X-Men

But I Regress, pt. 6

November 3, 2010 by krisis

We’ve reached the penultimate chapter of regression to full-on thirteen-year-old, only with my own house and a much higher credit limit. Last time I tracked my geekdom from a manageable low tide to being reignited thanks to a visit to Brave New Worlds comic shop.

Get ready – we are about to dive deep into comic book nerdness.

Scarlet Witch losing her tenuous grip on reality - and on her face.

I thirstily devoured my newly Civil War trade paperback – loving the more-grounded, less-spandexed take on the comic book world. But where were my X-Men? Unlike the video game Civil War I had just played – complete with Cyclops and Jean Grey – here the X-Men were nowhere to be found.

A little internet sleuthing revealed the X-Men were largely holed-up at the mansion during the civil war, recovering from the worldwide reduction of mutants from thousands to a mere 198 thanks to M-Day.

M-what?

M-day was the result of House of M, when an unhinged Scarlet Witch commanded “No More Mutants” after she was forcibly evicted from her pleasant alternate reality where Magneto ruled a mutant-centric Earth.

Um, okay? Sure. Meanwhile, Jean Grey was in my video game, so was she back to life?

Emma & Jean ... not exactly fast friends.

Apparently not – Grant Morrison killed her both Jean and Magneto in 2003 during his run of New X-Men, the same one that cemented Emma Frost as an actual X-Man. Except, now Magneto was an X-Man too and Marvel was hinting at a Phoenix return with their new character Hope Summers – a pint-sized mutant Messiah who was the only new mutant born post-M-day. Hope was an infant then, but was promptly whisked away to the future by Cable to protect her from a murderous Bishop, who was sure she was a sign of coming apocalypse (little “a,” not big “A”), and now she was about to return as a not-so-tiny teen that looks a lot like Ms. Grey.

What? WHAT?

I spent the weekend surfing comic sites, trying to make some sense of the convoluted comic history that occurred since I gave up in 1996.

I was about to move into a new house where I could actually have packages delivered, so maybe I’d catch up on a few comic books. Maybe just Uncanny X-Men? From issue #1 to where my collection started, and then to present day. Surely Marvel’s flagship title was entirely collected in trade paperbacks, easy to obtain from my friend Amazon.

Right?

Emma Frost and Hope Summers. Like a car crash, this is so disturbing that I can't seem to look away.

And, hey, even if there were some holes to fill with single issues, surely there was some straightforward guide to X-Men trade paperbacks that I could refer to somewhere on the internet.

Nope.

Nowehere. On. The. Entire. Internet. Try to wrap your head around that. The vast expanse of internet replete with its hard-core complement of geeks was devoid of a definitive guide to X-Men trade paperbacks.

Oh, I searched. I had forty-seven tabs open in my browser, trying to make sense of a tangle of Essential X-Men and Marvel Masterworks and Omnibuses and Premiere Editions. I found an out-of-date continuity site, the patchwork archive of Uncanny X-Men dot net, litanies of lists on Wikipedia, and a slew of lists on eBay and Amazon.

Lots of pieces, but no whole: a single, comprehensive website that tracked every X-Men comic from issue #1 to issue whatever. A guide to collecting X-Men comics as an adult. A logical, sequential explanation of how to catch up in TPBs instead of unwieldy, expensive single issues.

It simply didn’t exist. So, of course, I had to build it.

And I did – in less than two months! You can check out my guide to collecting X-Men now, but to hear how it came together, and how I came to own ten years worth of X-Men TPBs in a fortieth of the time, you have to tune in to one more installment!

But I Regress, pt. 5

October 28, 2010 by krisis

Last time I exposed my Behind the ~~Music~~ Monitor lost year-and-a-half, during which my free time was entirely composed of playing City of Heroes while drinking Grey Goose martinis.

This is the official version of Risk, as far as I’m concerned. It takes a relatively undynamic game of war and turns it into free range Stratego.

I shirked City of Heroes and plunged that same amount of time into being a musician, and within one year I joined an acappella group, wrote new songs, rebooted CK on WordPress, and nudged Arcati Crisis towards becoming a real band.

That was 2006. My geekdom laid low for the next four years. Sure, I got addicted to Battlestar Galactica, but sci-fi tv and movies have always been a shared domain of E and I (one of the many factors rendering her as “best wife ever”).

