Phil Jimenez

Amazing Spider-Man: Brand New Day Omnibus, Vol. 1 – The #51 Most-Wanted Marvel Omnibus of 2017

May 14, 2017 by krisis

Amazing Spider-Man: Brand New Day Omnibus, Vol. 1 is the #51 Most-Wanted Marvel Omnibus of 2017 on Tigereyes’s Secret Ballot.

See the Guide to Spider-Man for how you can collect this run today. Visit the Marvel Masterworks Message Board to view the original posting of results by Tigereyes.

What Is It? In January 2008 Marvel collapsed their line of several Spider-Man titles down to just Amazing Spider-Man, which accelerated to releasing three issues a month from a rotating cast of writers starting with #546. This coincided with a minor reset of some details of Spider-Man’s continuity – more on that below.

While the story arc “Brand New Day” ran from #546 to 564, the title is commonly used to refer to the entire period of accelerated schedule with multiple writers, which ran through #647 in December 2010 – three entire years comprised of 102 issues of Amazing Spider-Man!

Past Ranking: This year is the book’s debut placement in the ballot results.

Creators: Many!

The rotating writers considered to be Spider-Man’s steering brain-trust consistently including Dan Slott, Marc Guggenheim, Bob Gale, and Zeb Wells – though others like Mark Waid and Joe Kelly also contributed arcs in this period.

This initial chunk of Brand New Day included runs of pencil art from Steve McNiven, Salvador Larroca, Phil Jimenez, Chris Bachalo, Barry Kitson, Marcos Martin, Mike McKone, and John Romita Jr..

Probable Contents: Collects The Amazing Spider-Man (1963) #546-577, The Amazing Spider-Man: Swing Shift Director’s Cut (2008), Venom Super Special (1995) #1, Secret Invasion: Spider-Man #1-3, and material from The Amazing Spider-Man Extra! (2008) #1.

For a full map of how the Brand New Day period could fit into omnibus volumes, see the end of this post.

Can you read it right now? Yes! Marvel has begun to recollect Big Time in a series of Complete Collections. A first omnibus probably wouldn’t cover all three collections. See the Guide to Spider-Man for full physical collecting info.

Plus, every one of these issues is available on Marvel Unlimited!

The Details:

To talk about this run, we have to first talk about the story that immediately precedes it – “One More Day.”

“One More Day” is one of the most-hated Spider-Man stories of all time, neck-and-neck with its later sequel “One Moment In Time.”

Fans tend to dislike any revisions to their favorite elements of continuity, but this one was particularly egregious – not only breaking up Spider-Man and Mary Jane, but retroactively causing their marriage to cease to exist due to a very out-of-character deal with a literal devil. Their relationship and all of their stories continued to exist – just not their marriage.

The story did come with a few fringe benefits. The world would forget Spider-Man’s secret identity (recently revealed in Civil War), but that meant he was now in hiding due to the Superhuman Registration Act. It revived Harry Osborn from the dead. And, it resulted in the cancellation of all of Marvel’s other Spider-Man titles, which allowed them to accelerate Amazing Spider-Man to be released three times a month. [Read more…] about Amazing Spider-Man: Brand New Day Omnibus, Vol. 1 – The #51 Most-Wanted Marvel Omnibus of 2017

DC Rebirth – Every 2016 Rebirth One-Shot Ranked

January 5, 2017 by krisis

DC Comics was full of bold movies in 2016.

Not only did they relaunch their entire line with the DC Universe Rebirth one-shot, but they followed it up with 21 additional one-shots to launch the majority of the books in their line – and I’m here to rank them!

(That left out non-Rebirthed books like Action and Detective Comics, plus heroes who jumped off of their appearances in these initial issues straight to their own series, like Superwoman and Harley Quinn.)

The one-shots are a double-edged sword for new readers. They make for easy, low-risk, low-commitment samplers. That means it’s likely that – like me – most fans would read most or all of them out of curiosity.

However, there’s a risk that they’re exactly that – samplers. It’s hard to craft a one-shot so good that it tells its own story plus pulls you in for a subsequent series.

To achieve that goal, I think a solid Rebirth issue needs to do three things:

Give a sense of the character’s recent and relevant history
Portray a vital truth and inherent coolness about the title character
Set up a reason to keep reading the series (i.e., Always leave them wanting more!)

How many of the 21 Rebirth one-shots of 2016 hit the mark? Below, I’ve ranked every issue, rating it and giving the percentage chance that I might keep reading its respective series?

