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Happy Birthday To This

August 26, 2009 by krisis

I. The 27-Club.

Last September I turned 27.

It made me nervous.

Being a major music fan and devout lifetime subscriber to Rolling Stone, I am all too aware of the so-called “27 Club” – a musical super-group headlined by Robert Johnson, Brian Jones, Jimi, Janis, Jim, and Kurt, all of whom met their untimely ends at age 27.

My nervousness wasn’t an actual, rational fear. Just a fringe anxiety, like my utter terror at putting my hand anywhere near the blade of a food processor, even if it’s disconnected from its power source. A mere superstition. Anyway, my musical acumen certainly isn’t at risk of rivaling any of theirs, nor is my level of excess. –> Still, it hung there. The 27 hurdle. A year it would be a challenge to survive.

In the months after my birthday the challenge of surviving gave way to the challenge of getting from one day to the next. Planning a wedding and a honeymoon. Making music solo and with Arcati Crisis. Organizing benefit concerts for four separate charities, all while holding a senior position at work.–> Honestly, I was so preoccupied with life that the whole 27 Club concept didn’t reoccur to me until I was getting ready to jump out of an airplane last month. And, since that failed to kill me, I assumed I was in the clear with regard to the whole untimely end angle.

I continued thinking that until the past few days, when I began re-reading my entries from the past year in anticipation of the ninth anniversary of Crushing Krisis.

It was then I realized that it happened. I died.

If that sounds like hyperbole, it’s meant to be, but only a little bit. Truly, the past year of my life was so vastly different than any that came before that it was hardly lived by the same person.

If that sounds like hyperbole, it’s not. One of the benefits of your blog celebrating it’s ninth birthday is having the ability to make frequent, sweeping, and entirely-accurate generalizations about the state of your life.

In fact, that’s my favorite thing to do on August 26, the birthday of Crushing Krisis.

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II. Running Long.

I first floated the assumption that I was the longest running blog in Philadelphia six years ago today, and I verified it last November (with a footnote).

Having finally taken the time to vet my claim to blog-fame, I began to talk about it. At first it was clumsy to get it off my tongue, but slowly I improved from, “Oh, um, I have a blog that’s been around. For a while. Really long, actually,” to “I write the longest-running blog in Philadelphia.”

Even though I now say it with ease, it still has not stopped sounding strange. As I discovered this year, Philly is a pretty plugged-in town. Bloggers, podcasters, twitterers – the city is swimming with them. To be all three, and to be the one collectively doing it all the longest, stopped seeming like a passive achievement (like, “I lost my last baby tooth!”) and more like an active one (more like, “I pulled out my last baby tooth with my bare hands, because that little fucker was annoying me!”)

–>In truth, it took a lot of effort to get through nine seasons of Crushing Krisis. I had to learn stuff that normal people apparently don’t know how to do based on their day-to-day lives, like being able to offer pros and cons for all of the major blog CMS platforms from present back to 1999, or revising PHP arguments on the fly to get the results I want. Similarly, I know all sorts of silly details about audio production that make even my eyes cross.

I didn’t mean to get this way. Honest. It just happens when you write the longest-running blog in Philadelphia, which is also the longest-running platform for a singer-songwriter to podcast and embed his or her work.

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III. Greatest Hits, The Expanded Edition

A year ago today I wrote that I felt “as though the vast majority of my personal greatest hits record is contained in the last year of my life.”

I’m happy to report that the hits have continued – in both life and song. Significantly, I crossed off two of my biggest goals in life – seeing the Nike of Samothrace in person at the Louvre in Paris, and jumping out of a plane.

The greatest hits of my year weren’t limited to those two events. Hardly.

I planned a wedding and a honeymoon, an all-encompassing circus that stayed relatively fun right through the end, just as I predicted and insisted it would. I recapped dress shopping with my groom’s party in two parts, the first of which hilariously features my near-ejection from David’s Bridal. I recorded a song that would become so synonymous with our wedding that its lyrics wound up in the fortune cookies at my bachelor party

Then there was the actually bit where I got married. Subsequently, I reported our honeymoon adventures in words and photos.

The novelty has not worn off.

I made music both solo and as Arcati Crisis. As AC, Gina and I headlined a show and then co-hosted an open mic for over half a year, in the midst of which we recorded a Live @ Rehearsal record so definitive that it approaches being a studio album (download it free!). But, some of the most fun we had was while driving and breaking traffic laws.

Meanwhile, I realized I had an entire album of new solo repertoire waiting to be played, and I began to get out to perform it more than ever before – particularly Small & Lonely, Saving Grace, Tattooed, and sometimes Gone Baby Gone. Confidently. I even captured me on video, for once.

(Also of note, Elise now fronts her own band, putting me in the position of band-aid that she has occupied faithfully for so many years.)

