matter. I am happy to cast that art out into the void knowing no response would echo back at me.

The problem with doing art for the love of it comes once you’ve actually earned some attention. What happens when more than a handful of people like your writing or your music? Now you have an audience. If you were making art for the love of it, their eyeballs and ears shouldn’t make any difference to you. Yet, it’s hard to avoid their influence, even if you aren’t performing craven acts of fan service to keep them all pleased. Once you’ve seen an indicator that your art is actually being consumed it’s hard to ignore it completely.

Let’s advance that to it’s end state: a popular artist who has followed their own path and pleased fans along the way now wants to do something inherently less popular – or simply something different. I’m not thinking about the dangers inherent in each new release. Instead, consider an independent artist experimenting with a new genre or a big money director wanting to make a decidedly non-mainstream film. J.K. Rowling is a terrific example; after Harry Potter, she didn’t want to write another young readers opus, but that’s what everyone wanted!

It’s a risk. Do they trust fans enough to compartmentalize this work of otherness away from their main oeuvre? You might not be able to afford the detour if it turns too many people off. In Rowling’s case, she released one novel under her own name (The Casual Vacancy) and then another under a pseudonym (The Cuckoo’s Calling by Robert Galbraith). Neither detracted from the fervor for Potter, but the latter earned higher marks from fans and critics, called “a brilliant debut.”

Was it the quality of the Galbraith book that made it more successful, or that it was free of baggage? How would you enjoy the new album from your favorite artist if you didn’t know it was by them?

Savage_Hulk_Vol_1_1_TextlessThese questions occur to me with every subsequent piece of art I purchase or consume from a known artist.

Savage Hulk, Vol. 1 – The Man Within 3.5 stars Amazon Logo

Collects Savage Hulk issues #1-4 written and penciled by Alan Davis, with inks by Mark Farmer and colors by Matt Hollingsworth. Also includes X-Men (1963) #66 written by Stan Lee with pencils by Sal Buscema.

Tweet-sized Review: Alan Davis writes/draws a lovely, clever sequel to X-Men #66, a face-off w/Hulk, in this ode to early-70s Marvel.

CK Says: Consider it.

This Alan Davis Hulk and X-Men story is a love letter to early-70s comic books and it’s possible you simply won’t care. His tale in The Savage Hulk, Vol. 1 – The Man Within branches off from a bash-em-up encounter between the heroes in X-Men #66, the last comic before the hiatus ended by their Giant-Size comeback in 1974.

In a follow-up to that orphaned story, a recovered Professor Charles Xavier feels compelled to design a device that could help Bruce Banner control the Hulk as repayment for Banner’s cure for his mental exhaustion. However, the Hulk is being hunted by the military after causing serious damage in Las Vegas, while Xavier has unwittingly attracted the attention of Hulk’s foe The Leader. [Read more…] about Review: Savage Hulk, Vol. 1: The Man Within by Davis, Farmer, & Hollingsworth

Marvel’s Most-Wanted Omnibuses of 2016 – #9, 8, and 7

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Omnibus on ShelfWelcome to another edition of Marvel’s most-wanted omnibuses based on the annual secret ballot by Tigereyes. I covered #10-12 in the last installment.

We’ve broken through to the Top 10 books on the survey. That doesn’t immediately make all of it classic – some of it warrants high demand for other reasons, like a specific creator or filling in a highly-desired gap.

However, today I have three classics for you. For two of the books, that designation is an obvious one. For the third, this might be the first time you’ve ever been asked to consider it as a classic, but I’ve felt that way for over 25 years!

Do you own an oversized tome of the comics starring your favorite character or featuring your favorite story? My Marvel Omnibus & Oversized Hardcover Guide is the most comprehensive tool on the web for tracking Marvel’s hugest releases – it features details on every oversize book, including a rundown of contents and if the volume is still readily available for purchase. [Read more…] about Marvel’s Most-Wanted Omnibuses of 2016 – #9, 8, and 7