Next week is the 13th new comic book day of 2025! This post covers Marvel Comics March 26 2025 new releases. Missed this week’s releases? Check out last week’s post covering Marvel Comics March 19 2025 new releases.
This week in Marvel Comics: Godzilla invades the Marvel U, X-Manhunt is over (hooray!), Scarlet Witch gets Masterworked, Daredevil wraps his neverending deadly sins, Ultimate Gambit & Kitty Pryde, DWJ’s Beta Ray Bill back to print, Red Hulk breaks out, Old Republic Legends reprinted, whatever the Pooluminati are, and more!
The Krisis Pick of the Week: It’s is a very tight call to make this pick over two books resolving cliffhangers that have been on my mind all month, but I have to give it to Ultimate Wolverine (2025) #3 debuting Ultimate Gambit and Kitty Pryde! This book is becoming the de facto “Ultimate X-Men” since the actual Ultimate X-Men (2024) isn’t much of a traditional X-Men title. However, I very nearly picked Red Hulk (2025) #2 or Ultimate Spider-Man (2024) #15 given how both of their prior issues left off last month.
This post includes every comic out from Marvel Comics March 26 2025, plus collected editions in omnibus, hardcover, paperback, and digest-sized formats.
This isn’t the typical comic releases post you can find on other sites. Why? I explain each collection and review every series with a new issue out this week. Plus, for every new release, I’ll point you to a personally-curated guide within the Crushing Comics Guide to Marvel Comics to find out how to collect that title in full!
There’s no other website on the internet that can claim that.
And now, onto Marvel Comics March 26 2025 new releases!
Marvel Comics March 26 2025 Collected Editions
Marvel collected editions tend to hit the bookmarket on the same day as the Direct Market (or one day prior), so all of these Marvel Comics March 26 2025 collected editions should also be available from your local bookseller next week!
Beta Ray Bill by Daniel Warren Johnson: Argent Star
(2025 paperback, ISBN 978-1302966119 / digital)
See Guide to Beta Ray Bill. This is an extremely rare occasion of Marvel going back to print on a relatively recent trade paperback. Daniel Warren Johnson both wrote and drew this series, and his name on a book is that hot of a seller right now. Plus, this series was very, very good.
It’s a pity that Marvel didn’t go oversize with this, but perhaps we’d get a Beta Ray Bill omnibus at some point!
Captain America: The Winter Soldier – Marvel Premier Collection
(2025 digest-size paperback, ISBN 978-1302964863 / digital)
See Guide to Captain America. This is one of Marvel’s new line of digest-size paperbacks introduced to compete with DC’s Compact Comics, which sold more than all of Marvel’s collected editions combined in the bookmarket last year.
This story, which was adapted for the Winter Soldier film, is infinitely re-readable… but, I wouldn’t say it has a completely satisfying conclusion, since Brubaker’s run continued for years beyond this point.
Deadpool: Bad/Badder Blood
(2025 oversize(?) hardcover, ISBN 978-1302961190 / digital)
See Guide to Deadpool. Collects a pair of nigh-unreadable mini-series from Rob Liefeld whose stories are utter nonsense. Buy only if you love Liefeld’s art (which, I must admit, is colored particularly well here).
Infinity Watch: Power Corrupts
(2025 paperback, ISBN 978-1302960384 / digital)
See Guide to Thanos. This collects a 2024 annuals crossover revisiting the personified Infinity Gems that was surprisingly good. It gave each of them a unique story, introduced a new Death Stone, and ended in a pretty terrific throwdown with Thanos.
I usually head into these annual stories with a sense of lingering dread, but this one held my attention the entire time! However, I can’t really say it is a Thanos story – so it’s hard to know how to recommend it other than saying it is “fun with Infinity Stones.”
Marvel Masterworks: The Vision and the Scarlet Witch Vol. 1
(2025 hardcover, ISBN 978-1302962210 / digital)
See Guide to Scarlet Witch or Guide to Vision. I find this Masterworks volume somewhat puzzling because it collects the entire 1985 volume of The Vision and the Scarlet Witch for its 40th anniversary (plus several anthology appearances from either or both characters), but it doesn’t also collect Vision & Scarlet Witch (1982).
Granted, that was already in the Avengers Masterworks line and the Masterworks line doesn’t tend to double-dip. Plus, this is already a huge Masterworks at nearly 500 pages! It just seems odd to omit another mini-series with the same exact title from this ostensibly one-and-done volume.
