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From The Beginning: WildStorm Universe – Stormwatch #6-8

November 7, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Are you ready to get political?

This trio of issues of Stormwatch play up the geopolitical aspects of the team in a big way while also serving satisfying action and backstory and fantastic arc. Despite some 90s tropes along the way, the title has hit its stride as a high-quality comic.

stormwatch_v1_006 The opening two-issue arc of this run is firing on all cylinders. Issue #6 is the heftiest WildStorm comic I’ve read so far. It has political intrigue, finally gives the team around Battalion some depth, and continues Stormwatch’s genius streak of nodding to its implied deep well of personnel and their accompanying stories.

Then, #7 is a well-paced battle that limits the amount of reversals and people back from seeming KOs. Thanks to the lack of see-sawing, it has a legitimate “hooray!” moment at the climax, especially when the dispassionate Weatherman joins in piling on the enemies.

Brandon Choi wisely leans heavily on the caption boxes in issue six, helping us get reacquainted with the team – who we haven’t seen together outside of the special since the opening of the first issue.

This is at once a strength and weakness of Stormwatch. It has a large enough cast with multiple teams, historical personnel, supporting staff, and enemy mercs that sometimes I can go issues without ever being entirely sure of someone’s name or power.

That’s emphasized by the fact that we’ve stayed almost entirely with Battalion (and, briefly, Backlash) as our POV characters so far. At this point we know enough about Diva, Fuji, and Winter, but past that trio things get hazier – especially as Choi seems intent for us to pick up on their countries of origin from a few spare foreign words, which is a bit less than we had to go on in Giant Size X-Men.

Issue #8 adds a few surprising names to the credits – H. K. Proger co-scripts, and Jim Lee contributes layouts along with Scott Clark for Trevor Scott to finish. It’s also surprises on just about every page, which makes for an engrossing single issue.

Amidst a lot of great material, two things stick out in a big way:

One is Ripclaw and Rainmaker as indigenous characters without a lot of stereotyping attached. Sure, we get the opening monolog about the Apache Warrior, but otherwise they’re two heroes who the story happens to focus on in a clear callback to the first issue. It’s not “A Very Special Indigenous Episode of Stormwatch.” It also gets the politics right, by identifying the US forces as rogue agents on sovereign land (an interesting contrast with Stormwatch’s role in the prior issue).

Two, is that we get a great, brief training session with Battalion and Backlash that actually deepens their characters and advances the plot! It leads to another strong conversation with Backlash. Sure, it’s just setting up Backlash’s spinoff series, but why can’t Choi manage that on WildCATs!

Want the play-by-play? Keep reading for a summary of these two teams going head to head. Here’s the schedule for the rest of this month’s WildStorm re-read. Though both Kindred and Gen13 are referenced in today’s read, we’ve got some more WildCATs ground to cover first, starting with #8-9 tomorrow. Enjoy the light reading day!

Need the issues? You guessed it – never before collected! You’ll need to purchase single issues – try eBay (#6-8) or Amazon (#6, 7, 8). Since further Stormwatch series hit these same issue numbers, be sure to match your purchase to the images in this post.

Review: The Tithe, Volumes 1 and 2, by Hawkins, Ekedal, & Sevy

June 7, 2016 by krisis

Sometimes tragedy imitates fiction, and sometimes fiction predicts tragedy. Or, maybe they are both tapped into the same wellspring of inspiration within the collective unconscious.

It’s silly, but the first example I always think about is the third season of Buffy the Vampire Slayer. The school shooting at Columbine occurred with five episodes left in the season, and by pure coincidence a pair of them featured plot points that echoed elements of that tragedy. The WB decided not to show either of them during the season, instead, airing them months later and out of order.

Buffy was a show that made the horrors of high school literal, so it’s little wonder that any tragedy at a high school would find its mirror in some of its episodes. However, in Earshot, Buffy is the monster of the week (she’s infected with a psychic bug and can hear everyone’s thoughts) while the intended school massacre was planned by a plain old human. It was set to air a week after Columbine.