Place your bets now – did I love my long-term favorite Wonder Woman? Did I find a way to get excited about the staid Superman or enjoy the typically impenetrable Green Lantern? And, what about relative B-listers in this muscular line-up like Batman Beyond, Deathstroke, and Blue Beetle?

Find out now, and then head to my DC Rebirth Guide to snag the upcoming collections of the titles that pique your interest.

Rebirth Ranked: The Best!

Superwoman #1

I know, I know – it’s not a Rebirth one-shot. It should have been. It’s a phenomenal issue full of action, explanation, and heart that will definitely leave you surprised – plus, stunning pencils from writer/artist Phil Jimenez. Read it and keep reading with Superwoman Vol. 1: Who Killed Superwoman?

Nightwing: Rebirth

I hope all future Rebirth one-shot writers took notes, because Tim Seely delivered an absolutely perfect comic book in Nightwing: Rebirth.

It was so good that it makes me not only want to read subsequent issues of Nightwing, but I feel compelled to go back to New 52 to read past issues because this comic made them sound so freaking awesome.

Tons of exposition and backstory? Check. Emotional scenes with a protege that weren’t all they seemed to be on first read? Check. Bisexual flirting? Check. Uncharacteristically light, bouncy figurework from Yanick Paquette? Check.

If you’re looking for lightweight, snappy DC reading in Rebirth that’s Batman adjacent, you’ve found your book.

Chances I keep reading: 200% – that’s 100% for reading forward into Rebirth and another 100% for reading backwards into New 52. I’m hooked. Keep reading with me with Nightwing Vol. 1: Better Than Batman. [Read more…] about DC Rebirth – Every 2016 Rebirth One-Shot Ranked

Comic Book Review: DC Universe Rebirth Special

January 2, 2017 by krisis

Have you ever attempted to make a new first impression on someone? Did it actually change their opinion about you?

I think it’s a near-impossible feat. First impressions are the ones that last. After that, each successive impression provides an increasingly diminished return until you’re barely changing someone’s opinion about you at all with each meeting – just reinforcing it.

How could you make a brand new first impression? It’s not enough to simply say, “Hey, look, I’m different now!” Even if your target believed you, they would still weigh your new behavior against the old you.

No, to make a new first impression you need an explosive bombast of both context and contradiction – a shy friend who slays a karaoke, or a messy coworker with an impeccable neat home. You need to convince them that their first impression was demonstrably wrong – or, at least, so incomplete or controverted as to be useless.

Every piece of fiction has the dilemma of making a first impression by introducing you to a universe you’ve never entered before. It’s hard enough to make a good impression introducing yourself let alone an entire universe! Even if they’re successful with that first impression, sequential storytelling mediums sometimes have to re-impress you, as with the season premiere of a TV show.

Few other mediums do what comic books so often do – willingly relaunch dozens of books at the same time with new directions as a means of screaming, “LOOK! We’re really, really different now! All-new, all-different, actually.”

And, of those that have, hardly any have ever put all the onus of an entire multi-title universe on a single episode the way DC Comics did on DC Universe Rebirth last July. Read my critical take on the issue below, and then head to the DC Rebirth Guide to follow your favorite characters from here.

DC Universe Rebirth #1

Written by Geoff Johns with line art by Gary Frank, Ethan Van Sciver, Ivan Reis with Joe Prado, and Phil Jimenez with Matt Santorelli and color art from Brad Anderson, Jason Wright, Gabriel A. Eltaeb, and Hi-Fi Colour Design

DC Universe Rebirth is exciting and inscrutable – a tantalizing glimpse of change for continuity nerds and a tangled skein of contradictory continuity for new readers. It’s a love note dense with heartfelt apology to longtime fans that weathered all of New 52 and a Rosetta Stone for DC’s new continuity.

It is not necessarily the first comic you ought to read if you’re new to DC Comics or coming back from a lengthy lapse … unless you happen to be a major Flash fan.

The issue uses the device of Wally West trying to return to the present day from within the Speed Force, where has has been trapped since the Flashpoint event that lead to New 52. He follows several hunches on who can pull him out of the aether of time and back into reality. It’s not just about survival. West has critical information that might help to amend a timeline that has grown dark and cynical (and lost a decade of memories along the way).

