Marvel Comics

Does the past matter after a reboot?

July 10, 2012 by krisis

To be fair, I don’t know if any of us really wanted to see a fourth film of Maguire’s puffy prematurely-balding version of Peter Parker.

We are living in the age of the reboot.

Last week, Amazing Spider-Man relaunched the webhead’s cinematic universe while the body of the old Tobey Maguire series was still warm. There’s a new Dallas series on TV. Sherlock Holmes revisionist history movies are being released alongside a present-day version of the detective on BBC TV.

So do those older, original versions matter?

Alternate Future History

Think about your favorite TV show or series of books. It’s a serialized, ongoing story that builds with every installment and references its past. You love it. You watch every episode and buy every volume. You are a super-fan.

What if there was some prior series with the same characters and concepts, but it was not a part of the current story you love? Would you buy it? This is increasingly common in our age of reboots. If you loved the new JJ Abrams Star Trek movie – which departs from the traditional Trek timeline post-Enterprise – are the other TV series and films automatically a must-watch? What about past Spider-Man movies, original Dallas, Sherlock Holmes books, Charlie’s Angels, G.I. Joe, Inspector Gadget, or Battlestar Galactica?

To me, Garfield is the perfect embodiment of Peter Parker – thin, gangly, awkward, and genuine.

Probably not. All those past series are just an alternate reality to the present ones. You don’t need to watch both.

Case Study: DC’s Crisis of Collected Editions

DC Comics is one year into their successful line-wide New 52 reboot. Now they’re faced with a major crisis: they have a huge back catalog of trade paperbacks and hardcovers that might not matter.

DC’s rich history of iconic characters stretches back to 1938. Superman, Batman, Wonder Woman – these heroes emerged as pure archetypes and over many decades evolved into the rounder, more dynamic characters they are today. There are many hundreds of older issues of their exploits available to reprint and press into the hands of eager young fans of today.

Action Comics #1, 1938

Except, today’s characters are not the same people – and I don’t just mean their personalities. DC’s Crisis On Infinite Earths rebooted everyone back in 1984, making post-1984 books the equivalent of new-Trek. Some of the characters beneath the masks of Flash and Green Lantern weren’t even the same as before! Then, after many years of tweaking, DC rebooted again last fall – creating a new-new-Trek.

What wasn’t immediately evident from those #1 issues was that some characters survived more intact than others. Batman’s corner of the DC Universe? Seemingly mostly the same, even if Bruce is younger than before. Superman? Origin retold from scratch, parents now dead, never in a relationship with Lois. Wonder Woman? Major changes in the Amazonian status quo, right down to her parentage.

Which brings me to my titular question: do DC Comics Collections matter? Yes, there are the Watchmen and the Killing Joke, the indisputable evergreen classics of the comics medium that will move units regardless of if their stories still count for anything.

But what about DC Archives, their premium hardcover reprints of Golden and Silver Age comics? What about Wonder Woman #205? Action Comics #527? The 70s Green Arrow / Green Lantern series?

Action Comics #1, 2011

None of it counts in continuity, so does it matter anymore? These classic stories have little to nothing to do with the current state of my favorite heroine. They aren’t all prohibitive classics. So, is there any point in reprinting them?

(Marvel doesn’t have this problem. Aside from some isolated soft reboots of certain characters, everything still counts, all the way back to the 40s. Every issue of X-Men is acknowledged and in continuity.)

Does the alternate past matter? You decide.

I want to know what you think. Do older stories still have a place post-reboot? If you loved JJ Abrams’s Star Trek did you immediately jump back to rewatch the original series?

And, on our case study: Should DC even bother to reprint non-seminal stories of characters other than Batman if they don’t matter in current continuity?

What do you think?

Marvel says “NO” to reboot, launches new Marvel NOW! titles this fall – UPDATED

July 3, 2012 by krisis

News of Marvel’s post-Avengers vs. X-Men plans has leaked, and it’s everything a fan could hope for – major creator changes, new titles, and an intact sense of Marvel’s over seven decades of superhero continuity!

A sneak peak at the future of Marvel from the pen of Chief Creative Officer Joe Quesada.

How are they doing it? With Marvel NOW! – a relaunch of one new title a week for five months – 22 new books to stand along some long-running favorites. The official news breaks later today on EW.com, but it hit the web last night.

