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Year 08

Imagine There’s No Heaven

January 12, 2008 by krisis

When I was in grade school a frequent topic of conversation and consternation was heaven.

As the Born Agains would have us believe, every thought we had or action we performed – from doing math to running on the playground to watching television at night – had a direct relationship to our eventual destination. Heaven. So, we ought to pay good attention to every decision we made, lest we get diverted from said destination, thus sharing the fate of the gays, Jews, catholics, &c.

It mostly seemed like bunk to me from the start – did god really care which version of the Our Father I recited, so long as I was still name-checking him? Or, to put a finer point on it, did he mind if I listened to a tape of the B-52’s Cosmic Thing on the bus to our field trip?

I didn’t think so, but my principal did. He, and the entire staff of the school, shared that same opinion about all popular music, which increasingly lead me to rebel in tiny ways, like asking if we could pray for Gloria Estefan when she had her big accident (“we don’t pray for those people”) and writing The Immaculate Collection as my favorite album in a survey for class (“it’s Conception, and it’s not an album, Peter” … “No, not this one”).

If you think you understand where they were coming from – that the B-52’s and Gloria Estefan and Madonna were actively sexual and inappropriate for grade school – then you’re only seeing a symptom of their insanity, rather than the depths to which it ran.

.

I was a precocious reader, and by fourth grade I had exhausted the Nancy Drews and every other Young Adult novel in the school library. My mom, who was in danger of being run out of house and home by fueling my voracious reading habit with monthly trips to the book store and weekly trips to the library, decided I could start reading her books as long as she read them first to screen for anything truly inappropriate.

At the time my mother (and most of America, I suppose) was on a heavy Stephen King kick. All the classics – Pet Cemetery, It, The Stand, and every other one that wound up as a movie. Some of them she rightfully screened from me for a year or two, but others she passed along.

One was The Eyes of the Dragon, which was not horror so much as a dark fantasy. Or, at least that’s what I remember from the first 20-or-so pages, because after that it was snatched away from me (on yet another field trip) by a teacher.

“Where did you get this?”

“From my mother?”

“You shouldn’t steal books from your mother.”

“I didn’t steal it, she gave it to me to read on the bus.”

The teacher clearly did not believe me, but my mother – as always – came to my defense. “He’s a smart kid,” I imagine she argued, “and he needs stimulation.”

Of course, they couldn’t be trusted to trust my mother, and so I received long, personalized sermons from everyone from my teacher to the janitor about why reading Stephen King books was a bad idea. Why would I want to jeopardize my spot in heaven for some gory horror novel? It just didn’t make sense.

Well, they were at least right about that. Every time I thought I had them figured out they’d find a new way to paint me into a decidedly unheavenly corner. Reading fantasy books was frowned upon if the fantasy wasn’t directly derived from god. GI Joes were not an appropriate toy, because they had guns (nevermind that they all supported Iraq #1, and I’m sure Iraq #2 as well). And, AIDs was a plague the gays deserved, and anyone else who caught it was just collateral damage.

It was around the time of that last one that I decided I was definitely not going to be a Born Again Christian.

.

So, yes, they talked a lot about heaven. Or, at least, a lot about getting into heaven. Not so much about heaven itself.

It seemed strange to me, that they were so focused on getting to a place they didn’t know much about. It seemed analogous to begging your mother to go to an amusement park without knowing how many loops the roller coasters had.

(Clearly my Stephen King reading had left me a little remedial in studying up on the concept of Faith.)

(Or, maybe I’m just not wired that way.)

Gradually, I started to make my own concept of heaven that would match all of the tedious effort they put into getting there.

The whole point of heaven, it seemed, was to be awesome. Clearly it was always blue-skied. All of the food would taste great. You would never have to sleep, and you could re-watch television shows you missed by mistake.

(Yes, heaven imported TiVo from the future. Heaven is that awesome.)

God, I decided, was sortof a hard-ass – what, with all the smiting and sending Jesus to pal around on Earth for three decades just to get himself killed. I mean, the “only begotten son” bit just didn’t ring true to me – god was definitely the same Old Testament hard-ass he always was, he just looked softer because he had a kid. I had seen the same thing on television.