Similarly, on the premiere of X-Files spinoff The Lone Gunman, the trio find themselves investigating a conspiracy to fly a plane into the World Trade Center. That episode aired on March 4, 2001.

Over 15 years later, a supernatural high school drama probably wouldn’t focus on a school threatened with gun violence and a show about fringe conspiracy theories might not focus on planes flying into buildings. That’s because those tragedies have been rendered too true. They’ve entered the realm of police procedurals, that attempt to rip plots from the headlines – not ones that try to imagine events if which we couldn’t conceive.

Once tragedy and fiction intersect, fiction is never quite the same. It’s the tragedy that keeps on happening.

The Tithe, Volume 1 & Volume 2

The Tithe, Volume 1 collects issues #1-4 written by Matt Hawkins with line art by Rahsan Ekedal and color art by Bill Farmer and Mike Spicer.

The Tithe, Volume 2 collects issues #5-8 written by Matt Hawkins with layouts by Rahsan Ekedal, line art by Philip Sevy, and color art by Jeremy Colwell.

#140char review: Difference between Tithe Vol 1-2 is like an x-over from X-Files to CSI: DC. Would you still watch the 1st? Probably.

CK Says: Skip it.

The easiest way I can think to explain the differences between the two volumes of Tithe is this: Volume 1 is like an X-Files inspired cult drama everyone is talking about, and Volume 2 is like a major network police procedural your parents like to watch.

Volume 1 was a blind pick-up for me, and I’ll freely admit it was largely influenced by the title and the captivating stained glass motif on its cover. When I began reading it, I gave a little inward groan when I realized it was about FBI agents and also takedown of organized religion.

I have an internal barometer that triggers when anything is supposed to be “just like real life” or made “to really make you think/feel,” and I was afraid Tithe was taking me to both places.

It did not. It was a clever little puzzle of motivation and technology, unwinding who might be stealing donations from mega-churches and pinning the blame on big time drug dealers and if it would be such a bad thing to let them keep on doing it. The primary FBI agent, Dwayne Campbell, felt like someone real with a deeper story yet to be revealed. Despite a couple of groaner moments, it was brisk and entertaining – I finished in one sitting. [Read more…] about Review: The Tithe, Volumes 1 and 2, by Hawkins, Ekedal, & Sevy

Review: Wolf, Vol. 1 – Blood and magic, by Kot, Taylor, Loughridge, Cowles, & Muller

June 1, 2016 by krisis

I’m an increasing supporter of the idea of True Fans as Subscribed Patrons, a mass of individuals who band together to sponsor the work of an artist they trust rather than simply buying it after the fact.

That’s not only because of services like Kickstarter and Patreon taking root, but because it reflects how I actually consume art. Once I’ve decided your work speaks to me, I want it all. Don’t make me keep an eye on release calendars. Don’t let a middleman get a share of my dollar. Take my money whenever you’re feeling the artistic feels and I’ll gladly accept what you deliver as often as you’d like to deliver it.

The beauty (and, let it be said, gratification) of that concept has a single point of failure: editing. Artists who are free to deliver directly to their benefactors run the risk of no longer performing the “Will it float on its own?” evaluation of their artwork. That could lead to unbidden creativity, it could result in fan-pandering, or we could wind up with some half-baked dreck.

Which brings me to author Ales Kot. This is a guy whose brain I’d love to be permanently jacked into based on what I’ve read from him so far. Even if there have been a few duds along the way, the hits are very big hits with me. I’ve exchanged niceties with him on Twitter here and there and a huge part of me simply wants to say, “Look, would you like my $100-a-year up front, because I’m doubtlessly going to buy every damn thing you do.”

He’s doing the utter opposite of that – publishing his creator-owned work through Image, where there is little in the way of advances or guaranteed sales. Every issue he releases is in pure sink or swim mode; every new project must find its own fans until he has an army of auto-buyers like me.

Right now he’s swinging for the fences on every release. I get the impression he wouldn’t have it any other way.

Wolf, Vol. 1 – Blood and magic.

Collects Wolf #1-4. Written by Ales Kot with art by Matt Taylor, color art by Lee Loughridge, lettering by Clayton Cowles, and design by Tom Muller.