I planned four benefit concerts for four separate charities – Lyndzapalooza’s Back Yard Music Fest, my own first ever live web broadcast as part of my support for Danny Brown‘s #12for12k, and a pair of impending shows for #blamedrewscancer and at work for the United Way.

Speaking of, work bled into my digital life more this year than ever before. I had the good fortune to join a project with one Ms. Britt Miller, who cajoled me into joining twitter, which in turn lead me to meet like-minded folks at Social Media Club and Tweetup events.

In turn, that resulted in my winding up a part #blamedrewscancer, for which my personal and collaborative efforts have contributed to almost $10k raised in less than 100 days!

Oh, and I jumped out of a plane. Did I mention the jumping out of a plane?

And, as usual, I did a lot more that was hard to categorize. I realized that I’ve been planning events for about two years straight. I shared personal reflections, from the election of a new president to watching my neighbor freebase cocaine at his kitchen table. I visited Erika and her fiance in Boston for a madcap adventure that wound up with us giving each other drunken facials during the Emmys. I tossed off a cover of “Dress You Up” in a single take. I wrote a social media essay on “Network Agnosticism.” I discovered that I’m living in my own teenage superhero novel. Someone even told me I’m not mean enough, which isn’t something I hear too often.

If it seems like an impossible amount of things to do in just one year, well, it is. At points it turned my life into a sort of a joke, whether that be slapstick or black comedy, as I juggled all of those responsibilities. And, amazingly, they lead me to be genuinely happy more times than not.

I flashed back on a younger me, and how I can relive his depressions through my blog (https://www.crushingkrisis.com/?p=3411 ) just like Sebastian gets sucked into the world of the Never Ending Story https://www.crushingkrisis.com/?p=3412) I began to think of my family as Asian, even before the wedding ( https://www.crushingkrisis.com/?p=3364 ).

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IV. The Year of the Phoenix.

I have a different opinion on the 27 Club now than I did on my birthday.

Twenty-seven isn’t a litmus test. It’s a proof of concept. It’s a year that that the self-realization bell curve reaches its pinnacle, where the majority of people begin to realize that the path they’ve taken can lead into a tangible future.

I can understand how that could lead you to your end, intentional or not. It leads to excess and over-extension, and to fear and doubt. You can wind up as a phoenix just as easily as you can wind up ground down to ash.

For all the successes of the past year, it contained many challenges for me too. I died a lot of deaths. In the case of my wedding, it was a rebirth as something greater. In other instances, it was just the end.

It was also the year I started shaving with an electric razor. If that’s not a major beginning I don’t know what else could qualify.

For the first time in years I am writing my anniversary post less enamored with the year that passed, and more enamored with the year to come. I seem to have finally escaped the fear that my best work is behind me instead of beyond me, farther down the vector of my life.

That is a death – finally ending my obsession with re-assessing my past in favor of a future view.

Thank you for helping that come to fruition.

Thank you Elise, for transforming my life into something real. Thank you Gina, for following this line with me, a vector connected to our destination.

Thank you Lyndzapalooza, for forcing me to innovate excel as a communicator and as a musician. Thank you Britt, Drew, and everyone else at #blamedrewscancer, for not only testing my limits, but forcing me to reconsider them altogether.

Thank you, on the other side of this screen, for reading my adventures, and for caring if and when the next installment might turn up. Thank you for watching me die 3,528 tiny deaths – once for every click of the “POST” button, and thank you for waiting for me to come back to life with every subsequent visit to this little white box.

Thank you for having the patience to watch and wait for me to finally take myself as seriously as you’ve always taken me, as a professional, a songwriter, and a blogger.

Thank you. And, happy birthday to this.

Filed Under: arcati crisis, august 26th, bloggish, charity, corporate, elise, essays, flying, identity, Philly, rollingstone, Twitter, Year 09 Tagged With: blamedrewscancer, erika, gina, Madonna, neighbors

Man In the Mirror

July 25, 2009 by krisis

Now a month after he passed, the MJ hoopla continues.

Rolling Stone finally got around to shipping an issue with him on the cover, with a solid accompanying article tracking his whereabouts over the last two years. Still has its lurid bits – prosthetic nose and Latoya trolling through Neverland looking for bags of cash – but it’s more of a portrait than most of the continuing coverage.

The thing that gets me about all the coverage is that people still don’t seem to know all that much about Michael Jackson as a musician. Like anything else, it’s just an echo chamber of the same small handful of facts on spin cycle.

For example, “Man in the Mirror” – a fantastically constructed song that has leapfrogged all of his freaky-video hits to become his official theme and lament. So very Michael, right? Definitive?

It may have been definitive, but it was one of the few big hits of MJ’s solo career that he didn’t have a songwriting credit on. It was penned by Siedah Garrett – an 80s pop artist, songwriter, and killer backing vocalist (frequently with Madonna), and arranged with Glen Ballard, best know as the co-writer and producer of Jagged Little Pill (as well as the debut of Wilson Phillips).