God was effectively Gargamel – old, batty, mean, and chasing around little people who barely came up to his shin with a big club. But, in a wacky, non-threatening, recurringly eposodic way.

By contrast, Jesus was definitely John Lennon, walking around singing “Imagine” – or, if you asked very nicely, “The Ballad of John and Yoko.” It definitely put his “bigger than Jesus” comment into a particularly ironic light, I thought.

However, I determined that the greatest feature of heaven was that you would know everything anyone ever thought about you. Not in an intrusive way … just a tally. Like, Leah, the girl I had a crush on for four years, would be able to see every distinct time I thought about her. Or Victor, the bully, would be able to discern the times I feared him versus the times I just felt sorry for him.

It made a certain amount of sense to me; if you were going to spend the rest of your life mingling through the clouds, you ought to be on equal footing with each other.

(Slightly later I amended the list to include people being able to get a tally of how many times people thought of them while having an orgasm, with a second tally indicating how many times that was during an orgasm had with someone other than you.)

(In retrospect, that might not be the kind of thing you find out in heaven.)

.

I still remember our last exchange with anyone on the staff in the sharpest possible focus. It was after our sixth grade end of year assembly, and we were all running around behind the stage drinking carbonated punch, which I claimed made me feel a little tipsy since I had never drank anything carbonated before in my life.

My mother was talking to the wife of the school’s principal, and as I ran past her I overhead this snippet of conversation…

Mom: “It would be nice if you held some events where they could just socialize together.”

Wife: “Oh, yes, that’s always nice.”

Mom: “Maybe even something like a dance.”

Wife: “A dance?”

Mom: “You know, with music? Around this age the kids in public schools and Catholic schools start to have dances.”

Wife: “Oh no. No. No no. We could never…”

I don’t remember anything else. Maybe I zoomed out of earshot, inebriated on bubbles. Or maybe my mother excused herself and ushered me out to the car. Either way, it was the last time I ever set foot in the building, or spoke to any of them other than my best friend Monica.

.

I still dream about them sometimes, about the teachers and janitors and principal’s sons. Sometimes I dream that I am 10-years-old but still myself, desperately trying to escape their serpentine corridors without notice. Sometimes I dream that they invite me to a twentieth reunion and I try in vain to explain to them how they made me so hateful and distrustful of religion.

Sometimes I dream that they all wound up being gay, and that they each confessed to me in turn that they were afraid they would never get to heaven.

I really hope they all get to heaven, since their whole lives have been dedicated to the practice – to the exclusion of school dances, Stephen King novels, and Madonna albums.

I wonder if when they get there they’ll see how much time I’ve spent worrying about them.

I wonder if they’ll care.

Filed Under: books, childhood, dreamt, gblt, memories, sex, stories, Year 08 Tagged With: beatles, Madonna, mom, religion

How is it that we made it out to be so hard?

January 2, 2008 by krisis

IMG_3071Earlier this evening Gina and I spent some time watching a DVD of a performance of ours from 2004.

The experience was at once reassuring and horrific. Horrific because of the sheer terror of some of the choices we made on dynamics and harmony. Reassuring because the core of what we were doing four years ago – the good part – is identical to what we’ve been doing for the past thirteen months.

Bands, unfortunately, don’t come with an instruction book. Luckily, Gina and I are unshakeable friends with the same ridiculous sense of humor, so the interpersonal part hasn’t been difficult, and any stumbling blocks have been handled with aplomb. But, it’s taken a lot of trying to figure out how to run an effective rehearsal, or how to approach learning a new song, or how to salvage a floundering set, amongst a myriad of other difficulties.

(For the record, the former includes eating dinner first, and the second involves having multiple copies of printed lyrics on which we make constant, extensive notation in pencil. We haven’t completely figured out the third, but so far it would seem to involve playing “Pocahontas,” multiple times if necessary.)

I feel as though now that we’re in our second year of formal existence the training wheels on our band are slowly starting to disengage. Clearly we know how to write lead sheets and arrange harmony, or else we wouldn’t have made it this far with a pretty solid 16-song set. However, 2008 is already bringing more advanced trials – like booking our own gigs, and adding additional members to the ensemble.

