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philly music

rock band sweaters

August 3, 2011 by krisis

Tonight we had a sweaty Filmstar rehearsal.

Sweat is one of those unglamorous parts of rock star life that I feel is not sufficiently advertised by bands to aspiring musicians and parlor-bound Rock Band addicts, along with writing lead sheets and receiving constant electric shocks to the face from your microphone if your instrument isn’t properly grounded.

(Seriously, do you want full, pouty, Jagger lips? Just play a shoddily grounded bass and sing right up on the mic.)

No matter what sort of sweater you are under typical life conditions, when you are flinging a sixteen pound bass around while also doing some form of the frug and singing backup vocals, you are going to develop more than a healthy sheen.

Add to that the heat generated by your equipment or a low-hanging stage light focused on your neck and rocking out for an hour is roughly equivalent to spending the same amount of time in a sauna. Which makes 2.5hr rehearsals a marathon of perspiration.

I think I was experiencing all four aspects of band sweat at this gig. What you can't see in this photo is the stage light positioned about eight inches from my face.

We’ve all seen bands sweat, right? So what am I bitching about? Here are some aspects of band-sweat you might not have previously considered:

Sweaty vision. Sweat can sting in your eyes to begin with, but if you are a perfectly coifed rocker you are gradually sweating all of your chic hair product into your eyes, causing a stinging temporary blindness.

This usually takes three or four songs to get underway, which means you’ll be struck blind just as your set is heating up, typically during the most intense and difficult-to-play section of a song.

Which leads us to…

Sweaty hands. Either your hands sweat, or you get sweat (and dissolved hair product) on them trying to restore your vision. Shockingly, neither holding on to a plastic pick nor plucking bass strings in a regular rhythm is made easier.

Which means…

Sweat accessories. You need them, and I don’t mean Olivia Newton John style headbands. When planning your killer stage outfit, some part of it has to double as a hand-towel – and, let me tell you, leather pants do not fit the bill. Now I understand why so many singers wrap boas and scarves around their microphone stands.

Of course, then there’s the problem of…

Sweaty clothes. Once your set is over you want to reap the rewards of being a rock star – namely, adoring fans, and possibly a cold beer. Except, you are soaked through to the skin as if you had been standing under a fire hydrant, and with the rush of performance and the baking stage lights behind you your body is suddenly cold and clammy.

(My father has for years pointed this out to me about strippers; I did not realize he was telling me a parable that would assist in my rock star life. Sorry, dad.)

Allow me to enlighten you to the fact that fans are way less interested in fawning over you and hugging you when your entire ensemble is a massive sweat stain. And, despite what your Almost Famous dream fantasy looks like, until you are past local levels of fame most green rooms do not include fully appointed bathrooms with showers so you can make a quick change. I’ve played exactly one gig that has had one.

There you have it: my band sweat exposé. Maybe next I’ll address the practical issues of selecting attractive footwear that does not hinder your pedal-stomping.

For all my rocker friends: what other unexposed pitfalls of band life should the aspiring rocker be aware of before turning up to 11?

Filed Under: Filmstar, rehearsal

Filmstar’s Sugartown Dance Party

June 28, 2011 by krisis

On Saturday night Filmstar (the band fronted by E, with me on bass) played the Sugartown concert series at Tritone, and had a lot of sweaty fun doing it.

Elise rocking the mic at Sugartown (in one of her fav concert action shots) on June 25, 2011. Photo courtesy of Tritone.

I’ve now played a handful of festivals and sold-out shows, but I don’t have a lot of experience with converting a crowd – that moment where an unknown band turns the tide of chatter to become the focus of the room.

On Saturday I watched from my vantage point on the stage – and felt in my gut – as Filmstar did just that. We had the help of a handful of boosters in the crowd, but for a moment during our second song I could feel the attention of the room focus on us. Suddenly we weren’t playing to the sides and backs of heads – we were playing to ears and eyes.

Part of what’s awesome about Sugartown is how common that conversion can be. Sugartown is a monthly show featuring (really good) all female-fronted or majority-female bands.

If you know me well, you know I’m not usually into reverse discrimination programming, but Sugartown isn’t about excluding boys. It’s about creating a haven for fans of female rockers to find four new bands to love every month.

And, as we know, I’m a fan of female rockers. As are all of the other Sugartown attendees. Thus the frequent conversion, and typical friendly vibe.

E and I quickly made friends with the first band, Yumi Sekai. Lead singer Salena Kress said she had tried to start up a failed math rock act before settling on the Yumi Sekai sound, but I felt like I could still feel the lineage. YS was like mathless math rock – all the crazy instrumental breakdowns and killer riffs with none of the “we’re counting really hard now” compound changes and screwed-up faces.

Dance party in-progress at Sugartown on June 25, 2011. Photo courtesy of Tritone.

Salena and Jackie Wechsler trade lead guitar duties while Salena delivers intensely pretty vocals. Even when she rises up to her topmost rock belt she sounds less like a screaming rock banshee and more like a Disney princess out for revenge.

I mentioned that to her after the set, and she totally got it. “I like melodic music,” Salena told me, “it can rock, but the singing has to be good.”

If that sounds familiar, it’s because that’s my policy too. Needless to say, Salena and I hit it off. We did some booty-shaking together during the closing set from Girls Dresses as Girls.

It’s so different for me being a bassist instead of a band-leader. My job of holding down the low end and supporting the rhythm leaves me more open to experience what’s happening in the room. When a dance party sprung up during our set, I did what came naturally – I danced, kicked, smiled, and laughed.

