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From The Beginning

From The Beginning: WildStorm Universe – Stormwatch #9, 25, & 10

November 12, 2016 by krisis

We’re finally here! It’s the issue of Stormwatch that inspired this month of blogging even though I had never read it before.

With “Images of Tomorrow,” Stormwatch #25 leapt one year into the future to show the dark timeline that awaited the team …but I’m already getting ahead of myself. First, we have to read issue #9, with H. K. Proger on script and Ryan Benjamin penciling.

The issue makes the unusual move of giving us a second story in a row with a point-of-view character outside of our main cast. This time it is Sunburst, one of the members of Stormwatch Prime rescued from Gamorra in #6-7.

stormwatch_v1_025_coverThe story is a “race to defuse the bomb” tale that gives us some backstory on Sunburst as well as context for his relationships with his teammates Nautika and Flashpoint. However, that was just a red herring (both for Sunburst and for us as readers), as at the end we learn the point of the story was for Defile to finally crack Sunburst’s psyche after he proved unbreakable during his captivity.

This would seem like a minor fill-in issue on its own, but paired with the portents of #25 it takes on considerably more foreboding.

Steven T. Seagle randomly steps in on scripting duties on #25, but he’s abetted by Scott Clark on his Stormwatch swan song after penciling six of the first eight issues. Between Seagle’s script, Clark’s slightly perverted character designs, and the darkness of the tale, the book is fantastic.

Every page carries a chilling new reveal that you’d typically expect from a “What If?” tale, except this one professes that it’s really going to happen! If I had sat down to read it at the time I would have never dropped this book.

Silver Surfer scripter Ron Marz takes the title over with #10 for a run through #24. While I was a little peeved to lose Brandon Choi on his best title, Marz quickly made me forget my annoyance. You can feel his expertise lock in immediately with the dreadful pall that hangs over Battalion’s narration, and the nuanced descriptions of his teammates doubling as introductions we’re getting for the first time.

Marz is re-teamed with his Stormwatch Special collaborator Dwayne Turner, who does a much better job drawing a solid, dour version team of the team this time around. Maybe that’s because Marz gives him so much more room to breath than in the rushed pace of the Special. Each member gets their own spread to show off their abilities as he explains their histories.

It was a brilliant move to turn this Avengers-style procedural drama about policing the globe into a towering tragedy via glimpsing the horror of a future that cannot be prevented it. It elevates Battalion – already a great character – to the position of being WildStorm’s own tragic Hamlet. And, we the reader are left dreading every page turn for what it might reveal about Battalion and Diva’s fate.

Want the play-by-play? Keep reading for a summary of these two teams going head to head. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we get to one of my favorite runs of this entire era – Gen 13’s original mini-series! Will it hold up to re-read 20 years after my last time paging through? I can’t wait to find out.

Need the issues? You’ll need to purchase single issues – try eBay (#9-10 & 25) or Amazon (#9, 25, 10). Since further Stormwatch series hit these same issue numbers, be sure to match your purchase to the images in this post. [Read more…] about From The Beginning: WildStorm Universe – Stormwatch #9, 25, & 10

Filed Under: comic books Tagged With: From The Beginning, From The Beginning: WildStorm Universe, Image Comics, Ron Marz, Scott Clark, Steven Seagle, Stormwatch, Wildstorm

From The Beginning: WildStorm Universe – WildCATs #10-13 (Lee & Claremont Reunited!)

November 11, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]What happens when you take Jim Lee’s high-gloss WildCATs and mash them up with storied X-Men author Chris Claremont?

That’s what we learn in WildCATs #10-13, where Claremont takes over scripting duties from Brandon Choi for Lee’s swan song on his own title.

wildcats-v01-010Claremont seems to agree with my assessment of the title – that Zealot is the interesting part, and everyone else should be jettisoned. He spends barely a combined two pages writing Marlowe, Spartan, Maul, and Warblade and the book is better for it.

