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Comic Books, Drag Race, & Life in New Zealand
It’s time to take a look at what’s out from Marvel Comics this week! This post covers Marvel Comics April 26 2023 releases.
This list includes every comic and digital comic out from Marvel this week, plus collected editions in omnibus, hardcover, paperback, and digest-sized formats. For each new release, I’ll point you to the right Crushing Comics guide.
All-Out Avengers: Teachable Moments (2023 paperback, ISBN 978-1302947019 / digital)
See Guide to Avengers Flagship Titles (2010 – Present). This new “All-Out” brand for Marvel indicates an all-action series that is a non-stop five issue fight, here created by Derek Landy & Greg Land. The Landy-Land team continues to a new volume, Avengers Beyond, below.
Cosmic Ghost Rider by Donny Cates (2023 paperback, ISBN 978-1302949891 / digital)
See Guide to Ghost Rider. This paperbacks collects all of Donny Cates’s Cosmic Ghost Rider material, which is a subset of the material from the 2021 omnibus. However, there is really just one full CGR series in this collection – his first 2018 five-issue limited series. All the other material in this book are his debut in Thanos (2016) and guest-starring and team membership issues. Bottom line: This is the right buy if you’re a Cates fan or looking purely for origin material, otherwise you should buy the omnibus instead.
Deadpool & Cable Omnibus (2023 oversize hardcover, ISBN 978-1302949921)
See Guide to Deadpool or Guide to Cable for this complete reprint of their 50-issue 2004 team-up series.
Fantastic Four by Millar & Hitch Omnibus (2023 oversize hardcover, ISBN 978-1302949716 / digital)
See Guide to Fantastic Four. This omnibus fits directly prior to Jonathan Hickman’s run and pair of omnibuses. This run’s reputation tends to be overshadowed by Hickman, but there are some enjoyable big ideals here and I enjoy seeing Millar in his less-audacious mode when he’s not writing mature books.
Midnight Suns (2023 paperback, ISBN 978-1302947187 / digital TBA)
See Guide to Ghost Rider or Guide to Blade. This series featured a peculiar hodgepodge of a team of supernatural heroes… and Logan, with a cast of Magik, Wolverine, Blade, Spirit Rider, and Nico Minoru.
Thor Epic Collection Vol. 9: Even An Immortal Can Die (2023 paperback, ISBN 978-1302948689 / digital)
See Guide to Thor – The Odinson. This material has been covered in Masterworks and in bits and pieces across several old trades, but it has never been collected comprehensively in paperback before.
Strange, Vol. 2: The Doctor Strange of Death (2023 paperback, ISBN 978-1302946746 / digital)
See Guide to Doctor Strange. The second (and final) volume of Jed MacKay’s volume of Clea as the Sorcerer Supreme before the relaunch of Doctor Strange last month.
X-Terminators (2023 paperback, ISBN 978-1302946999 / digital)
See Guide to X-Men – The Age of Krakoa. Leah Williams takes Dazzler, Jubilee, Boom Boom, and Wolverine (X-23) on a high-action, high-comedy spin.
Read on for a rundown of Marvel Comics April 19 2023 single-issue releases, including a link to their accompanying guide pages on Crushing Comics.
[Read more…] about New Comics & Collected Editions: Marvel Comics – April 26, 2023
The definitive issue-by-issue comic book collecting guide and reading order for Marvel’s Star-Lord, Peter Quill, in omnibus, hardcover, trade paperback, and digital. Part of Crushing Krisis’s Crushing Comics. Last updated March 2023 with titles scheduled for release through July 2023.
Star-Lord is a Marvel character who has multiple versions and multiple origins, and what can sometimes seem like multiple personalities thanks to a tug-of-war between his comic stories and his happy-go-lucky Marvel Cinematic Universe persona.
Star-Lord was originally a pulp sci-fi character whose feature ran across a handful of Marvel magazines and anthology titles in the 1970s, as penned by his creator Steve Englehart (as well as Chris Claremont).