Otherwise, I just played a few tournaments of Lord of the Rings Risk against myself (don’t judge, I was an only child) and idly kept pace with Joss Whedon’s scripting run on Astonishing X-Men.

I have been convinced since day one that there is some secret drug-taking component to Katamari that would render the King of All Cosmos sensible.

I even bought a Playstation 2, ostensibly to Dance Dance Revolution my way to fitness like Elise’s brother, but instead mostly played Katamari Damacy, and later X-Men Legends and Marvel Ultimate Alliance – both a safe comics fix so long as they were closed-loop RPGs and not MMORPGS like City of Heroes

Or so I thought.

We put in an offer on our house on May 5 and that weekend we were pretty stressed – I stressed myself sick by Monday. Grumpy and home alone, I ordered Marvel Ultimate Alliance 2 to have something to new bash between haggling with our sellers.

The beginning of the end of my responsible adulthood…

MUA2 tells a pretty darn accurate story of Marvel’s 2006 Civil War saga, wherein Iron Man and Captain America got into a major spat over whether all heroes should be registered with the government. Their brotherly quarrel spills out into the entire Marvel Universe, resulting in some major changes to the status quo.

Or, at least, that’s what Wikipedia told me.

A few weeks later it was May 21st, the night before Gina, Wes and I planned to jump out of a plane. I was stressed-sick again, but dragged myself out to a happy hour for a co-worker, and wound up rambling down to MikeyIl’s Movement & Motion: One Night Art Show @ Brave New Worlds.

A comic book shop.

It had been a long time since I had been in one, and everything was foreign. Why was Wolverine on the cover of X-Force? What was Blackest Night?

Since nothing made sense, nothing was tempting. I wanted to support Brave New Worlds with some business, so I decided to pick up a trade paperback – a graphic novel collecting a run of several single comic books.

At a loss for what I’d be able to jump in on cold, I grabbed the most familiar thing – Civil War, and the accompanying tie-in with Ms. Marvel, an old favorite (I was amazed she had her own title!).

This was the beginning of the end … a four-month re-emergence of focused geekdom that in some respects would make my lost year of City of Heroes look like a serious addiction to gummy bears.

I’ll tell you about it next time, but suffice to say it has a lot to do with my Guide to Collecting X-Men TPBs, which – not coincidentally – was born on May 22nd.

Collecting X-Men regular series as Graphic Novels

The definitive, chronological, and up-to-date guide on collecting X-Men ongoing series – including X-Men solo series – via omnibuses, hardcovers, and trade paperback graphic novels. A part of Crushing Krisis’s Crushing Comics. Last updated April 2016 with titles scheduled for release through December 2016.

he X-Men universe consists of a lot of comic titles as one of Marvel’s most-popular properties and the first after Spider-Man to develop its own set of spin-off series.

Ever since the successive launch of New Mutants, X-Factor, Excalibur, and Wolverine in the 1980s there have never been less than five X-titles in circulation counting both team books and X-Men solo series.

The biggest titles with the lengthiest runs tend to be team books, followed by X-Men solo endeavors from Wolverine, Cable, and Deadpool. However, there are many other X-Men ongoing series that last just a few years and are less collected than their more popular brethren.

This page lists every X-Men ongoing title that occurred in the main Marvel Universe (Earth-616). “Ongoing” means the titles – however brief – were not advertised as limited series (i.e., headlined with “Issue # of N”). The biggest, most-long-running titles will link to their own guides, but titles with a shorter lifespan are explained right here.
[Read more…] about Collecting X-Men regular series as Graphic Novels

But I Regress, pt. 1

August 3, 2010 by krisis

With the launch of my monster definitive guide to collecting X-Men comic books as graphic novels, I have officially become a fifteen year-old.

Allow me to explain. Or, to begin to, as I’m sure this is a multiple-post-spanning story (just as that website feature was a multiple-month spanning obsession to research).

A few months ago Philly-local social media mover/shaker/sandwich-connoisseur @MikeyIl threw a series of events for the Ford #FiestaMovement. One of them was an all-local art show, featuring work by my partner-in-fame Britt Miller, as well as Eddidit and others.

