Crushing Krisis

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Alan Moore

New For Patrons: Watchmen – The Definitive Collecting Guide

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Today I launched a somewhat unusual guide directly to Patrons of Crushing Krisis – Watchmen: The Definitive Collecting Guide.

“But, Peter,” you might say, “Watchmen is only 12 issues long. How does that warrant an entire guide?

I’m so glad you asked. This guide does more than break out the many ways the original Watchmen series is collected. It also has information about the genesis of the Watchmen characters. It explains the differences between the three different cuts of the film, including one that incorporates the Tales of the Black Freighter material. It covers DC’s 2012 return to the Watchemen with Before Watchmen.

Much like my Complete Guide to Batman by Grant Morrison, this page is something I’ve always sought on the internet but never quite found. I look forward to adding more to it as the upcoming Doomsday Clock event as it unfurls.

This guide will become available to the general public in a few weeks to coincide with the release of the first issue of Doomsday Clock. Want it before then? Patrons get early access to every guide, including extended access to special Patrons’ Choice guides like Scarlet Witch.

Watchmen – The Definitive Collecting Guide

The Watchmen comic books definitive collecting guide absolute, hardcover, and trade paperback collections. Part of Crushing Krisis’s Crushing Comics Guide to Collecting DC. Last updated June 2024 with titles scheduled for release through August 2024.

Alan Moore and Dave Gibbon’s Watchmen is widely recognized as one of the most classic single comic stories in the history of the medium.Watchmen Trade Paperback

The 12-issue series tells a story embroiled in all the worst fears of the mid-80s while drawing on a rich history of comic archetypes to create a world of characters who feel analogous to the casts of every major comics universe. It uses those archetypes, as well as the very format of the comic medium, to deconstruct the idea of superheroes – with graffiti in the background of panels rhetorically asking readers “Who watches the Watchmen?”

The same traits that make Watchmen a prohibitive classic can also make it a challenging for modern readers. That’s not just because they might lack the historical context or comics knowledge for this series. Instead, it’s because since Watchmen (and also The Dark Knight Returns, released in the same year) American superhero comics have evolved a sense of self-awareness that echoes the narrative tone of this series.

Watchmen existed for over 20 years as a completely self-contained series with some minor background material included in its collected editions. That all began to change with the 20th Anniversary of the title, which brought a modern restoration to its colors, continued through 2009 with the release of Watchmen’s film adaptation, and seemed to reach its peak in 2012 with a series of Before Watchmen comic books that expanded the universe of the original series for the first time.

However, DC Comics saved the biggest expansion of Watchmen for its 30th Anniversary, revealing that the actions of Moore and Gibbons’s characters had somehow created the “Rebirth” of their entire comic line. After a year-and-a-half of teasing, that story began to be told in Doomsday Clock, another 12-issue series that picks up from just after the final scenes of the original Watchmen to integrate its characters into DC’s current continuity. [Read more…] about Watchmen – The Definitive Collecting Guide

New Collecting Guide: John Constantine, Hellblazer

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I have a new collecting guide for you today: John Constantine, Hellblazer!

The guide covers Hellblazer’s every appearance, from beginnings as a guest star in Alan Moore’s Swamp Thing through his two decade run in his solo title to his multiple relaunches since 2012.

There’s something about Constantine that draws readers in and makes him a prime choice for screen adaptations.

A big part of that is that he is by no means a hero. Sure, Constantine is a supernatural detective and occasional magician, but he has little interest in saving anyone – in fact, his actions are often as likely to get people killed as to save them!

Another hallmark of Constantine was years of exclusivity. He was created by Alan Moore in a pre-Vertigo Swamp Thing and than shuttled off to his own title written by Jamie Delano, who was hand-picked by Moore to launch the character in Hellblazer.

Constantine made very few appearances outside of his own title, his mini-series, and Swamp Thing for the next twenty years. This insulation was furthered when he became a part of the Vertigo family of titles and allowed Constantine to age in real time with his readers.

That means Constantine is very easy to read sequentially, with just a few limited series and OGNs to fit in to his reading order. However, he’s a bit harder to collect. Despite DC keeping early Jamie Delano issues evergreen in print, Hellblazer went over a decade without his new arcs seeing collection (until #146 in 2000), though occasional trades went back to collect short bursts of issues. [Read more…] about New Collecting Guide: John Constantine, Hellblazer

Marvel’s Most-Wanted Omnibuses of 2016 – #35 to 31

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Omnibus on ShelfToday I’ve got numbers #35 through 30 of the Most-Wanted Marvel Omnibus secret ballot by TigerEyes. I covered #40-36 in the last installment.

This group of contenders are all returning Top 50 votes from last year’s survey save for one, which weirdly has vaulted onto the survey after being collected for the first time (usually that sort of thing takes the edge off of people’s desire for an omnibus).

Do you own an oversized tome of your favorite character’s comic books? My Marvel Omnibus & Oversized Hardcover Guide is the most comprehensive tool on the web for tracking Marvel’s hugest releases – it features details on every oversize book, including a rundown of contents and if the volume is still readily available for purchase.

Here we go with #35 through 31! [Read more…] about Marvel’s Most-Wanted Omnibuses of 2016 – #35 to 31

DC New 52 Review: Swamp Thing #1

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In the 80s DC was the edgy comic book company. Even before the launch of Vertigo, they were the publisher letting a new generation of writers use their heroes in non-traditional ways.

While Grant Morrison may be the last oddball left standing from the period, it was ushered into existence by Alan Moore. It was Moore’s hand that guided the landmark Watchman and deconstructions like Killing Joke. He made it possible for the Morrisons and Gaimans of the world to be mainstream comic authors.

While the modern day might treat Watchmen as Moore’s opus, he was already writing bizarre 70s eco-hero Swamp thing for nearly three years by then.

Both Moore’s verdant hero and Morrison’s Animal Man are seeing reinvention in the reboot. Will either hint at the success of their 80s glory years?

Swamp Thing

Written by Scott Snyder, art by Yanick Paquette

Rating: 1.5 of 5 – Weak

In a Line: “I had this Botany professor, Dr. Riis … he would always talk about how the plant world is the most misunderstood area of biology.”

140char Review: Swamp Thing #1 is utterly gorgeous in the hands of Paquette, but it’s all Swamp Talk (+ a dull lecture from Superman) & no Swamp Thing. Lame

CK Says: Skip it.

I’ll come right out and say that I completely hated this script for this issue. It’s the only one so far from the reboot that felt deliberately decompressed, aside from the wreck of Justice League.

Swamp Thing being a dark hero with roots in Alan Moore stories is meaningless when it comes to a fresh start. While Scott Snyder does plenty of explaining via pages upon pages of dialog, it never stops being expository to start being compelling. As a reader who has no idea about the character the talking didn’t really help – it was like listening to a conversation on a bus about someone I’ve never met.

Snyder inserts plenty of heavy-handed one-liners, like “buried alive” and “raised from the dead” in an attempt to make a dull B-story seem like a portent. The chatty issue was made more jarring by a weirdly out-of-context Superman acting like a camp counselor, completely at odds with both other versions we’ve seen so far in the reboot.

The saving grace is a beautiful rendering of an inert script by Yanick Paquette. If he can make dead birds and talking heads look this good, imagine what he’ll do with an issue that’s actually about Swamp Thing?

Despite a gripping into and a final panel giving a hint of what’s to come, this issue is skippable due to the interminable bore of its doughy middle.