Jack Kirby

New For Patrons: The Definitive Guide to DC’s Mister Miracle

October 25, 2018 by krisis

Today’s new guide for Patrons of Crushing Krisis is for a character who has gone in and out of vogue for nearly five decades, but who is having perhaps his highest-profile year of all time in 2018…

Mister Miracle – The Definitive Reading Order and Collecting Guide

Mister Miracle is having a very good year.

His 12-issue maxi-series from Tom King and Mitch Gerads is one of the biggest critical and fan hits of the year. It generates endless conversation, speculation, and dissection every month upon its release and both King and Gerads took home 2018 Eisner Awards for their work just halfway through the run.

This is not a coincidence. Not just because King and Gerads are both at the top of their games right now, but because Mister Miracle is a character who ebbs and flows. It was time for him to make his return.

Before this iteration, there was Grant Morrison’s reimagination of the character in 2005. Before that, a string of New Gods series from 1992 to 2002. Before that, a long run in the Justice League and his 28-issue 1989 series.

It all started in 1971, when Scott Free was one of the major creations of Jack Kirby’s Fourth World at DC Comics. At the surface level, he seemed like an outlier – a random traveller on the countryside who stumbles into taking over the mantel of a famed escapologist. Yet, every issue unfurled more of Free’s complex entanglement with the wild world of Apokolips – from his epic love story with Big Barda to the and the nasty Granny Goodness and her female furies.

As it turns out, our charming Mister Miracle was actually the future sovereign of Apokolips… or of the more-peaceful New Genesis, based on a long-ago peace treaty slash child-swap between Darkseid and Highfather. When Scott Free defected from the pits of Apokolips to Earth, he voided the treaty.

All he had to do to fix things was give up his entire life. [Read more…] about New For Patrons: The Definitive Guide to DC’s Mister Miracle

Crushing Comics S01E067 – X-Men, Vol. 1 & Ed Piskor’s X-Men: Grand Design (+ My Origin Story)

January 31, 2018 by krisis

This episode is all about humble beginnings.

First, I share a story about my t-shirt, Philly, and how I became comfortable performing on stage and in front of the camera thanks to a connection to a relatively new super-star, as I’ve related in the past.

Then, I unwrap the legendary first volume of X-Men’s classic Silver Age run by Stan Lee, Jack Kirby, Roy Thomas, and Werner Roth! Is this volume still worth reading now that you can simply read Ed Piskor’s terrific summary in 40 pages in X-Men: Grand Design #2?

Want to start from the beginning of this season of videos? Here’s the complete Season 1 playlist of Crushing Comics.

Episode 67 features the X-Men Silver Age Omnibus, Vol. 1. For more information (and details on how to collect this run other than in its hard-to-find omnibus), see my Guide to Silver Age X-Men.

Moon Girl and Devil Dinosaur (& Moon-Boy, too!) – Definitive Collecting Guide and Reading Order

Updated Mar 25, 2025! The definitive issue-by-issue collecting guide and trade reading order for Marvel’s Moon Girl and Devil Dinosaur comic books and omnibus, hardcover, and trade paperback collections. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated March 2025 with titles scheduled for release through June 2025.

Reading and Collecting Moon Girl and Devil Dinosaur
(& Moon-Boy, too!)

Moon Girl is an pint-sized pre-teen who is a potential Inhuman and who might be the smartest person in the world but who also sometimes shares a brain with a vicious red T-Rex.

And that’s not even the weirdest part of the history of Devil Dinosaur!

Devil Dinosaur was the final Big Two creation of comics legend Jack Kirby, who co-created most of Marvel’s pantheon of super-heroes (and all of its pantheon of Asgardian’s gods!) with Stan Lee before creating the entire Fourth World at DC, including Darkseid and Mister Miracle.

Kirby’s return to Marvel was a major coup, and while he was there he penned legendary runs on Captain America and Black Panther, and created The Eternals. His last work was much farther off the beaten path. Devil Dinosaur was a book completely devoid of gods and superheroes, but full of rough and tumble Mesozoic action for his giant red tyrannosaurus rex and his missing link ape-like friend Moon-Boy.