We’re two unusual people, and we make an unusual pair of singer-songwriters. We sing an unusual collection of tunes ranging from unrequited longing to ruminations on the apocalypse, from vitriolic blasts to paeans to a semi-fictional communist outpost in Idaho. Neither of us knows a damn thing about what we’re doing, and we’re having a hell of a lot of fun doing it.

If there was an instruction book I’m not sure I’d read any of it.

(if you’re reading this on a feed, visit CK to hear the audio)
(also, be our friend)

Filed Under: arcati crisis, betterment, Year 08 Tagged With: gina

Trio Season 6 – Suite #2: Transparency

November 30, 2007 by krisis

Trio: Season Six, Suite #2: Transparency
Deadweight, Save Your Day, Secret Queen

A sample of what I had to say in this Trio…

Re: Transparency
All three of these songs are about the same thing: a person that wouldn’t ordinarily impact me so much that I would write a song about them, and having one moment of unusual insight into that person – where I really saw through all of their opacity and outside intentions to what they were really about at their core.

Deadweight
At the time, actually, I thought it was just a throw-away. I had written another lyric on a page in my notebook … and I wrote [“Deadweight”] on the upside down of that page. … Now I have to turn the poetry notebook upside down every time I go back to check something.

Save Your Day
One of my readers sent me an email [to say that] she listened to it and just cried … because it was describing her. … You don’t think I’m going to write a song describing somebody’s life. Those songs suck. But, if you are just writing something true people find themselves in that.

Secret Queen
Oh, that secret queen. I’ve got some opinions about her. One day I just thought to myself, With all of that negative energy, you could just be the biggest black hole in my galaxy. And then “Secret Queen” arrived.


Trio – the original singer-songwriter web session – returns for its sixth season featuring my original music, recorded live and DIY in my bedroom. You can download this Trio, or listen to a previous Trio:

  • S6-#1: Within
  • S5-#9: Perspectives
  • S5-#7: Current Influences
  • S5-#3: Hindsight

Filed Under: NaBloPoMo, Season 6, Year 08 Tagged With: martha

More Than I Am; Less Like Me

November 9, 2007 by krisis

Around this time in last year’s NaBloPoMo Gina and I were just convening for our yearly holiday revue rehearsals, which wound up evolving into full-time Arcati Crisis.

Back then we would break off a set early if our mixing was bad or we biffed a harmony, and we didn’t like playing with other people because it threw off our very precarious musical balance.

Tonight we played three songs with a backing band in front of a modest crowd, rocking two of them quite adequately, and soldiering through a third one despite highly audible technical issues arising from our back line.

Our mixing was middling; no harmony was biffed.

.

After our set we mingled with various artists up in the (awesome) balcony-level green room, and witnessed a stunning percussion jam lead by our dear friend Dante Bucci and including our new favorite tabla player on the entire planet, Natasha.

Whilst we were relaxing between sets we struck up a conversation with the other performers. I’m always a little fearful of these backstage relationships, because I find them impossible to maintain with tact and grace if I decide that the performer is not up to par (and I’m afraid they’ll have the same issue with me).

One woman in particular was very charming, and we spoke to her at length about our history, how long we’ve known each other and have been playing together, and how satisfying it is to finally be a real band playing music together.

When we asked her about herself she mostly demurred, saying that she had given up writing songs for a while but recently fell back into it. That just made me all the more anxious about the prospects of carrying on a conversation afterward she played, but I put it aside; we were talking to a such a perceptive and personable fellow musician, and I should enjoy that completely apart from her actual musicianship.

As it turns out, she was amazing. Her songs were campy in an intentional, hilarious, genuine way, and her piano playing and singing were both unassailable and sometimes remarkable. Later she complained about a flubbed chord, and Gina and I remarked truthfully that we wouldn’t have ever known had she not told us.

(I need to remember that the same usually holds true for us.)

Nancy Huebner. Keep your ear out.

.

The moral of those dual stories is one and the same.

If you have something in your life that you’ve always wanted to do – something that you love (or think you would love doing) but never thought you would be good at – do it.