We converted the room, and the room converted me.

It was a good night.

I know I look like the band nerd here, but in my defense, based on Glenn's capo position I think this might have been the exact moment the dance party began to break out. So I was probably using my measure of an open E-string as an opportunity to execute a killer dance move, which is hard to depict accurately in a photograph. Or, I am the band nerd. Photo courtesy of Tritone.

Filed Under: Filmstar, performance, thoughts

Now I’m a bassist

November 12, 2010 by krisis

We just loaded out from my first Philly show as a member of Filmstar.

Bass was played. I did not magically forget how to do it when we got on stage, which was a great relief. I had worries that I was going to look down and suddenly discover the bass was totally alien to me, like I was holding an accordion, or something else arcane that I don’t know how to play.

Bagpipes, possibly.

It’s weird to be sitting on the bottom of the mix. With Gina everything has equal weight – guitar against guitar, vocal against vocal. Either of us can dip out for a second and things stay in motion.

With Filmstar if I stop playing there’s no bottom! The bottom falls out.

Well, after one experience with that early in the set, I learned my lesson pretty quickly.

The other strange thing was being so LOUD. I am not a loudness junky when it comes to music, so I’m not used to the way instruments and amps resonate differently at higher volumes. It kept taking my by surprise.

It was a good set. Fast, a few bumps, but nothing I’m going to hold against myself forever.

So, yeah, now I’m a bassist. Seriously, me as the rhythm section? Where do I come up with these ideas.

Filed Under: Filmstar, performance, thoughts, Year 11

Things to do in Philly, 11/9 edition

November 9, 2010 by krisis

It’s another week of things to do in Philly!

If you’re a fan of me and you do one thing in Philly this week, it should be this one:

Filmstar playing the Blame-a-Thon, as shot by me.

Friday, 11/12
Who: Filmstar, featuring E on vox and me on bass!
Details: The M Room, 15 W Girard Ave, 9pm, $8
Why? After almost four months of rehearsals, my official Philly debut as a bass player has arrived! Witness a set of brisk set of 80s-influenced electric rock, including a ton of new songs I loved even before I was one of the people playing them. Especially recommended if you dig The Cure, The Pretenders, James, or Elastica.

.

Otherwise, here’s a handful of other awesome stuff in the city that I’ll be endeavoring to attend.

Wednesday, 11/10
Who: Shearwater w/Damien Jurado
Details: Johnny Brenda’s, 1201 N. Frankford Ave, 9pm, $12
Why? Shearwater is indie rock that’s not a wreck – compelling vocals and crackling guitar arpeggios. I’ve been a casual fan for a while, but I’m sure seeing the show would make me more serious.

Saturday, 11/13
What: Philly BarCamp
Details: 211 S Broad, 8am
Why? BarCamp was one of my favorite Philly events last year – an unconference full of smart people with unique ideas. Right now it’s sold out, but you can put your name on a wait list at their website, and it’s worth the wait.

Saturday, 11/13
Who: Christie Lenee and friends
Details: Naked Chocolate, 31 S. 18th Street, 12-6pm, w/a canned food donation
Why? Do you want to see a slew of the most talented songwriters in Philadelphia for the cost of a can of food? Christee is one of my two favorite guitarists in the entire city (the other is Greg Sover), and she’s hosting a day that includes many of my favorite songwriters, including Victoria Spaeth, Ally Cat, Dante Bucci, Andrea Nardello, and more. So worth attending.

Sunday, 11/14
What: Conquer Philly Showcase
Details: World Cafe Live, 7pm, $10
Why? Conquer is a start-up by a handful of smart folks who are anything but new to the music business, and they want to help Philly artists find a platform for their talents. Conquer’s monthly showcases are part of that, and this one presents Barbara Montgomery & the Women of Jazz, Zair Baily, Jan Alba & Rust, Sandy Hall, Elizabeth Salvatico, and (one of my personal favorite artists) Cris Valkyria and the Opponents.

Monday, 11/15
What: Geekadelphia presents Scott Pilgrim v the World
Details: Trocadero, doors @ 6:30pm, move @ 8pm, $3
Why? Want to see Scott Pilgrim with an appropriately geeky crowd who’ll appreciate all of the video game references? You could do no better than the Geekadelphia crew, presenting their weekly Monday night flick at the Troc.

As always, if you know about a cool upcoming event that you can personally endorse, comment away! I’ll include it in a Things to Do post with your personal stamp of approval on it.

Filed Under: Filmstar, philly music

New Boots and “Fall from the Sky”

November 8, 2010 by krisis

Hi. This is my first NaBloPoMo default – I’m not missing a post, but I am way off the grid of my editorial calendar.

I spent all of my writing time today plugging away on my NaNoWriMo novel, which means no elucidating new post. But, hey, my book is now over 20,000 words long!

However, never let it be said that my filler posts are not awesome. So, here’s your default post.

First, these are my new Kenneth Cole boots. They are a little urban cowboy for me, but I’m excited. Part of my non-blogging time was spent leather conditioning them.

When did I turn into a guy who spends my non-blogging time leather conditioning boots?

In other news, here’s the further development of one of my favorite Filmstar tunes, “Fall from the Sky.” We have a few bobbles on it, but this is pretty damn close to what it’s supposed to sound like.


(watch the video in HD on YouTube)

We’re playing The M Room this Friday night. I may post a few more of my recent favorites.

Filed Under: bloggish, Filmstar, shopping

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