Devil Dinosaur was the sort of weird, one-off experiment that Marvel could have easily left alone, but other writers had an affinity for this Kirby creation and couldn’t help but include it in their own stories. The first to do so were Doug Moench and Herb Trimpe on the surprisingly strong licensed Godzilla series in 1979. Aside from keeping Devil Dinosaur’s story alive, Moench and Trimpe retconned him to be a part of Earth’s own history – though Marvel would continue to waffle on that for decades to come.

In those decades, Devil Dinosaur became a go-to “shocking splash page” reveal, but saw his first substantial use over a decade later in New Mutants spin-off Fallen Angels, which pulled him (along with Moon-Boy) into the present day Marvel Universe, where they would remain through Secret Wars in 2015.

In the wake of Secret Wars, Marvel used Devil Dinosaur for another major surprise – they were bringing him back in his own series alongside a brand new character in Moon Girl and Devil Dinosaur.

This new series seemed like it came from out of the blue, but it represented a combination of three prominent market factors for Marvel. First, Moon Girl and Devil Dinosaur created a new, young, black female superhero in Lunella Lafayette for Marvel to compile into graphic novels and sell outside of the Direct Market, an area where they had seen much success with Ms. Marvel and Squirrel Girl. Second, it helped them widen the scope of their Inhumans line and the overall arc of their story. Finally, it helped keep old intellectual property alive with the return of a certain red dinosaur!

Fandom, sources, subjective truth, and the Lee/Kirby X-Men Omnibus variant cover

August 28, 2016 by krisis

I won’t bury the lede: the variant edition of the Stan Lee / Jack Kirby classic X-Men Omnibus, Vol. 1 is the Kirby cover.

X-Men Omnibus Vol. 1 by Lee Kirby variant kirby classic cover

This is the variant cover. Don’t trust me – read the third section of this post for proof.

By the way, that was the answer to life, the universe, and everything. It’s turns out it’s not 42 – it’s that the X-Men Omnibus, Vol. 1 direct market variant is the Kirby cover.

How and why I’m making a blog post to answer that question is more interesting than the question or the answer.

When it comes to fandom on the internet, it’s assumed that everyone is working from the same primary source – the material they’re all fanning over.

Since everyone is consuming the same thing, deliberate misinformation would be obvious. Thus, information doesn’t tend to be questioned as it spreads across hundreds of blogs, wikis, lyric sites, comic databases, etc – and, none of those sites ever state their sources, because the source is assumed to be the actual material.

There is a problem with that assumption. Sometimes the source is the material, but sometimes it’s just the whisper down the lane from other secondary sources. Sometimes the source is the material, but it’s being interpreted incorrectly.

There is a lot of room for error without any malicious intent to spread disinformation, and without even the tacit citations of Wikipedia you’ll ever know the providence of the information you’re consuming. Due to ouroboros-like nature of the internet, one slight discrepancy introduced into the system will make the rounds, continuing a feedback loop until a little piece of misinformation swells to prohibitive truth – determining the outcome of arguments and dictating the sale price for rare memorabilia.

Fans like to pretend they’re experts, but a lot of times they’re just another parroting back the feedback. I’ve encountered three examples in the past week, and even with my pseudo-scholarly approach to being a fan I managed to be the parrot one time.

What happens when one of these pieces of information actually matters and the echo chamber is the only possible source? You don’t have to look far to find out – it happens every day. News networks pick up parody articles as truth! People cite statistics that aren’t real! The AP makes up tons of stuff and people take it at face value because, you know, AP. And those are journalists.

It makes me worry that as we put more of our consciousnesses and knowledge into the vast matrix of the internet, the concept of “truth” is becoming increasingly subjective.

Fair warning: the first section of below uses a sometimes derogatory word for vagina twice in the context of quotes about the lyrics to a song. We should not be afraid of words, only what people mean by them. Say it sometime. [Read more…] about Fandom, sources, subjective truth, and the Lee/Kirby X-Men Omnibus variant cover

Inhumans – Definitive Collecting Guide and Reading Order

The Inhumans comic books definitive issue-by-issue collecting guide and trade reading order for omnibus, hardcover, and trade paperback collections. Find every issue and appearance of all of the Inhumans Royal Family – like Black Bolt and Medusa – plus newer characters like Ms. Marvel and Moon Girl! Part of Crushing Krisis’s Crushing Comics. Last updated November 2018 with titles scheduled for release through January 2019.