Stop asking questions. Don’t ask questions. Don’t doubt. Equip yourself with knowledge and enthusiasm, work at it until the work becomes effortless and fun, and then have fun doing it in the absence of the approval of anyone other than yourself.

Eventually it won’t matter if your harmony gets biffed or your chord gets flubbed every once and a while, because what you’re doing will be about a lot more than harmony and chords.

It’ll be about happiness.

Filed Under: arcati crisis, betterment, NaBloPoMo, Year 08 Tagged With: gina

In Pursuit of Bliss, pt. 1 – Permission

November 2, 2007 by krisis

I tore open the basement door and was met with darkness and the mews of sequestered pets. He was definitely was not in the basement.

He hadn’t been in the kitchen, or upstairs in his bedroom, or in his office, or in the garage, so I was positive he would be in the basement.

I shut the door carefully so Elise wouldn’t hear the noise, noticing with a certain detachment that my hands were shaking.

Time was running out.

.

I haven’t felt stage fright in a while – physically felt it like an affliction, or a holy ghost moving within me.

Now it’s just a spare butterfly in my stomach, or a certain anxiousness – probably because these days my on-stage appearances involve strumming and squawking my own songs rather than reciting 115 pages of memorized dialog. Yet, even in my theatrical days my slight stage fright was nothing debilitating. It was more a survival instinct than performance anxiety; it kept me aware, kept me from being complacent.

Or, maybe I’m just a natural performer, and I’ve never really understood what stage fright really is.

Until that Sunday.

.

Back in the kitchen now, with Elise a scant wall away in the bathroom. Even washing her face or futzing with her contacts wouldn’t keep her in there much longer. I had another minute, maybe two. Desperate, I looked out of the window.

There he was. Walking the dog.

I don’t think I’ve ever moved so quickly in my entire life. Out of the kitchen, into the hallway, and out into the pitch black garage, stealthily shutting each door behind me as I went.

A sole trace of light radiated from around the edges of the outside door. In the relative blackness I nearly tumbled over a box. Or a car. Or some sort of inert garage gremlin, for all I knew at the time. I was completely fixated on the outline of the door, which he hadn’t shut completely. I should have noticed it the first time I peered into the garage.

Heart racing, I grasped the doorknob.

.

Despite my near-OCD about consistency and personal habits I don’t believe in carrying on a tradition for traditions sake. Just because everyone does something a certain way – have always done something a certain way – doesn’t mean I plan to adhere. In fact, it probably means that I plan not to, especially if the tradition is religious or patriarchal in any way.

Yet, even with that inherent rebelliousness, there are a few traditions I just can’t bear to break. Am I actually polite on some deeply-repressed psychological plane? On some even deeper level do I buy into a few traditions just so my rejection of others is more profound.

Or, are some traditions that way for a reason?

.

I burst out of the door and into the daylight of the driveway, breathless.

From across the street Elise’s father looked up from a cell phone call to regard me quizzically, the dog hunched in the grass by his feet.

As I met his gaze my entire body shook uncontrollably. The physical, rational part of me was having a grand mal seizure. Somewhere beneath that a combination of instinct and basic motor functions took over.

I started to walk down the driveway.

.

It was over before I knew it. Like being stuck by a needle, or surging down a rollercoaster. Or getting on stage. All the anxiety in the anticipation, and none of in the act.

My recollection of the actual event is vague. Did I speak with confidence, or was I shaking like a leaf (and possibly dry heaving) the entire time. I would say that we could ask Elise’s father, but I’m sure he had his own collection of involuntary reactions to contend with at the time.

.

Five minutes later we walked back into the house together to find Elise seated in the kitchen, reading her book. She raised an eyebrow at our entrance, to which I replied, “I didn’t want him to have to walk the dog alone.”

She went back to her book, apparently unconcerned, unaware of the mad hunt that had lead me outside or the motivation behind it.

I resisted the urge to shoot a look back to her father, but couldn’t risk giving my mission away.

.

I had permission. We were getting engaged.

Filed Under: Engagement, NaBloPoMo, Year 08

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