(It would also require adding Giant-Size Avengers (1974) #4, which means the additional content would altogether weigh in at over 100 pages – which is certainly why it was omitted! They’ll save it for an omnibus.)
Punisher By Rick Remender Omnibus
(2025 oversize hardcover, 978-1302963545 / digital)
See Guide to Punisher. While this starts off as Punisher having a brutal vendetta against Norman Osborn, it quickly takes a turn into one of Punishers rare forays into the supernatural with Remender’s “Franken-Castle” run – which sees an undead, stitched-together Punisher teaming up with Marvel’s Legion of Monsters. It all a lot of fun, but it’s considerably more pulpy than the typical Punisher run.
Star Wars Legends: The Old Republic Omnibus Vol. 1
(2025 oversize hardcover, ISBN 978-1302961282 / digital)
See Guide to Star Wars Legends (1977 – 2015). This reprint comes on the heels of the announcement of the Volume 2 omnibus for October, which will wrap up collecting this period in hardcover!
That means of the classic Legends material we’re now mostly missing prequel era omnibus of the Menace Revealed and Clone Wars Epic lines. Other then those, we’re only missing an omnibus of Star Wars Legends: The New Republic Omnibus Vol. 3 and the “Legacy” flash-forward material, and maybe Star Wars Legends: The Empire Omnibus Vol. 4 (we’re missing some material, but it doesn’t seem like enough for an omnibus to me).
Star Wars: Inquisitors
(2024 paperback, ISBN 978-1302954956 / digital)
See Guide to Star Wars Expanded Universe comics. A series by Rodney Barnes set against the backdrop of Order 66. I haven’t read this (a rare occurence!), but Barnes has been good on other Star Wars material so I need to head to Marvel Unlimited to check it out!
Wolverine / Gambit: Victims Gallery Edition
(2025 “Gallery Edition” oversize hardcover, ISBN 978-1302962883)
See Guide to Wolverine – Logan. Both Marvel and DC seem to be going hard on reprinting Jeph Loeb & Tim Sale material this year. Most of their Marvel work were the “color” mini-series like Spider-Man: Blue, but this 1995 collaboration actually predates their eternally popular run together on Batman: The Long Halloween.
Wolverine Epic Collection Vol. 15: Law of the Jungle
(2025 paperback, ISBN 978-1302964139 / digital)
See Guide to Wolverine – Logan. This material has been collected previously, but never in a single, concise volume like this one.
This is likely the highest volume number of the classic Wolverine Epic Collections, as it collects the final year-and-a-half of his 1988 series before it was relaunched under the Marvel Knights banner in 2003 by Greg Rucka. Generally, any Epic that starts collecting a series launched after 2000 is labeled a “Modern Era Epic.”
With this confirmed as the last volume, we have four more Epic Collections left to complete this series. Volumes 4-5 will collect some things in paperback for the first time, but that material has already been covered in omnibus. However, Volumes 10-11 would collect some material for the first time that would be covered by Omnibus Vol. 6 – so perhaps we’ll see that first?
X-Force by Geoffrey Thorne Vol. 1: Fractures
(2025 paperback, ISBN 978-1302959340 / digital)
See Guide to X-Force. Always nice to get an initial trade paperback out after a series has already been cancelled. That was sarcasm, by the way.
Read on for a summary of all of the Marvel Comics March 26 2025 single issue releases!
Marvel Comics March 26 2025 Physical Comic Releases
Want to see every one of these Marvel Comics March 26 2025 single issues reviewed in one minute or less? Check out my weekly live stream “The Pull List” on YouTube!
Amazing Spider-Man (2022) #70 (digital) – See Guide to Spider-Man – Peter Parker. Well, this is it. We’e come to the end not only of “The 8 Deaths of Spider-Man” but also of this 2022 volume launched by Zeb Wells to thunderous whinging from Spider-Fans across the internet.
I think the story of this arc is the story of the whole volume: a strong start, but it spent too long stringing us along and people got mad enough about it that all of the positive reception dried up.
In terms of this arc, I still stand by thinking the first two issues were incredibly strong, very funny Spider-Man comics. But, even someone like me who is eager to appreciate even a middling Spider-Man book got worn down by the doughy middle of this arc with its added pair of “.DEATH” issues. It was a terrific story that overstayed its welcome by at least 50%.
