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Scott Hanna

Comic Book Review: Black Panther & The Crew #1 by Coates, Guice, Hanna, Brown, & Sabino – A masterful, densely-layered first chapter!

April 14, 2017 by krisis

Some people say “the art spoke to me,” but how often do they say, “the art made me speak”?

That’s how I felt about this week’s Black Panther & The Crew #1. My original plan was to give this new Ta-Nehisi Coates and Butch Guice Black Panther spinoff a quick read and a one paragraph review as part of keeping up with new Marvel titles.

I had no concept of how incredibly strong and thought-provoking of a comic it would be. In that regard, it feels of a piece with the nuanced first half of Netflix’s Luke Cage. The issue was so layered and powerful that words started spilling out of me before I could even finish reading. I was desperate to unpack all the thematic content. I couldn’t stop talking about it on Twitter, Facebook, or in the house with E.

As a result, this is as much as review as an attempt to identify and parse the several layers of identity and privilege in this story.

I’m a white man writing about a comic by a black writer about black women and their community. I make no pretense that I’ve got the right, best, or even relevant take on the issue – but, this comic moved me, and I think it’s a mistake not to write about art when it makes you speak.Black Panther and The Crew #1

I’m probably going to get some things wrong. I offer my apology in advance for that, and I’ll offer it again in specific if you point out where I am mistaken.

(I also offer this: It’s no one’s job to tell me how or why I’m wrong. If you are a black woman and you have a counterpoint to offer, please say so in a comment. You don’t have to offer your take for free. If you don’t have your own platform to publish on, I’ll get in touch to offer you a small stipend in exchange for featuring your commentary as a response here on the CK main page.)

One of the best parts of this comic is yet to come. No, not the appearances of Black Panther and Luke Cage. The even-numbered issues of The Crew will be scripted by poet Yona Harvey – one of the few times Storm has ever been written by a woman, and the first in-continuity arc with her written by a black woman. Ever.

Black Panther & The Crew #1 (digital)

4.5 starsWritten by Ta-Nehisi Coates with pencils by Butch Guice, inks by Scott Hanna, color art by Dan Brown, and letters by VC’s Joe Sabino. Cover by John Cassaday with Laura Martin.

Black Panther & The Crew #1 is dense with symbolism and thematic content, deliberately using its visual medium to create juxtapositions that would take many more pages to work through in a prose version of the story.

I haven’t yet read Black Panther by National Book Award winner and Atlantic correspondent Ta-Nehisi Coates, but the first issue of Black Panther & The Crew tells me I need to go back and catch up immediately.

I don’t know why this comic’s unwieldy title can’t just be “Misty Knight,” but I’m not going to look a gift horse in the mouth. Black Panther never appears. Coates uses Misty as a narrator to great effect, forcing the reader to pause to absorb the panel work as her narrated story frequently departs from the action we see in the art. Maybe the point-of-view character will rotate as the series progresses.

Misty’s story is really the story of Harlem, and of Ezra Keith. Keith is a former costumed crime fighter turned into a frequent anti-police protestor, though Misty has only put the connection together recently.Black Panther and The Crew #1 interior page 4

While Misty’s thoughts are on Keith’s case, Butch Guice’s artwork is elsewhere – first depicting a flashback of Keith leading his own Crew (called “The Crusade”) in 1957 and then showing Misty wading through a crowd of present day protestors as they clash with both local police and state-issued police-bots.

It’s not until Misty meets with Storm later in the issue that her thoughts and the images line up. It’s a powerful choice to snap the story fully into the present tense at that moment, even before Misty and Storm exchange their first words. It sets them up as peers, black women, community members, and heroes – but each with her own distinct stack of privilege acting as a filter.

Misty feels a connection to the community and their protests, but can’t help but keep them at a bionic arm’s length. When she sees something amiss in the death of an elderly citizen, her first instinct isn’t to protest or offer counsel.

Instead, she investigates.

The issue treads a careful line of whether that’s due to her skill as a detective or if it is her privilege as both police and superhero to enjoy a detachment from the immediacy of state-sanctioned violence against her community. The violence angers and disappoints her, but she can wade through a police line to visit the other side with impunity – at least, for now.

The comic is less equivocal on how that privilege is also double-edged sword. It’s hard for Misty to relate to her fellow officers, both as a member of the community and as a superhero. Misty has tried being a member of the community the police serve, a member of the police force, and someone stronger than them all, but no matter what role she takes on she endures a litany of micro-aggressions reminding her she’ll never really be just one of the cops again.