Instead, he recruits a new primary team composed of Zealot’s smarter little sister Savant, generic gun-guy Soldier who is redundant to Grifter (since he’s stuck in Kindred for the first half of this story), Superman analog Majestic, and his own Huntsman.

It makes sense that Lee would recruit Claremont for a story that opens the door to so much of the history of Kherubim without ever saying it out loud. Lee seems to be in a rush to get all of these elements out onto the table before he departs the book, and it shows in his art. It’s still Jim Lee, but there are few of the magnificent, splashy panels he’s most known for. It’s his most utilitarian work on the series to date.

Even Claremont can’t seem to make sense of Lee and Choi’s WildCATs, their allies, or their villains. Tapestry is a visual stunner, but her power to weave souls isn’t too different than Misery’s psychic push from Killer Instinct. Her motivations are even less clear – does she want Marlowe, the mysterious Alabastar Wu, or Zealot?

Who knows. What becomes rapidly apparent is just how much Lee and Choi’s stories really have adhered to the Claremontian model. Is this truly so different than WildCATs #1-4? Is Voodoo’s ruse any different that Misery’s in Killer Instinct? Is Voodoo’s distribution of power any different than the Void/Marlowe team-up from the last story? Is it partially resolved by women repeatedly wielding the totality of their psychic powers?

This confusing yarn is an enjoyable read because the real Chris Claremont knows how to leverage these wordy tools like no other. Also, his stoic Huntsman is more charismatic than the entire male cast of the book save for Grifter – who mercifully returns to the action for the final issue.

The real delight here are the back-up features, which hint at a world beyond the WildCATs team we’ve been reading so far. Solider’s story is generic, but opens a new window on Zealot’s immortal history. Majestic’s interlude makes him out to be a Superman who decided to abandon humanity. And, Zealot’s first encounter with Tapestry shows she hasn’t always had a will made of steel – and some of that might even be Tapestry’s doing!

Want the full details? Read on to watch me try to make sense of my first Claremontian recap – may the goddess save our souls.. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we head back to Stormwatch for this month’s main inspiration, the fast-forward from Stormwatch #9 to #25 and then back to #10!

Need the issues? This is another rare WildStorm title with a TPB collection, called WildC.A.T.s: A Gathering of Eagles (ISBN 978-1887279451)! Here it is on Amazon and eBay. Note that I’m unsure if it includes the backup features. For single issues, try eBay (#10-13) or Amazon (#10, 11, 12, 13 or #10, 11, 12, 13 (try both sets)). Since future WildCATs series hit these same issue numbers, be sure to match your purchase to the cover images in this post. [Read more…] about From The Beginning: WildStorm Universe – WildCATs #10-13 (Lee & Claremont Reunited!)

Filed Under: comic books Tagged With: Chris Claremont, From The Beginning, From The Beginning: WildStorm Universe, Image Comics, Jim Lee, Majestic, WildCATs, Wildstorm, Zealot

From The Beginning: WildStorm Universe – The Kindred #1-4

November 10, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Today we’re tackling the first WildStorm book to deliberately connect their various franchises – The Kindred mini-series.

We’ve seen many hints dropped throughout WildStorm’s books about International Operations and Team 7. It’s obvious that it has some resemblance to the retconned Weapon X program, which turned out many more characters than just Wolverine.

the-kindred-4-promoThe Kindred capitalizes on these dropped hints to tell a new story that isn’t just expositional history, but that ties several pieces of information together along the way.

The book is more memorable for those revelations than for its plot. For a title starring the electric Grifter, the badass Backlash, and the mysterious Lynch, it seems like it could have escalated to a considerably higher-intensity.

Maybe the simmering intensity level is a good thing – it corrects the pacing issues that hurt the opening arcs of both WildCATs and Deathblow, presenting easy-to-follow rising action with a definitive end-point.

There’s no single credit for scripting on this book. At points it shows in the torrent of gently conflicting information. Also, while Grifter and Backlash bumping heads ought to be a teeth-gritting delight, somehow their combined prickliness slightly waters them both down.