#140char review: Wolf, v1: pure comics magic. @ales_kot knows the perfect amount of things not to say on the page. I re-read it one second after finishing.

CK Says: Buy it!

Wolf is a powerful work of low fantasy, casting supernatural elements like vampires, ghostly winds, and a tentacle-faced man alongside the stars on Mulholland Drive and the streetwalkers on La Brea Boulevard in Los Angeles. Kot and his collaborators have conjured a bit of true magic with this ouroboros of a tale that forced me to pick it up for a re-read just seconds after I finished.

The book opens with a gut-punch image of a man on fire. Not a superhero or an immolator, but a burning man on a stroll rendered all in reds and oranges. This is Antoine Wolfe, an immortal weary of life who’d prefer not to be set on fire as much as he’d like to stay out of both spooky plots and police investigations – and, especially anything that synchronizes all of those things together.

This is not his story and we’re left in relative darkness about his history and the exact nature of his powers. All we know is that he’s the kind of death-proof, magical guy you hire to look into things that require looking into in a Los Angeles that borders directly on Hell. (Kot is vague on whether that’s figurative, literal, or both.) He’s also a magnet for supernatural trouble, whether that’s his half-Lovecraftian buddy who is late on rent or a strangely-calm teenager in the midst of a murder investigation with an X-Files sort of twist. [Read more…] about Review: Wolf, Vol. 1 – Blood and magic, by Kot, Taylor, Loughridge, Cowles, & Muller

Review: Birthright, Vol. 1 – Homecoming, by Williamson & Bressan

September 13, 2015 by krisis

Image Comics knows what’s up with finding readers outside of the Direct Market. Valiant, too. Really, everyone except DC and Marvel.

These companies realize that buying the first collection an untested property from an author you may or may not know is a risky proposition, and generally not something you’ll plunk a $20 down for. That’s why nearly every Image first volume trade paperback is a handy $9.99 – which puts it in the five to eight dollar range when you buy it online.

That’s the story of how I wound up with a copy of Birthright, Vol. 1 – a $6 gamble on a book with a beautiful cover that evokes Sword In The Stone with hints of more dire elements along the edges. I was completely unfamiliar with creator Joshua Williamson by virtue of him solely writing for DC after his first pair of creator-owned works, both short-form. That’s changed in the past two years, with Williamson writing a trio of ongoings for Image – Ghosted, Nailbiter, and Birthday (plus Robocop for BOOM!).

When I wrote up Nailbiter in last week’s new comic roundup and decided to grab the first volume (again: $6), I realized I had another Williamson book in my in box (an actual longbox) waiting to be read!

How was it?

Birthright, Vol. 1 – Homecoming

Written by Joshua Williamson with art by Andrei Bressan and color by Adriano Lucas

#140char review: Birthright is Goonies crossed w/Sword In the Stone plus something sinister, like Harry as an agent of Voldemort. Bressan’s art = perfection.

CK Says: Buy it!

Birthright is a batter of different genre tropes that baked up into something a lot tastier than its individual ingredients.

Birthright is primarily a Chosen One narrative in the Joseph Campbell model, like Star Wars and Harry Potter before it. Where it deviates is that we’re getting the story after the fact, and we see that part of the reason all of those stories end so pat is that the orphan hero tends to make some choices that haunt him after his victory. That’s the case here with young Mikey, who disappeared into the woods on an early birthday without a trace during a game of catch with his dad.

Here’s where creators Joshua Williamson and Andrei Bressen do something a little weird. They spend their start-up issues focusing on the human trauma behind a child who disappears, writing a family drama and a police procedural for a few pages before the fantastic main plot gets underway. It’s a risk. It gets a little too simple at points (random cop dude insists, “He is a security risk.” To what, exactly?). There’s a repeated rubber-band snap as we get yanked out of the fantasy-themed pages we crave and back into a dingy interrogation room. Yet, that tension and genre-hopping is what marks Birthright as not the hero story we’ve come to expect. It’s what makes this book a page-turner even before the biggest twist is unfurled.