Being Britt’s unpaid intern / personal assistant / life coach and a faithful supporter of friends and local artists, I got my ass there – even though the event was smack in the middle of negotiating the price of our house with our Realtor over the phone.

(Literally. Drunk friends: “What are you doing?” Me, to phone: “Hold on a second.” Me, to friends: “Oh, I just got another few thousand dollars knocked off the price of our house.” Drunk friends: “Wowwww.”)

Where was that fateful art show held?

Brave New Worlds. A comic book shop.

Here at Crushing Krisis I haven’t ever fully explained my addiction to comic books, c. 11/1991 – 4/1996.

X-Men #24, one of my favorite comic covers.

It was a brief but tumultuous affair. Comic books combine my love of serial narrative with an OCD urge to make meticulous, alphabetical lists. They created a 10-year-old who would do anything to earn $40 a month to pick up every book bearing the image of Wonder Woman or an X-Man.

(Seriously, I’m surprised I wasn’t peddling coke for my neighbor. It’s a good thing my guitar habit didn’t get to drug-running levels of expense until after college, when I was salaried.)

For only collecting for four-and-a-half years, my comic collection is prodigious. Not only did I collect new issues weekly, but in the pre-spreadsheet days the adolescent OCD Godzilla in my soul – a mere tadpole, at the time – compiled lists of back issues by hand… lists twenty and thirty pages long, complete with estimated budgets and timelines for purchase. Every few months my father engaged my whim, and I checked off line after line.

I was hardcore. The guys at the comic store treated me like I was twice my age (now ironic) because I was so on top of my shit with my pull lists and my back issue pricing and my discussions of the Magneto’s morality and if the ends truly justified the means.

Then came the internet. AOL dial-up cost by the hour, and I was hooked on it within minutes of my first sign-in in January of 1996. Four months later my wallet issued an ultimatum: limit my internet usage, or jettison my comic addiction – now complicated by Marvel’s 90s’ decadence of holographic covers and limited series.

The real decider was probably a demo of Warcraft II, a living digital board of Risk I could play over and over again with my friends over my 14.4 baud modem.

I dropped the comics and never looked back.

Until last month.

(To be continued! In the meantime, if you’re a closet x-fan who wouldn’t know a pull list from their elbow, check out definitive guide to collecting X-Men comic books as graphic novels – the easiest (and cheapest) way to be an adult comic book fan.)

X-Treme X-Men – Definitive Collecting Guide & Reading Order

The X-Treme X-Men comic books definitive issue-by-issue collecting guide and trade reading order for omnibus, hardcover, trade paperback, & digital collections. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated December 2024 with titles scheduled for release through February 2025.

The X-Men line received a major shake-up to its status quo in 2001. To make way for Grant Morrison’s tightly-focused cast in New X-Men (2001), Marvel spun off some of its most beloved X-characters into a third flagship X-title: X-Treme X-Men, penned by veteran scribe Chris Claremont and launched with artist Salvador Larroca.

This new team boasted heavy-hitters and fan-favorites Storm, Rogue, Psylocke, Bishop, along with newer charaxters Thunderbird, and Sage, It would later feature Cannonball, Gambit, and Shadowcat. Beast, and Wolverine also appeared, though they were shared with Morrison.

It’s important to note that, at its launch, X-Treme X-Men was the only X-team that featured a consistently fantastical, heroic theme. Morrison’s New X-Men trended more cerebral and sci-fi, while Austen took Uncanny X-Men to a more soapy, relationship-focused feel. Meanwhile, X-Force relaunched as the tongue-in-cheek X-Statix. At the time, X-Treme was alone in carrying the banner of a classic X-Men feel.

It was also the only comic book at the time to feature Storm, Rogue, or Bishop, who barely even make a guest appearance elsewhere during this run.

X-Treme ran for the full length of Morrison’s run on New X-Men. Afterwards, Morrison’s slimmer, scholastically-focused team was in turn spun off into Astonishing X-Men, penned by Buffy The Vampire Slayer creator Joss Whedon. Astonishing borrowed Kitty Pryde from this book, with the main two X-Men titles absorbing most of the other characters.

The title went unused for almost a decade before being revived in 2012 for an unlikely purpose – a reality-hopping Dazzler vehicle penned by Greg Pak that might have been better off known as Exiles. Then, in 2022, Chris Claremont returned for a revival.