Like the Ghost of The Fastest Christmas Ever, he first visits Batman (he’s the best detective!), an old guy named Johnny (he has the best chance to remember things!), and his former partner Linda (love will bind them together!), each without much success. Finally, he says hello from the other side to current flash Barry Allen (super-bros FTW!). [Read more…] about Comic Book Review: DC Universe Rebirth Special

Astonishing X-Men an Amazing X-Men – Definitive Collecting Guide & Reading Order

The Astonishing X-Men & Amazing X-Men comic books definitive issue-by-issue collecting guide and trade reading order for omnibus, hardcover, and trade paperback collections. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated August 2022 with titles scheduled for release through January 2023.

Astonishing X-Men launched under the unprecedented auspices of being an X-Men with the hottest possible creators that you could follow without a tangle of other comics to buy.

Though that concept would be slightly watered-down over the years, the theme of a standalone, fan-pleasing X-Men book focused on relationships as much as heroics has always been the mission statement of Astonishing X-Men, and it was echoed in 2014’s Amazing X-Men.

Note: Astonishing X-Men, Vol. 1 (1995) and Amazing X-Men, Vol. 1 (1995) were both four-issue limited series that were part of the Age of Apocalypse alternate timeline. Astonishing X-Men, Vol. 2 was a three-issue limited series that was a precursor to a major Apocalypse storyline.

When Astonishing launched in 2004, Grant Morrison’s massively popular run on New X-Men had just come to a somewhat abrupt halt, at least in part due to disputes behind the scenes. That lead to a line-wide re-alignment of X-Men titles, including cancelling Chris Claremont’s sideline title X-Treme X-Men and moving him back to the flagship Uncanny X-Men.

Marvel had unleashed something entirely new with Morrison’s run that no existing Marvel writer could replicate – not even Claremont: Morrison was an outside voice to the X-line who brought a much-needed injection of fresh ideas and a legion of new fans.

Enter Joss Whedon, creator of Buffy The Vampire Slayer, Angel, and Firefly (though they’d all see cancellation by the time Astonishing kicked off). He was geek royalty with a massive fanbase, and despite having only written a handful of Buffy comics to that point, he had grown up with the X-Men. In fact, Buffy was based on Claremont’s archetype of Kitty Pryde (and Dark Willow on Phoenix)!

Marvel contracted Whedon to pen 12 issues, paired with rising superstar artist John Cassaday (who was in-progress on Planetary and just off of a run on Captain America). Rather than hand Whedon and Cassaday an existing title as they had with Morrison, Marvel created an entirely new one for the pair.

It was a prescient move on Marvel’s part, as when Whedon and artist John Cassaday hit delays within the first year of the book, it allowed the rest of the X-Men universe to keep moving while the pair toiled over each new issue. Marvel took the unusual step of treating Astonishing as “continuity-free” – though it acknowledges events like M-Day, it is free of crossovers and was released at a different rate than other X-books. In fact, it took four years for these 25 issues to be released – effectively putting them on a bi-monthly schedule.

Whedon took over the concept of a more academically-minded team from Morrison, with a staff of Cyclops, Emma Frost, Wolverine, Beast, and substituting Shadowcat for the recently departed Jean Grey. Dozens of Xavier Institute students are featured in the background of the early issues.

With Whedon & Cassady’s run on the book over, Marvel continued the trend of using Astonishing‘s crossover-free setting to lure high-profile creators – this time landing Warren Ellis. Creator of the critically acclaimed Planetary, Ellis actually got his start on Excalibur in the mid-90s. Ellis swaps Kitty Pryde and Colossus for Storm and Armor and gives the book a speculative fiction and sci-fi theme. Afterwards the book was handed to Daniel Way and Christos Gage, Greg Pak, and finally novelist Marjorie Liu – who played up the team-as-family theme.

Amazing X-Men began as Jason Aaron’s take on an X-Men away team as his run on Wolverine & The X-Men wound down, but it wound up as a single-shot story of Nightcrawler’s resurrection when he was whisked away to helm Original Sin and then launch Star Wars. Popular X-Men Academy and X-Force writer Christpher Yost wrote the majority of the remaining issues, which maintained a more light-hearted 80s feel to both the team and the stories.

Marvel relaunched Astonishing X-Men as part of their 2017 ResurrXion era, first penned by Charles Soul – who fit the A-lister billing – and then by Matthew Rosenberg, who would transition directly to writing the flagship Uncanny X-Men in early 2019.

The great thing about this pair of titles is that any time the writer changes is a great place to start! There is never any ongoing continuity – every run by a different writer is completely self-contained.