None of the worlds or characters he interacted with closely corresponded with Marvel’s version of space at that time. And, a close reading of his comics show that his taking on his heroic name occurred in our future (but his past) in 1990. That seemed to confirm he was not meant to coexist with the Marvel Universe of the 1970s. That character was completely forgotten throughout the 80s and 90s, and was relaunched with a different character taking on the title in a 1996 mini-series.
That pair of Star-Lords are now known as The Star-Lords of Earth-791. How did they wind up excommunicated from Marvel’s mainstream continuity? That’s down to his film success and Brian Bendis,
In March 2005, Keith Giffen & Ron Lim introduced an old, grizzled, partly-cybernetic man named Peter Quill into their Thanos ongoing series. Quill had an unnamed off-panel history with Thanos and was imprisoned for life after a galactic defense gone wrong resulted in the deaths of hundreds of thousands of people. That explained why he refused to acknowledge anyone else calling him Star-Lord.
Peter Quill was freed from his sentence by Gladiator of the Imperial Guard and next turned up as the second-in-command to Richard Rider as the last Nova in the 2007 Annihilation event. This was the same cynical, cybernetic Peter Quill. He was promoted to a title star in a mini-series that lead into the next cosmic event, Annihilation Conquest. Quill’s cybernetic implants were removed and he assembled a team readers and film fans will recognize as an early iteration of Guardians of the Galaxy. The team’s roster and name would be formalized coming out of the event and leading into the Guardians ongoing series in 2008.
As Peter resumed the title of Star-Lord, authors Dan Abnett & Andy Lanning slightly softened his personality and youthened him, but he was still the battle-scarred veteran of the Annihilation events. Abnett & Lanning ended their run on the character with his disappearance at the end of The Thanos Imperative.
Throughout all of those stories, the unspoken implication was that our present-day Marvel-616 Peter Quill was in fact the same as Englehart’s future version, meaning that he (or, perhaps, his father) had traveled back in time from those original 1970s stories.
That slate was wiped clean by Brian Bendis in 2012. Bendis brought Quill back as the leader of the Guardians with no explanation in his Avengers Assemble series, a tie-in the impending Avengers film as well as a stealth reboot of a Guardians team that would perfectly match their impending film incarnation. Bendis continued that continuity-wipe with the point-one issue of the new Guardians ongoing, in which he completely revised Peter Quill’s origins to be based definitively on the Marvel-616 Earth (in a story that would be somewhat echoed in the Marvel Cinematic Universe).
Although all of the Annihilation stories were still in continuity, Bendis’s version of Peter Quill was younger and funnier – though he still wasn’t quite the silly, somewhat-bumbling version we’d meet in the Marvel Cinematic Universe.
As the MCU version of Star-Lord became a hit with the public, Bendis leaned into exploring his parentage and his connection to the planet Spartax while solo runs by Sam Humphries and Chip Zdarsky detailed his romance with Kitty Pryde and his solo adventures. Further Guardians books by Gerry Duggan and Donny Cates hewed closely to the Bendis template of the character.
It was Al Ewing in his 2020-21 Guardians of the Galaxy run who truly transformed Peter Quill’s character to align his present-day version and his comic origins, as well as exploring his devotion to Richard Rider and Gamora. Finally, by the end of Ewing’s run, it felt as though we had a Star-Lord who made sense as the combat-hardened Annihilation veteran as well as the happy-go-lucky Bendis-era Guardians. [Read more…] about Star-Lord, Peter Quill – Definitive Collecting Guide and Reading Order
by krisis
Doctor Strange: Damnation #1, art by Rod Reis
I know it seems impossible, but The Pull List has grown even bigger this week for the third week in a row! That’s because I finished catching up to present on a number of DC and Marvel books, plus I picked up five smaller press books.
A bloody, thrilling, heart-rending comic. Aaron has somehow amped up the drama in each of the last three issues as we hasten towards a potential Ragnarok at the hands of the Mangog and Jane Foster’s death at her own hands if she takes up the mantle of Thor just one more time.