The remainder of that success comes from artist Bressen and a remarkable set of colors from Adriano Lucas. Many indie comics are well-executed but don’t achieve the right color palette or gradient shading, but here Lucas breathes three-dimensional life into Bressen’s characters. They nearly leap off the page when they are in motion.

It’s difficult to say more without completely spoiling the super-punch surprises of the plot here. It turns out that the fantasy world has an ongoing relationship with Earth, as represented by several unusual visitors who have crossed over. They are working at cross purposes to each other, and it’s hard to know who to trust – especially if you are a family that has been shattered by grief for the past year. Would you believe anyone who told you what you wanted to hear and offered you a means of putting your life back together? Or, would you be skeptical of everything offered to you after such a tragic loss? How Mikey’s family answers these questions divides them down the middle.

Ultimately, the heroic tale and the familial drama are one and the same, and to enjoy them both you might need to forgive the police procedural portion of its weaker spots. What shines through each element is that the whole Chosen One business is unfair. It picks on kids who don’t know who they are or want to be and it tears families apart by necessity. Every one of the four family members has been damaged in the process, and with so much book ahead of us it’s unknowable whether they can help each other heal or if the wounds will just fester.

The dual-worlds narrative plus a last page reveal might leave you a little cynical that this is very much a post-Saga derivative. I’m optimistic. I believe in Williamson’s easy scripting and the consistently gorgeous visuals from Bressan and Lucas enough that I’m signing on for a full-priced second volume. Birthright has the potential to be a lasting epic if it can keep up the momentum of this first five-issue sprint.

Newly Released Graphic Novels & Collected Comics – Sept. 8, 2015 Edition

September 8, 2015 by krisis

Saga-Vol05 Happy unofficial end to summer that is really just an end to wearing white pants, because really no one wanted to see you in white pants.

Okay, you probably either already know about that or don’t care, so I’ll stick to the topic. This post covers all of the collected comics and graphic novels out this week. It is more than just a list because I’ve researched each book to give you the context. It’s a guide to what each collection is about and what you might want to pick up to get there.

This is an odd week for comic collections – one obvious blockbuster, a few interesting entries, and a lot of things I’m not so familiar with. I suppose it’s not the best idea to ship a big bounty right after a holiday and with schools and colleges back in session? As a reminder, Amazon is sometimes 1-2wks behind the direct market on these releases.

Let’s go!

Crush of the Week: Saga, Vol. 5 – Collecting #25-30.

If you’ve never read Saga before, it’s an unusual series that can’t be entirely summed up. It’s worth it to try the first bargain-priced trade, which introduces this ragtag group of regular people, bounty hunters, and robotic royalty. Plus a truth-diving cat.

Truth be told, I found the last trade of Saga to be a bit flat – high on acrimonious domesticity and everyone was awful to each other. Space-faring was grounded and terrible choices took center stage, as did Alana as she starred in a popular interplanetary soap opera. Yes, really. I know that’s the story Vaughan is telling, but I don’t like stories with no one to root for. While that still might be the case in this trade, now everyone is coming together (Gwendolyn! Lying Cat! Prince Robot!) and I think we’ll get a hint of the broader plot in store for us. In Vaughan’s other landmark series we’d be at about the halfway point, but he’s said he intends for this to run longer than Y The Last Man and Ex Machina (both highly-recommended!), so who knows where we might wind up from here?

Interesting Unknown: Steven Universe, Vol. 1 TP – Collecting #1-4.

I’ve heard nothing but effusive praise from my adult friends on this cartoon about adventures, identity, and consent. After turning their My Little Pony license into a machine and watching BOOM! have a breakout hit with Adventure Time, I think IDW knows how to make this a success. The interesting thing is that I get the feeling is still slightly under the radar – it’s not an Adventure Time sized hit already, nor does it have as much content and fandom amassed as when that comic began.

Now let’s take a look at what Marvel, Dark Horse, DC, IDW, Image, Valiant, and other publishes have in store for us this week! [Read more…] about Newly Released Graphic Novels & Collected Comics – Sept. 8, 2015 Edition