Simon Spurrier Archives

This week The Pull List is holding steady at a still-staggering 32 comic books.

I’m not sure if I was being a moody reader or if every company shipped some bunk books this week, but the average rating for the week was 2.70 – a full third of a point lower than the past few weeks. While that means most of the books were still better than average, it’s not by a whole lot.

Artwork from Thanos #16, line art by Geoff Shaw with color art by Antonio Fabela.

Here’s what I pulled this week, with *s on adds (whether I just caught up with them or started them fresh):

DC Comics
- Action Comics #998
- Detective Comics #975
- The Flash #41
- * Mera – Queen of Atlantis #1
- Milk Wars: JLA/Doom Patrol Special
- Raven: Daughter of Darkness #2
- * Suicide Squad #36
- Teen Titans #17
- The Silencer #2
- * The Terrifics #1
- Wonder Woman #41
Image Comics
- * The Beef #1
- Days of Hate #2
- Gasolina #6
- Twisted Romance #4
- Void Trip #4
Marvel Comics
- All-New Wolverine #31
- Avengers #682
- Captain Marvel #129
- * Champions #17
- Legion #2
- * Lockjaw #1
- Moon Knight #192
- Thanos #16
- X-Men Blue #22
Smaller Publishers: Aftershock, Black Mask, Boom! Studios, Dark Horse, Titan
- Abbott #2, Boom! Studios
- * Alisik #1, Titan Books / Statix Press
- Backways #3, Aftershock Comics
- * Calexit #2, Black Mask Studios
- Hungry Ghosts #2, Dark Horse / Berger Books
- * Jim Henson’s Labyrinth: Coronation #1, Boom! Studios
- * The Wilds #1, Black Mask Studios

Picks of the Pull

Big Two (Marvel/DC) Issue of the Week:
Detective Comics (2016) #975

A great-looking, contemplative issue that brings together the members of the Bat-Family we don’t usually see in this book – Nightwing, Batgirl, Red Hood, and Damian.

Batman has pulled these trusted lieutenants together as an inner council to decide Batwoman’s fate as a member of the Bat-family, yet in some ways their conversation is also a litigation of Bruce and his methods as the head of this dysfunctional household. Meanwhile, Batwoman holds herself accountable for her own actions, with a surprising result.

This isn’t an issue that’s going to appeal to a more casual reader – it looks amazing, but it has hardly any conflict. However, for someone who has been reading from the start this pierces right to the heart of this title and the ideological divide between Batwoman and Batman that has been brewing all along.

Part of what makes it so power is that Batwoman also has an avowed “no kills” philosophy, but she is willing to make exceptions when other lives hang in the balance. Batman won’t make exceptions, so he gets to watches thousands of Gothamites die from his moral high ground.

It’s heartbreaking to think of this book writing by someone other than Tynion or with a cast other than this one. Everything about it works so incredibly well. Yet, we’re in the “disassembled” phase, and there’s certainly more conflict to come before Tynion moves on.

Best Small-Pub Issue of the Week:
The Wilds (2018) #1, Black Mask Studios

A strong and sombre new zombie comic, The Wilds is definitely a descendent of Walking Dead but with a completely different tone – due in no small part to its pair of woman creators, Vita Ayala and Emily Pearson.

We get the same old zombie-pocked landscape with isolated camps trading resources and doing their best to survive, except the zombies are walking plant life – humans who have turned into semi-sentient flower pots. It makes for strangely calming, beautiful zombies to see all of their typical goriest bits covered in blooming flowers.

Pearson’s art evokes such masters of the modern form as Allred and Noto, employing their same plain, truthful faces and uncomplicated backgrounds.

Beneath the flowery dressing, this is the familiar story of a single senior errand runner who thinks it might be time to get out of the game, and how an act of compassion on her last journey might spell the end of the safety of her heavily fortified compound. There’s no slam bang action beats in this one, but the strange stillness of it is pulling me towards reading more.

The X-Men Legacy comic books definitive issue-by-issue collecting guide and trade reading order for omnibus, hardcover, and trade paperback collections. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated October 2018 with titles scheduled for release through April 2019.

After the “Messiah Complex” storyline crossing through all of the X-Men titles, the secondary X-Men flagship title – X-Men, Vol. 2 – underwent a transformation into X-Men Legacy.

The “Legacy” adjective came with a deep appreciation of past continuity and a single-character focus – first on Professor Xavier, then for an extended period on Rogue, and in its second volume on Legion..

Initially the relaunched series was partially driven by the flashbacks of Xavier’s fractured psyche, which comprised half of each issue. In an intriguing turn of storytelling, the flashbacks – which called back to specific moments in classic X-Men issues – were illustrated by different artists than the present day sequences.

This mined a lot of deep X-Men history and reconciled it with the present day – especially useful, given Wolverine had regained his full memories and Cyclops was currently in Xavier’s place as the leader of the X-Men.

Starting with #219 the focus moved to Rogue as a primary protagonist. Fresh from enduring considerable physical and psychic strain heading into “Messiah Complex,” Rogue underwent a major transformation at the top of the run.

[Patreon-2017][/Patreon-2017]

From there, X-Men Legacy turned into a 40-issue Rogue book that cast her as a rebel, a mentor, and a leader while continuing to tie up long-hanging threads of continuity.

In 2012’s Marvel Now, the title relaunched with Professor Xavier’s son Legion as the improbable lead character. The tidy, 24-issue run spent as much time in his mind as it did on real world adventures. Both settings were soaked through with British cheekiness, courtesy of series writer Simon Spurrier.