Avengers, written twice monthly by Jonathan Hickman
Uncanny Avengers, written by by Rick Remender with art by John Cassady!
X-Men, written by Brian M. Bendis

There are other rumored changeovers not covered by EW – namely, Bendis on Guardians of the Galaxy, Frank Cho on Wolverine, Ed McGuinness on Nova, Matt Fraction on Fantastic Four, plus Uncanny X-Men writer Kieron Gillen talking the helm of Iron Man. Plus, already-announced changes like James Asmus on Gambit, and Kelly Sue DeConnick on Captain Marvel starring Carol Danvers.

That’s just 10 of a rumored 22 titles!

What does that mean for readers? Let’s take a look.

Avengers by Jonathan Hickman

Marvel currently runs five Avengers titles separated by blurry lines, and it sounds like some of them will end this fall to make way for this twice-monthly monster.

Hickman is the Marvel architect that reinvented Fantastic Four as a smash hit with a story that spanned 50+ issues and more than quintupled the core cast, but still resolved into several brief, funny arcs. He’s also the author and designer of some mind-bending creator-owned work like Nightly News and Pax Romana.

Now he’s unleashed on one of Marvel’s two big teams, with reportedly 18 characters in a mix of standalone adventures and cosmic smashes. Plus, his one potential weakness – a slowly unfolding meta-story – will be aided by an accelerated ship schedule – already a success on The Amazing Spider-Man.

This is the Avengers everybody wants to be reading after the movie, and it marks an even bigger cast and more prominent role for Hickman, who has yet to misfire. It’s going to be awesome.

Uncanny Avengers by Rick Remender

Remender’s Uncanny X-Force has been a hit since day one, especially because it focuses equally on its cast instead of only featuring Wolverine.

Holy total status quo change, Batman! While The Avengers have had their share of mutant members, Wolverine is the only full-time X-Man to stay with the team for any length.

Now Remender is getting all sorts of X into the Avengers, bringing them X-Men’s traditional adjective along with a team that reportedly boasts Wolverine, fan-favorite Rogue, and First Class star Havok alongside Captain America and Thor.

No one is better for this job than Remender. After bubbling under on a solid run on Punisher he exploded on Uncanny X-Force, a stunningly grim and hilarious take on Wolverine’s secret execution squad. It sent readers into endless fangasms when its first year concluded with the epic Dark Angel Saga. Now Remender in the saddle of what will unarguably be Marvel’s flagship title, with all of the star power of the Marvel Universe at its disposal.

In late-breaking news, art star John Cassaday of Planetary and Astonishing X-Men will be joining Remender, at least for the first arc.

Says Remender: “In 1943, Arnim Zola, who was this bio-fanatic engineer, recorded the Red Skull’s consciousness, and set it to wake up 70 years later. So the Red Skull [in Uncanny] is right out of 1943-44. Prime Nazi scumbag. In his mind, he’s taking that vitriol and hate and Nazi horror and methodology, and pointing it at the mutant species.”

For everyone who argued if the Avengers or the X-Men was Marvel’s Justice League, here’s the answer: it’s both. This is about as huge as a single Marvel comic can be, both in characters and creators.

All New X-Men by Brian Bendis

Fans both love and loathe Avengers impresario Bendis, who has steered the line for nearly a decade. He’s introduced a consistency and gravitas to the once meandering Avengers, bringing them to prominence and expanding a single book to a line of five. He also has steered Marvel’s snappy Ultimate Spider-Man title since day one. But he’s a slow, decompressed storyteller who relies on a lot of talking heads and domestic scenes, and he uproots long-running plot threads for his own plans.

The community buzzed with heartbreaking rumors that he would be wresting control of the entire X-line from beloved authors like Remender, Gillen, and Aaron, but this move is a total left-turn from there! Bendis gets a single X-book, with a time-displaced team of the original five X-Men made popular in every form of media – Cyclops, Iceman, Beast, Angel, and Jean Grey!

This is the best possible weapon for Bendis – fan favorite characters in a new context that’s not a side-universe. It lets him tell stories fans love without the interference they loathe.

Marvel is shaking up its existing architects, with four of them shuffling titles and Rick Remender seemingly replacing Ed Brubaker.

With Avengers vs. X-Men involving the reality-bending Phoenix Force fans have feared the worst for the post-event landscape; fans would riot if Marvel conducted a DC New 52 style full-line reboot. However, if this is the tone the soft relaunch of Marvel will be taking, it looks like readers will have plenty to celebrate.