The same is true for the entire run. I love an ongoing, multi-year story, but Wells launching with everyone hating Peter and then spending an an entire year and 20+ issues teasing out the answer to that question was always going to vex fans – especially with dangling MJ’s relationship with another man as part of the answer.
Unfortunately, I think what the reception to Wells taught the Spider-Office was not the value of efficiency in storytelling. I suspect with the launch of Amazing Spider-Man (2025) by Joe Kelly – who has written Spider-Man on-and-off for twenty years now they’re simply going to be more risk-averse, just like the X-Office has become with “From the Ashes.” Just stay in your lane and play the hits and maybe the ire of fandom will stay at a dull roar instead of actively chasing people away from your book.
We’ve seen the problem with that in the past year of X-Men comics – 20 series and almost 100 issues with uneven character portrayals and only one or two big ideas amongst them. The difference is that there’s no way Joe Kelly gets Peter’s voice or character wrong on his new run. He’s one of the absolute best of the best when it comes to Spidey-writers.
But, will we get any plots as potentially interesting as “8 Deaths” along with that great character writing? Or has this overworked final arc of the 2022 volume scare Kelly off from delivering other big, new ideas for Spidey?
I’m very curious to keep reading to learn the answer! All I want is one good Peter Parker book to come out every month. Is that too much to ask!?
Daredevil (2023) #19 (digital) – See Guide to Daredevil. Finally, we come to the end of the first arc of Saladin Ahmed’s Daredevil.
Yes, you read that right, this has all been a single arc.
I can usually find mixed opinions in my circle on just about any Marvel book, but the reaction to this run has tipped into full-on negativity from just about everyone I interact with (including the chat of my Pulls show). I was on Ahmed’s side for a solid seven or eight issues, but the past year of this book has felt like a massive waste of time.
I’m looking forward to getting some sliver of satisfaction from this Seven Deadly Sins plot and then quickly getting into the next story, which is hopefully something much tighter. Marvel isn’t giving many books 20 or more issues to figure themselves out right now and Daredevil is the current MCU release, so I’m really hoping Ahmed has something brief and punchy coming with issue #20.
Deadpool vs. Wolverine: Slash ‘Em Up (2025) #1 (digital) – See Guide to Deadpool or Guide to Wolverine – Logan. This is a physical (and digital) recollection of a six-part digital Infinity Comic from mid-2024. The comic was originally in vertical scroll format, so there will need to be some slash’em up in the art department to get them to fit into a standard issue format in addition to the slashing in the plot.
Doom Academy (2025) #2 (of 5) (digital) – See Guide to Doctor Strange (& Strange Academy). When I read issue #1 last month, my primary reaction – even before say I liked it – was, “MacKenzie Cadenhead must be an author of novels.”
Turns out she is, as well as a former Marvel editor.
Even revisiting the issue just now for this post I have the same reaction. It’s hard to explain exactly why. The best I can do is this: in modern comics, often the urge at the start of the series is to introduce a massive cast all at once. Comics are a visual medium and first issues are month to hook you, so they often take a more-is-more approach to characters. That’s especially true in a school setting like Strange Academy. Skottie Young, Humberto Ramos, & Edgar Delgado packed eleven students into their first issue.
I feel like prose novels – especially YA novels – take an opposite approach with their opening chapters. They don’t want to bombard you with names and character descriptions up front. They tend to introduce their small group of protagonists and keep a tight spotlight on them, only hinting at their allies and antagonists while saying, “shhhh, don’t try to remember them all right now, just know that they exist.”
That’s the feeling I got from Doom Academy (2025) #1. And, I really, really liked it. Despite ostensibly all of the Strange Academy students transferring to Latveria after their involvement in the resolution of Blood Hunt, we only follow a handful through the school. And, of that handful, the story is almost entirely driven by Zoe & Doyle (with mentorship from Zelda and a dash of Shaylee at the margins). That gave us plenty of time to take in this new environment through their perspective, including one new ally – Scoop, the EiC of the Doom Academy Dispatch.
It wasn’t an all-time great issue, but I really, really loved it. I often felt overwhelmed by Strange Academy because there were so many students running through each panel and I barely knew their names let alone their motivations. Here, I feel like I have a solid perspective on what a core of kids think about being at the Academy, and I’m already curious about how the rest of them are faring.
Doom’s Division (2025) #1 (of 5) (digital) – See Guide to… actually, let’s talk about this for a second. This Doom’s Division is a riff on Tiger Division which was a riff on the Pan-Asian Agents of Atlas.