Rolling Stone‘s fantastic Smoking Section just interviewed Ballard about how “Mirror” got onto Bad at the last second.

Siedah and I wrote it for him directly. It was near the end of the recording for Bad — it was the last weekend before they wrapped up Bad — and think I had written something for the album but it didn’t get accepted. Quincy [Jones, Bad‘s producer] called me and said, “Don’t you have anything else for us?” He thought we were idiots not to try again, and Siedah had an idea, and we got together on a Saturday night, met at my house in Encino, and we just wrote it on the spot. It was really simple, we just wrote it on a Fender Rhodes, and did a quick demo with Siedah singing. It felt really good, but you never know. And we didn’t have time to dress it up, so I didn’t feel like it had a chance.

As for Siedah, at a recent service she briefly eulogized Jackson and then delivered an unbelievable solo turn on the song, backed by the tremendous Agape International Choir.

I started working on my cover of “Man in the Mirror” sometime last fall, and it only started coming together a week or two before Michael died. I love playing it, but I might need to wait a few months before doing it at open mics feels something other than opportunistic.

I’m sorry that Michael Jackson coverage has reached a point of backlash. Honestly, I would listen to him all day and cry two months ago, so I don’t see why I can’t keep doing it now.

Filed Under: current events, music, rollingstone

This Ain’t a Scene, It’s My Goddamned Home Town

October 6, 2007 by krisis

I could seriously maintain a blog just about Rolling Stone‘s declining credibility.

Despite occasional highlights, I usually have a hard time deciding on my least favorite element of each issue. Is the the bland new layout that completely eschews RS‘s quirky sense of design? Is it the complete lack of attention to cutting edge music or film, often in favor of a retrospective cover article that displaces a much better piece of writing? Is it the seemingly random array of irrelevant cover stars and the unimaginative photographs that document them?

Usually I go with “All of the Above,” but this issue was extra-special – RS’s annual Hot List (usually a summer issue, but I guess Guns & Roses was a more relevant cover topic at the time).

In general the Hot List was filled with boring stuff that I heard about three months ago, but one article especially made me laugh: Hot Scene – Philadelphia. (1MB JPG / 2MB PDF)

Riiiiight.

First of all, we’re certainly not the hottest scene in the country; I’d wager to say we’re not even in the top five. I could have maybe bought this designation if they focused on how World Cafe Live seems to have reinvigorated the city’s local concert scene over the past few years, but they seem to have chosen us based on the logic that our low rent allows musicians to craft their sound without having to hold down a day job.

Um, what? Maybe RS was mostly hanging out in the Great Northeast (thus the highlight of Johnny Brenda’s), but otherwise their low-rent thesis is pretty much an outright lie.

Also, though they ever-so-briefly mention AKA – a legitimate hot-pick – they prominently feature aphoto of The Last Drop coffee shop, which was already old and lame ten years ago when Gina stopped playing open mics there due to all of the creepy men that would flirt with her if she did a Neil Young cover.

Aside from the dozens of other shops they could have highlighted in Philadelphia proper, the obvious choice would seem to be Milkboy Coffee in Ardmore, which is as unavoidable at The Point was a few years ago, but with even more music.

In the 90s The Last Drop was full to the brim with pseudo-artistic posers and the trash (and high school students) who were desperately in love with them. As actual music fans we didn’t usually fit in.

Maybe that’s just the point; ten years later and that’s Rolling Stone’s target audience to a tee, isn’t it? I mean, we’re talking about a magazine with Kid Rock on its cover.

Filed Under: critique, Philly, rollingstone

Drastic Fantastic

September 8, 2007 by krisis

Rob Sheffield’s review of KT Tunstall’s upcoming Drastic Fantastic is one of the best record reviews I’ve read in a magazine in a long time.

Not only does it tell a story totally separate from its review, but it gives you an exact sense of what you’ll be hearing on the album.

Sheffield released a memoir earlier this year, partially detailing his life with his late wife.

Filed Under: rollingstone

Under the Chalk

August 28, 2007 by krisis

I am so very behind the times when I need Rolling Stone to tell me that a tune from PJ Harvey’s forthcoming piano-based record Under The Chalk has leaked onto the internet a month ago.

What the hell?

Luckily, the internet forgives and provides. Check out a rather transfixing YouTube performance of “When Under Ether” and/or stream the leaked track below, and then head to Philly-based mp3 blog Some Velvet Blog to check out the cover and tracklist of Chalk.

I really like it. I’m looking forward to the huge, inevitable number of Tori comparisons PJ’s record draws, as if she is suddenly professing to be a pianist; the entire point of her is that every album is completely different.

(Also discovered in my mad PJ hunt – The Yellow Stereo. Very good music writing, and taste.)

Filed Under: linkylove, mp3blog, Philly, rollingstone Tagged With: PJ Harvey, Tori Amos

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