Yet, beyond those looming disasters there is still Makelith’s war on the Ten Realms. Mangog is just one facet of that. Even in the dimness and tragedy, Aaron finds shining moments – Jane with her friend in the cancer ward, a father and son joined in battle, and a mother casting aside a snake that has wounded her before.
All the while, Dauterman and Wilson are turning in a quality of artwork never seen before at Marvel comics – truly, one of the pinnacles of art at Marvel in over 75 years of publishing.
This story has officially become the best Thor story in my eyes, and it just might be Marvel’s best longform story of all time. I’d place it alongside Mark Gruenwald Captain America and Chris Claremont X-Men at this point.
An utterly madcap introduction to Punks Not Dead (and, for me, to Black Crown comics, which are edited by Shelly Bond distributed by IDW). This book is part Injection, part Sid and Nancy, and a little dash of the more lighthearted issues of Sandman.
It follows a teenage boy and his scam artist mom as the kid picks up some kind of supernatural echo of the deceased Sid Vicious in a dingy airport bathroom. Meanwhile, the beleaguered Department for Extra-Usual Affairs is busy putting minor demons out of the closet at 10 Downing Street with a staff of one.
This book is funny, unique, and looks freaking brilliant. Artist Martin Simmonds is simply incredible, drawing a real-seeming Britain with amped up color and clever use of cut-and-pasted patterns to ground it in real, textured reality. I am in love with this book, and will not only be keeping up with it, but also checking out other titles from Black Crown. [Read more…] about The Pull List: Batman, Brave and The Bold, Damnation, Maestros, Mighty Thor, Punks Not Dead, and more!
by krisis
I’ve managed to one-up last week’s edition of The Pull List! This week, the list is a whopping 27 issues deep – one more than last week. However, its also a tick worse, with an aggregate rating of 3.055 compared to 3.17.
What did I pull this week? I caught up with Birds of Prey, Flash, and Titans to add to my DC pull list, sampled four new number ones, and dropped a pair of weak books. Here’s what I reviewed in brief:
I have never before been so viscerally scared of Grodd. He is utterly terrifying here, and I was really concerned that we could be seeing the end of Flash at multiple points – and, in a way, we did.
Joshua Williamson is proving that he is one of the best writers in the business with this constantly thrumming plot that has been building non-stop rising action for 40 straight issues. While you could easily jump right one with every arc, each of them builds off of everything that came before. That means this run has notched itself as the third or fourth best extended Flash run of all time in under two years, and it shows no immediate signs of stopping.
Carmine Di Giandomenico continues to stun on artwork with vivid coloring from
Ivan Plascencia. This issue includes some of the most inventive action paneling I can think of reading in recent memory. The paneling of Avery catching the lighting rod is breathtaking.
An A+ book through and through, with a thrilling final moment.
There’s no denying the craft, power, and charm of Giants. For a third issue in a row The Valderrama Brothers. turn in a beautiful, action-packed comic full of heart.
We begin our story with Zedo, the boy left for dead who is now making a cavalier power-play to control the gangs of the underworld. Only a child could see things as so black and white, yet both in the last issue and here he is making vicious choices that he can’t take back.
In stark contrast, Gogi has found a group of other children who are necessarily tough but still enduringly kind. Their acceptance and willingness to give without asking anything in return is alien to Gogi. At first he resists it, then he resents it, but finally he understand that’s it’s easier to live openly then be on guard and full of distrust.
Gogi’s journey from underground child to hero in the wider wider stands in stark contrast to Zedo’s dark turn at the end of this issue. Neither boy can entirely blame fate, nor can he say that the choices were all his own. That makes Giants a powerful allegory for the role of environment on our lot in life.
We might not all be fighting giant monsters, but we’re frequently either the child who ran away or the child that was left behind. [Read more…] about The Pull List: Avengers, Death of Love, Detective Comics, The Flash, Paradiso, Sideways, & more!