What guide would you expect to find this in? Guide to Tiger Division & Pan Asian Heroes? Guide to Agents of Atlas (& Friends)? For now, it will appear in Guide to Marvel Universe Events – One World Under Doom.
I almost always love when White Fox, Luna Snow, and their compatriots get any panel time, so I’m all in for this book with them acting as peacekeeping agents in a world remade in Doom’s image.
Fantastic Four (2022) #30 (digital) – See Guide to Fantastic Four. After last issue was a more general tie-in to One World Under Doom (2025), this one is much more specific – it directly follows Thing’s appearance in One World Under Doom (2025) #2.
I’m fascinated by Ryan North stepping into the center stage of the Marvel Universe by penning their big event and the book that launched the next MCU movie. He’s always been great stretching back to Squirrel Girl, but even within this F4 run he has tended to stay closer to the margins of the 616 without getting too tangled in current overarching stories. Here he’s not only driving that overarching story, but he has completely entwined it with his ongoing book.
We’ll have to see if North can keep up his amazing track record – both in general and of F4 telling incredibly satisfying one-shot stories that unearth some surprising truths about the family. Just today it was announced that this series ends with issue #33 but will continue to another ongoing, Fantastic Four: First Steps (2025) which sees the team split up and traveling through time.
Godzilla vs. Fantastic Four (2025) #1 (digital) – See Guide to… um… I guess Guide to Fantastic Four, but I need a Godzilla Guide, don’t I?
This is the first of six Godzilla vs. Marvel one-shots. I’m curious to see where these one-shots sit in continuity… close to the present day of Marvel-616, as a retcon to a specific past period, or obviously totally outside of continuity.
Fun fact: the original Godzilla (1977) comic was completely in Marvel continuity, with appearances from tons of Marvel 616 characters. Marvel is more hesitant to do that kind of thing today with licensed IP like Godzilla, but they did do it for a while with Conan in Savage Avengers (2019).
The Incredible Hulk (2023) #23 (digital) – See Guide to Hulk – Bruce Banner. Monsters continue to be monstrous while people who suffered abuse continue to suffer more abuse. Or, that’s what it sounds like from the solicit. I’ve dropped this very bad comic.
The Infinity Watch (2024) #3 (of 5) (digital) – See Guide to Thanos (I guess). I continue to be mildly delighted by this Derek Landy book following the characters who are currently the Infinity Stones personified. They make an awkward team, but they’re a team with a reason to exist together yet they are all distinct personalities that don’t necessarily play well together.
Not only that, but Derek Landy did a great job having them run into an Avengers-level thread last issue which they are in no way equipped to deal with. These folks are addicted to being individual superheroes with an unlimited well of power, but they cannot figure out how to work together and it might be their downfall.
Last issue also employed an incredibly clever story-motivated art switch-up. It doesn’t seem like this issue has another switch-up based on the solicited credits, which tells me I might be slightly less invested (not because of the artist, but due to story reason), but I’m still curious to see how this teams out.
Laura Kinney: Wolverine (2024) #4 (digital) – See Guide to Laura Kinney – Wolverine & X-23. Last month we wrapped up a pretty solid two-parter with Elektra that saw Erica Schultz land some really great character moments for Laura. I rolled my eyes a bit at the team-up since Schultz is also writing an Elektra book and Elektra doesn’t exactly set sales charts on fire, but good stories excuse themselves.
Now this issue is… another team-up. With Winter Soldier, who also has has own series right now (Thunderbolts: Doomstrike (2025), discussed below, where he is deeply mired in issues related to One World Under Doom (2025)) and also doesn’t exactly set sales charts on fire.
I have no direct evidence of this, but I think Laura is a bigger sales draw than either of those characters. She had her own omnibus-sized ongoing book less than a decade ago. She was an anchor of the Krakoan-era X-Men team. So why are we so eager to make her book a team-up book?
I suppose anything that gets it over the 1o-issue hump will do the trick, but the solicit for this issue sounds so generic and I cannot help but engage my eye-rolling instincts. At the same time, that makes this an easy place to pick up even if you haven’t read the first three issues!
Pooluminati (2025) #1 (digital) – See Guide to Deadpool. Y’all… what even is this. Can we not just do “Deadpool Corps” or “Pool-Verse” or something? I refuse to let “Pooluminati” become a thing.