Marvel’s development over the past few years has been steered by five major authors – Marvel Architects. Brian Michael Bendis on the entire Avengers line; Matt Fraction on Iron Man, Uncanny X-Men, Thor, and The Defenders; Jonathan Hickman’s ground-breaking run on Fantastic Four and cult Secret Warriors; Jason Aaron on Wolverine and his integration into X-Men, and Ed Brubaker on all things Captain America.

It looks like Brubaker is stepping down from his Architecture role, and Remender is stepping up! Meanwhile, a new class of fan favorites like Kieron Gillen, Ed McGuinness, Christoph Gage, and James Asmus has been racking up excellent runs and major sales. If Remender’s move to Uncanny Avengers is any indication it looks like this under-bill of writers is about to step into the spotlight.

Top 12 X-Men Collections of 2011 – New Material

January 10, 2012 by krisis

Uncanny X-Men issue #534.1, from Uncanny X-Men: Breaking Point

Today I bring you a list of the best collections of new X-Men material released in 2011, which collect stories originally published over the last 18 months of comics.

Occasionally I wonder if comic collecting as an adult is merely a shameless attempt at recapturing our youth now that we have the budget to appreciate it properly – especially as I and many other fans (let’s be honest) fetishize premiere format reprints of the comics we coveted as a kids. (Last week’s post covered the best of those from 2011.)

Is there anything to this hobby other than rewarding our inner teenage geeks?

If there’s an answer to be found in X-Men comics, it must be on this list. These are the twelve new X-Men stories that captured my imagination like those old issues I still obsess over, and I categorize “the wonder of feeling like a kid again” separately from “trying to recapture youthful feelings with a dose of well-preserved nostalgia.” [Read more…] about Top 12 X-Men Collections of 2011 – New Material

Top 12 X-Men Collections of 2011 – Reprinted Material

January 3, 2012 by krisis

Welcome to 2012 – I am still a comic book geek.

Specifically, the X-Men.

Yep. That’s a lot of comic books.

Specifically, I own something like 95% of every X-Men comic book ever reprinted.

On New Years’ Eve I said to myself, “You dashingly handsome scoundrel, how can you use your obsession to aid people who like the X-Men a normal, healthy amount – unlike you?”

The answer? I will count down for you the top twelve collected editions reprinting X-Men comics originally released before 2010. There’s a vast world of thousands of X-Men comics that have been released since 1963, and not all of them are readily available to buy in book format. These reprints mean that hard-to-get, or never-before-reprinted issues can be bought in handy collections with better reproduction of the line art than original issues.

(As for new X-Men material from 2011, that will require a whole new post to cover!) [Read more…] about Top 12 X-Men Collections of 2011 – Reprinted Material

X-Men Hardcover & Trade Paperback Review, Late September Edition

November 8, 2011 by krisis

Back after a while in mothballs, it’s my X-collections recap!

Marvel hardly lets a single comic book issue go uncollected in book form, which means every week brings new hardcovers and trade paperbacks packed with their most major heroes – including The X-Men.

Read on for capsule reviews of the X-books out in the second half of September, which were unusually focused on past stories. Plus, get the skinny on all of Marvel’s other new collected editions from the latter half of the month.

If you’re looking for more X-info, head over to my Definitive Guide to Collecting X-Men Graphic Novels. Or, for a more basic approach, my Intro to X-Men (on a budget). New to the X-Men? Try my Where to Start Reading X-Men to pick a place to jump in.

X-Men Collection of the (latter half of the) Month:
New Mutants: Fall of the New Mutants TPB

CK Says: Buy it! When I first picked up the hardcover version of this collection earlier this year it was out of habit, but I quickly discovered the book was impossible to put down. Writer Zeb Wells capitalizes on a dangling plot thread from 80s blockbuster Inferno anda year of slow-boil character development to deliver a complex saga worthy of the X-Men’s rich dramatic history.

It’s hard to imagine a story more harrowing or epic than what the team had just endured in Second Coming, but Well’s pulls it off with art from Leonard Kirk, an efficient, unflashy penciler I’ve grown to love. I don’t want to spoil the story – if you enjoy this team of characters you’ll love it, particularly developments for Cannonball, Moonstar, Karma, and Magik.