Backlash is a character whose coolness isn’t fully justified by what we’ve seen from him so far on the page. He’s lithe, gray-haired, wields a whip, wears a slick black suit, and can dematerialize into fog. It’s all dangerous, but altogether it doesn’t suggest a terrifyingly deadly character we ought to be scared of. He definitely qualifies as “the most arrogant man alive” for all his bragging and complaining,  but not the deadliest. Kindred doesn’t really do him any favors – he gets beat up more often than not, here, and he’s a lot of bark with relatively little bite.

(Grifter, on the other hand, just keeps getting cooler now that we know he went AWOL from Team 7 thanks to his unrequited love, is hated equally by Backlash and Lynch, and was the softy who tried to save his teammates who got left behind. Also? Still no hint of his powers.)

The villainous elements of the mini-series are needlessly complex. The Kindred’s leader Bloodmoon isn’t even a Kindred and the result of a totally separate Team 7 caper, which leaves a lot of questions and ultimately makes The Kindred sort of window dressing in their own story. It also leaves a lot of open questions about Bloodmoon that a little dose of simplicity could have solved better than more explanations.

Art from Brett Booth is solid and enjoyable. All of the characters are recognizable and Booth draws clear action that’s easy to track. His characters can have a slight Spider-Man rubbery-ness to them that calls back to earlier Eric Larsen or even Todd McFarlane. That this would become somewhat of a trademark of Backlash rather than a more muscular stance is definitely down to Booth’s early influence on the character.

The biggest reason to include this in your WildStorm read? Context, glorious context. We finally understand Director Lynch’s place in the WildStorm Universe, and how Team 7 and IO are linked with the history of Stormwatch.

Want the full details? Read on to learn more about the connective tissue of the WildStorm Universe. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we head back to WildCATs to see Jim Lee reunited with his X-Men co-conspirator Chris Claremont on WildCATs #10-13!

Need the issues? This is a rare early WildStorm title with a TPB collection! Look for it on Amazon and eBay. Also, the single issues to this series tend to be pretty cheap – try eBay (#1-4) or Amazon (#1, 2, 3, 4). Since a second Kindred mini-series hit these same issue numbers, be sure to match your purchase to the cover images in this post. [Read more…] about From The Beginning: WildStorm Universe – The Kindred #1-4

Filed Under: comic books Tagged With: Backlash, Brett Booth, From The Beginning, From The Beginning: WildStorm Universe, Grifter, Kindred, Team 7, Wildstorm

From The Beginning: WildStorm Universe – Union #1-4 & 0

November 9, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug] In June of 1993, a fourth title joined WildStorm’s fold, and it was the first whose heroes seemingly didn’t have an explicit connection to the shared backstory of Kherubim, Daemonites, IO, and Stormwatch.

union_v1_001That hero was Union, co-created by Jim Lee and Mike Heisler – a longtime letterer and only occasional writer. (He’d later write a long run of the Gen13 spin-off DV8).

Union has a rich origin that nods to Superman’s, though his Krypton is not an exploding planet but a sister reality to our own that is in a constant state of civil war. When Ohmen, a warrior Relayer of the Protectorate, is shunted through an explosion of energy from his world to ours he crash lands on the Maine coastline.

Union’s mini-series is a pair of parenthesis, two stories opened in the first two issues without the full information we need as readers to understand them, and then two issues that resolve their mysteries in reverse order.

That makes for what is undoubtably the best first issue yet from WildStorm, and even the exposition-heavy final issues is a thrill since they answer so many questions. Union #0 provides a thick spreading of glorious connection-making context to fill in Union’s past and tie him to more closely to another Wildstorm title. It’s a bit leaden told all in one shot, but it makes re-reading the series even more fun.

The real draw here wasn’t the mysterious superhero from another dimension, but the artwork. Mark Texeira was mostly known as a Marvel utility player who launched Ghost Rider and drew Punisher and Sabretooth. His wild, untamed pencil-work and inky blacks were nothing like the high-gloss figure-work of the other Image founders and their proteges, but a near neighbor to Sam Keith and Jae Lee.