How much of that is down to the fact that she didn’t take her lumps when her arm was destroyed – instead accepting the aid of a superhero to reject becoming a disabled person? Not all other officers get that choice. [Read more…] about Comic Book Review: Black Panther & The Crew #1 by Coates, Guice, Hanna, Brown, & Sabino – A masterful, densely-layered first chapter!

Filed Under: comic books, reviews, Year 17 Tagged With: Black Panther, Black Panther & The Crew, Butch Guice, code switching, community, Dan Brown, Joe Sabino, Misty Knight, priviledge, Scott Hanna, Storm, Ta-Nehisi Coates

DC New 52 Review: Green Lantern Corps #1

September 24, 2011 by krisis

Green Lanterns are like Jedi. They are a select few, each wielding an ancient force to defend the universe from evil, fear, greed, and tyranny.

The thing about Jedi is that they were always much cooler when they were rare. In the Original Trilogy we had two good ones and two bad ones – that’s it! When they were plentiful in the prequels they were much less cool – though Team Sith retained their awesomeness by only fielding a handful of dark mirrors of the Jedi.

I suspect the same holds true for Green Lanterns. First we had one on Earth. Then they were a galaxy-wide operation, each responsible for a sector. Now we’ve got multiple lanterns in each sector, multiple colors of lanterns, and gangs of lanterns trolling through space looking for a fight.

And we have this book. Green Latern Corps. Last week established my distaste for the Green Lantern mythology not once but twice, as well as my dislike of the other book out from writer Peter J. Tomasi. This book features both, plus scads and scads of Lanterns.

Let’s just say I’d rather rewatch The Phantom Menace.

Green Lantern Corps #1

Written by Peter J. Tomasi, art by Fernando Pasarin & Scott Hanna

Rating: 4 of 5 – Excellent

In a Line: “I can’t unplug – I can’t relax – I’m always waiting for the next mission or something to go wrong so I can power up.”

#140char Review: Green Lantern Corps #1 bucks the trend of boring GL relaunch books by introing 2 interesting heroes & a intriguing bloody mystery. Loved it.

CK Says: Buy it.

Green Lantern Corps #1 is everything a debut issue of a new team should be. It has a disturbingly bloody mystery, a glimpse at the home life of our heroes, and the conception of their new mission as a team.

Yet, it’s not the shock of the bloody spectacle that makes the book a delight. My faith in writer Peter Tomasi was low after Batman and Robin, but if anything it seems like he’s true to the voices of characters and Robin is simply annoying. Here he perfectly captures the different brands of angst of my first and least favorite Earth Green Lanterns, respectively, and finds a way for them to mesh together perfectly.

A sad sack Guy Gardner in a baseball cap is a treasure, sitting alone in a planetarium using his ring like a digital watch, later acquiescing to showing a waiting room of dudes something green. His bulbous-nosed face seems to be fixed in a permanent state of half-smirk, half-frown. A self-righteous John Stewart seems more handsome and muscular than in the past.

A bit of reflection between the pair of them while seated on an orbiting satellite is one of the best hero-on-hero dialog scenes so far in the relaunch – because both characters are humans first and heroes second.

Speaking of space, I’m hugely excited for more space art from Fernando Pasarin. He draws a GL Sector House like Firefly meets Star Wars – dilapidated high tech, and not too alien (even though there are aliens in it). The two alien GL’s fight with an unseen foe is like a light saber duel in slow motion, each panel a glistening freeze frame of cinematic action.

Guy and John’s entrance into Oa is both funny and epic, and the splash page of their space-faring team (and subsequent witty ground-level shot) had me staring for minutes. An act of silent genocide against a race of chubby blue otter people has an eerie gravitas that harkens back to Dark Phoenix wiping out a planet of peaceful broccoli-headed people.

That’s all surely abetted by inker Scott Hanner & Gabe Elateb’s colors, both of which are fantastic throughout the issue. This is a phenomenally matched art team that can make an interview as a high school gym teacher look riveting. Literally – they did that.

It’s really a pity that the interior team didn’t handle the cover, which is just average.

I never found myself stopping to ask questions about the mechanics of being a Lantern like I did in the other two Lantern books so far. Not only does Tomasi neatly answer a lot of questions in dialog, but his plot is so kinetic and so adroitly illustrated that the reader has no reason to pause and reflect on the missing pieces.

This is a fun, thrilling, gorgeous issue with nary a flaw, and it left me excited to read a second one – even if it’s about my least favorite line of heroes in the DC Universe. I suggest you give it a shot.

Filed Under: comic books, Crushing On, reviews Tagged With: DC Comics, DC New 52, Fernando Pasarin, Green Lantern, Green Lantern Corps, Peter Tomasi, Scott Hanna

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