The Inhumans were a creation of the Stan Lee and Jack Kirby run on Fantastic Four, yet another uncanny spin on a common sci-fi tropes. They’ve stuck around for over 50 years due to the power of love, a well-timed re-launch, and an unparalleled space epic all paving the way for them to become one of Marvel’s marquee franchises.

In their initial arc of Fantastic Four #45-48, the Inhuman Royal Family were presented as deposed rulers of a secret nation, currently resided in New York. That explained why their queen, Medusa, was a collaborator in The Frightful Four!

Inhumans_Vol_2_1_Textless The family’s true home was hidden in the depths of the Andes Mountains, where they had perfected the art of genetic engineering to grant superpowers to every member of their society. In contrast to this evolved race, their despotic current king Maximus employed a fleet of Alpha Primitives – a sort of devolved neanderthal – against the Royal Family.

That could have been the end of the Inhumans’ story – especially because the end of their arc happened to be the debut of Silver Surfer, a prohibitive Silver Age classic that could easily eclipse other solid stories.

Yet, the Inhumans hung on, largely due to their female cast members. Crystal became a love interest of Human Torch and a replacement member of the FF when Sue Storm was pregnant with Franklin. Medusa also continued to appear, as both friend and foe.

The Inhumans were a particular passion of Jack Kirby’s; he would return to both write and illustrate them in the anthology series Amazing Adventures in 1970. They even merited their own series in 1975, written by Doug Moench (of Moon Knight fame).

Past that, the Inhumans were relegated to guest star status – mostly with the Fantastic Four – through the 90s. Crystal became their breakout character, graduating from the FF and dating Human Torch to The Avengers and marrying Quicksilver.

The modern era of The Inhumans began in 1998 with a stellar 12-issue maxi-series from Paul Jenkins and Jae Lee. This series presaged the darker tone of early-2000s Marvel Knights titles, and focused on every aspect of the race’s embattled society. The series acted as a soft reboot of the Inhumans, who would star in a pair of additional mini-series through 2003. However, outside those series, their appearances were still scant.

That all changed in 2006 thanks to two developments.

First, Brian Bendis’s inclusion of Inhuman King Black Bolt in The Illuminati, would permanently raise the character’s profile and make him an essential tool for writer Jonathan Hickman in his run on Fantastic Four and Avengers from 2009-2015.

Second, the Inhumans’ Silent War during Civil War launched them onto a path that would intersect members of the X-Men and the Annihilation story that launched the modern Guardians of the Galaxy. The intersection, called War of Kings, is a seamlessly executed space epic that combines superheroes, palace intrigue, and massive space battles unlike anything else in Marvel’s history.

As a result of the combination of those eight years of developments, The Inhumans were perfectly poised as a new franchise for Marvel in the wake of their Infinity event. In 2014, they received their own mini-event, “Inhumanity,” as well as their first ongoing series, Inhuman, and their first standalone spinoff hero, the new Ms. Marvel – Kamala Khan. Plus, Inhumans were highlighted in TV’s Agents of SHIELD, culminating in a major arc in 2015.

In the wake of Hickman’s Secret Wars in 2015 their influence in the Marvel line expanded even further, with multiple books and a strong influence on major events in the Marvel Universe.

The tricky thing about the Inhumans is that from their introduction in 1965 through 1998 they only had their own ongoing title two times (both in the 70s) plus a handful of one-shots. Their mythology frequently moved forward during their various guest appearances, especially in Fantastic Four.

This guide tracks the appearances of the Inhuman Royal Family from their introduction in 1965 through the beginnings of War of Kings in 2007. From 2007 on, it continues to track all major limited and ongoing Inhumans titles.

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Jack Kirby

Reading and Collecting Moon Girl and Devil Dinosaur (& Moon-Boy, too!)

Reading and Collecting Moon Girl and Devil Dinosaur
(& Moon-Boy, too!)