Maybe that’s why it seems like the early digital colors are fighting against Texeira’s linework in the first two issues of Union. While some of the gradients help enhance the inherent dimensionality of his characters, too often the colors are garish or overwhelm his rough lines. Despite the struggle, Texiera delivers wild, beautiful work – especially in the domestic scenes that could easily be just talking heads. The colors settle down by #3, and by the end of #4 it’s the best Texiera’s work had looked to date.

Despite the unevenness of the pace and the colors, Union feels like a title that’s truly grounded in a universe that’s already-formed. It’s filled with references to Supreme, Youngblood, and Cyberforce, and it opens by featuring Stormwatch so prominently that the first issue could have easily been Stormwatch #5.5.

That’s a tribute to Mike Heisler, who bucks the WildStorm trend of super-cool action to unfurl an exceedingly human mystery of how much we can trust Union as a reliable narrator. We see him deliberately withhold things from us and from his human companion Jill, and that makes it hard to completely trust him as our protagonist even when he professes to be doing good.

Jill is the most well-rounded character we’ve had yet in a WildStorm book. She’s an actual human being who loves art and sometimes does stupid things in the name of romance. She makes gallows-humor jokes to herself and absent-mindedly explaining why she switched to painting abstracts when she was in a world of beautiful landscapes. Even if her budding romance with Union is rushed, this book is grounded in human emotion more than any of the other Wildstorm material to date. Together, she and Union give off major Lois & Clark vibes from the classic Reeves Superman films.

If Union had pushed forward from this mini-series to continue the story with Heisler and Texiera still at the helm it would have catapulted into must-read territory for me along with Stormwatch! Instead, it was the first WildStorm book to take a brief hiatus and return as an ongoing series (a pattern Gen13 would follow). However, Heisler does stick around for every issue of Union ever published, so maybe I’m in for a treat when I get back to the title’s ongoing relaunch later this month.

Want the full details? Read on to unravel the mystery that begins in Union #1. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we find out what Backlash and Grifter have been up to in Kindred #1-4.

Need the issues? These issues have never before been collected! For single issues – try eBay (#0-4) or Amazon (#0, 1, 2, 3, 4). Since the ongoing Union series hit these same issue numbers, be sure to match your purchase to the cover images in this post.

[Read more…] about From The Beginning: WildStorm Universe – Union #1-4 & 0

Filed Under: comic books Tagged With: From The Beginning, From The Beginning: WildStorm Universe, Image Comics, Mark Texeira, Mike Heisler, Stormwatch, Union, Wildstorm

From The Beginning: Dr. Seuss – The 500 Hats of Bartholomew Cubbins (Book #2)

November 9, 2016 by krisis

drseuss-brand-hero-01[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]It’s the second installment of my “From The Beginning” read of Dr. Seuss’s entire bibliography. Last week I covered his first book, And To Think I Saw It On Mulberry Street.

Dr. Seuss’s second children’s book was The 500 Hats of Bartholomew Cubbins. This happened to the be the first one we acquired from the library for our reading.

Let’s just say, EV was a bit averse to Dr. Seuss for a few weeks after this one…

open-book-icon-16370

The 500 Hats of Bartholomew Cubbins (1938) – Dr. Seuss Amazon Logo

the-500-hats-of-bartholomew-cubbins-cover

CK Says:  – Skip It

Gender Diversity: Every named character is male, as likely are all who are depicted. “Lords and ladies” are mentioned.

Ethnic Diversity: None

Challenging Language: anxious, curbstones, trumpeters, impudence, jangling, triangular, plumes, parapet, yeoman, executioner,

Themes to Discuss: distribution of wealth, monarchy, agrarian society, manners/ettiquette, leaping to judgement, scientific process, bratty/entitled behavior, executions

Reading Time: 25-35 minutes

The 500 Hats of Bartholomew Cubbins is an allegory without a moral … with a touch of shocking violence! It’s a long slog of a read for even the most attentive toddler, making it a Dr. Seuss book you can most definitely skip.