Anyhow, this is a one-shot by Zac Gorman, who mostly writes Adventure Time and Rick & Morty comics, so theoretically it should be funny.
Red Hulk (2025) #2 (digital) – See Guide to Red Hulk. This book FUCKING ROCKED. FUCK YEAH!
Sorry, I don’t know what came over me there. I’m just still so hype about the first issue from Ben Percy, Geoff Shaw, Bryan Valenza, and Cory Petit. It did every single thing right, to the point that my only criticism of the issue was that I wish it had been double-length so I could’ve had more story!
This is the Ben Percy I use to love prior to 2019 when he arrived on Krakoa. I don’t know that he’s ever totally captured the right vibe for mutants, but book was magnetic. Smart. Violent. Suspenseful. It had me rooting for a war criminal who is demonstrably a bad person because he’s up against a despot who is even worse.
Also, I’d call issue #1 one of Geoff Shaw’s most restrained issues of artwork, but he draws his rage in Ross’s taut muscles and scraggly beard.
This is a winner. I can’t wait for issue #2.
Rogue: The Savage Land (2025) #3 (digital) – See Guide to X-Men – From the Ashes. Tim Seeley’s outstanding expansion of Rogue’s subplots from Uncanny X-Men (1963) #269-275 continues.
Seeley is scripting an excellent Rogue, but this series might turn out to be a star-making vehicle for Zulema Scotto Lavina’s artwork. Seeley recruited her from his Hexware (2022) from Image, and her bombastic figure work full of big muscles and luscious curves is perfect for revisiting the 90s.
I have yet to see a single person in my circle of influence say something negative about this retcon story, and many folks have had positive things to say. I don’t think issue #2 quite hit the highs of issue #1, but it’s still one of the best X-books running at the moment – and the best voice for Rogue we’ve had in a long while.
Star Wars: The High Republic – Fear of the Jedi (2025) #2 (of 5) (digital) – See Guide to Star Wars Expanded Universe. Finally, here at its end, this High Republic era finally feels expansive. We’ve finally steered out of focusing on one conflict on one planet with one alien race, and the book immediately feels much more epic as a result.
Unfortunately, for me our main character Jedi actually felt flatter and more basic than ever. The difference is that there are plenty of interesting things happening around her.
I’m always rooting for every comic to be good, and especially for this period that I think deserved a lot better than what it got over the course of the past few years of comics. Since we can’t have a re-do, at least let’s hope for a satisfying conclusion.
Star Wars: The Rise of Skywalker Adaptation (2025) #2 (of 5) (digital) – See Guide to Star Wars Expanded Universe comics. I’ve never seen The Rise of Skywalker, so this is my way to finally digest it’s oft-derided plot for myself.
Jody Houser has succeeded in slimming down bloated Star Wars scripts to the core of the story before. Unable to meaningfully deviate from this story’s Death March towards brand incoherence, she focused on the inner life of Kylo Ren and Rey as much as she could throughout the issue.
I think that’s the right approach, because narration and thoughts are two powerful narrative devices that comic shave as an advantage over films. However, I’m not sure giving us some previously unheard motivation will be enough to prop up a story about Palpatine being alive and a big to-do about a MacGuffin map.
Thunderbolts: Doomstrike (2025) #2 (digital) – See Guide to Thunderbolts. The first issue of this Lanzing & Kelly Thunderbolts revival was very nearly a perfect 5-out-of-5 for me… despite my skepticism about their writing after fizzles on The Outsiders (2023) and NYX (2024). The issue was big, taut, scary, and gorgeous thanks to some spectacular art from Tommaso Bianchi and colors from Yen Nitro that knew when to get vivid.
The story showed us the true opening salvo of a counter-insurgency against Doom as One Nation Under Doom (2025) event gets underway, and it was a hell of a tale. Doom extended Bucky an invite to join his Latverian forces based on the exploits of the last go-round of Thunderbolts. Bucky of course, summarily rejects the over, and in trying to one-up Doom he creates a “start of Civil War” situation that is mostly Doom’s fault but plausibly Bucky’s in the eye of the public.
Also: Songbird!
The question is where Lanzing & Kelly pivot from making Bucky a wanted man on a global scale. There’s a lot of potential here, but I’m still a little skeptical if they can pull it off.
Ultimate Spider-Man (2024) #15 (digital) – See Guide to Marvel Ultimate Universe. After a few issues that felt a bit slight to me, Hickman ratcheted up the tension in issue #14 by cheating just a little.
How? Each issue of this title is meant to occupy one month of the timeline until The Maker’s return, but only five days elapsed between issues #13 and 14.
We’ll forgive Hickman, because slightly bending his own rules for the Ultimate Universe gave us an issue that was beautiful, tense, and surprising in a way that perfectly encapsulates the magic of this title.
I’m interested to see how far we’ll fast forward from there for this issue, and if the twist at the end of issue #14 turns out to be more than meets the eye thanks to a certain mysterious villain.
Ultimate Wolverine (2025) #3 (digital) – See Guide to Marvel Ultimate Universe. Chris Condon has found the perfect tone for this “Wolverine as a Weapon” book… which is also stealthily an Ultimate X-Men book for folks who aren’t vibing with Peach Momoko’s manga-influenced title.
Condon’s story finds Logan a a deadly and totally brainwashed asset under the control of the triumvirate of Colossus, Magik, and Omega Red in their roles as The Maker’s leaders of former Soviet Russia.
As someone who does not care for killer Wolverine or for alternate universes, even I have to admit this grim book is amazing stuff. We’re getting Wolverine, but remixed in an unexpected way and with a heavy dose of X-Men in the cast. Also, I love the looser style of artwork style from Alessandro Cappuccio.
This issue has Logan hunting for Remy Lebeau and Kitty Pryde as two members of the resistance, and I can’t wait to see what that looks like in the Ultimate Universe. Will Condon keeping having his Winter Soldier mow down familiar faces? Or are we looking at the pair of would-be X-Men who will be filling out the cast of this title?
Uncanny X-Men (2024) #12 (digital) – See Guide to X-Men – From the Ashes. It’s a Gambit-focused issue with artist Gavin Guidry. We haven’t seen this title successfully focus on the adult cast since the first two issues, so I’m guarded curious about how this might go.
Weapon X-Men (2025) #2 (of 5) (digital) – See Guide to Weapon X. I was totally pleased with the first issue of this Cable, Deadpool, & Wolverine team-up (oh hey, and also let’s have Chamber and Thunderbird tag along!).
It was big, bold, fast, and fun – exactly how a book that’s not quite X-Force should read. Joe Casey couldn’t entirely shake his tendency to overwrite, but he kept his weirdness reined in and he showed facility with all three of his leads. It was an enjoyable race to rescue a mutant in distress that turned into a double cross.
If you’ve been despairing that X-Force (2024) hasn’t felt very X-Force-y and don’t like that Cable: Love and Chrome (2025) has Nathan separated from all of the rest of the X-Men, this is the book for you.
Wolverine: Revenge (2024) #5 (of 5) (digital) – See Guide to Wolverine – Logan. Jonathan Hickman & Greg Capullo bring this content-lite, non-continuity slash-em-up to a conclusion.
X-Manhunt Omega (2025) #1 (one-shot) (digital) – See Guide to X-Men – From the Ashes. It’s the finale of the mercifully brief first line-wide crossover of X-books in the From the Ashes era.
I’m intrigued by the idea that after all of the conflict over Xavier while he was imprisoned on earth, it is the call of trouble in the Shi’ar Empire that finally cracks him free of his bonds. Even more intriguing is that somehow Phoenix (2024) shirked having a tie-in to this story despite being the one space-book in the entire line!
This final chapter is co-written by Gail Simone & Murewa Ayodele. Ayodele has a small enough comic footprint that this is really the first time we’re seeing him collaborate on something like this. I’m interested to see how his often poetic scripting impulses duet with Simone’s more grounded style.
Will Xavier’s trip to space somehow tie in to Jonathan Hickman’s upcoming cosmic story reboot Imperial (2025)? I find it hard to believe that a story with its roots in Krakoa (and one specific aspect of Krakoa that Hickman invented) isn’t going to somehow dovetail into his big summer event. After all, there must be a reason Marvel chose to throw that oddball Cosmic X-Men Omnibus onto the schedule.
Your Friendly Neighborhood Spider-Man (2024) #4 (of 5) (digital) – See Guide to Spider-Man – Peter Parker (2018 – Present). This series from Christos Gage & Eric Gapstur is an official prequel to the Disney+ cartoon of the same name.
That’s for Marvel Comics March 26 2025 new releases! What were you already pulling? And, did I convince you to check out anything new? Sound off in the comments below.
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