500 Hats is written in prose rather than meter. In fact, it’s more a novella than a picture book at its length of over 3,500 words! Each page contains multiple paragraphs of copy and while the language is cleverly written it includes none of Seuss’s typical word play.

The story is of a poor, young peasant of the Kingdom of Didd named Bartholomew, who had a single treasured hat handed down to him from his father’s father. It wasn’t a fancy hat – in fact, it was quite plain save for the single feather stuck upon it that always pointed straight up in the air – presumably due to being so caked with generations of grime.

Bartholomew is on the way to sell cranberries from his family bog at the market when his walk is interrupted by the King Derwin’s royal procession through town. The King is mightily offended to see that Bartholomew had not whipped off his hat in an act of respect and supplication, and stops to command him to remove itthe-500-hats-of-bartholomew-cubbins-interior-pg10 … except, he did take off his hat, only to find an identical one beneath it!

Thus begins the central hijinks of this tale. You know how they say funny things happen in threes? Well, we see Bartholomew try to take off his hat a lot more than three times – though sometimes he’ll go through several at once to save us from watching it happen 500 times. This is part of what’s so wearying about this book that causes EV to quickly lose interest in it. The same thing happens again and again, and while different people get progressively more angry about it (sometimes in mildly amusing sub-groupings of threes), there’s really not much entertainment to be derived.

That’s especially the case when it comes to the young Grand Duke Wilfred, who is like the mean-spirited Draco Malfoy to Bartholomew’s Ron. Wilfred is rather violent – his first attempt at hat-removing comes in the form of target practice with a bow and arrow, and later involves throwing Bartholomew off of the highest tower! He’s also a bit of a brat, yelling “it’s not fair” and throwing several tantrums.

(EV isn’t much for rough play, but if you do read this to your kids you might need to keep an eye on their subsequent target practice and Marie Antionette-themed pretend play.)

the-500-hats-of-bartholomew-cubbins-interior-pg22While it doesn’t make for a very enjoyable read, 500 Hats is distinct from the grounded Mulberry Street and it introduces a pair ongoing Seussian themes – fantastical kingdoms and impossible physics. A few of the supporting characters are memorable in that silly Seuss way, such as a friendly, hesitant executioner and matter-of-fact advisor Sir Alaric, who would be played for many laughs in a screen adaptation.

All of the illustrations are black and white save for the the hats, which are a bold red. Not even the king’s regalia merits a dash of color. This emphasizes how increasingly covetous he is of the otherwise plain hat, but also sends the subtle message that any common thing can be the most-important thing to you – not only things that are valuable.

Seuss sets the tone early for the physical and metaphorical distance between King Derwin and the Cubbins family, narrating the stretch of increasingly meager houses that stretched from one to the other. The view makes Derwin feel might and Bartholomew feel small.

That theme of haves and have-nots is heavy for a little kid, but its still effective if you modernize it to be about looking from the highest skyscraper down to the smaller, flatter ranchers that might lie farther out from the center of a city. From that perspective, kids might appreciate that the view is truly the same no matter which side of it you occupy.

the-500-hats-of-bartholomew-cubbins-interior-pg25Early in the caper, young Cubbins thinks to himself, “I really haven’t done anything wrong. It would be cowardly to be afraid.” This is a good message, but it’s not reinforced very well by the story, where no one seems willing to listen to our protagonist and the threats do become rather scary.

The moral is merely that things “happened to happen” and no one learns a thing! The king gets a fancy hat, Bartholomew gets rich for no reason, and Grand Duke Wilfred presumably slinks off to sulk somewhere.

Without many laughs or a good moral, and with the undertow of execution, I can’t recommend The 500 Hats of Bartholomew Cubbins for anything but an academic reading.

I’ll be back next Wednesday with the Dr. Seuss’s third book for children, The King’s Stilts!

Filed Under: books Tagged With: children's books, Dr. Seuss, From The Beginning

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