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Joshua Williamson

The Pull List: Avengers, Death of Love, Detective Comics, The Flash, Paradiso, Sideways, & more!

February 16, 2018 by krisis

I’ve managed to one-up last week’s edition of The Pull List! This week, the list is a whopping 27 issues deep – one more than last week. However, its also a tick worse, with an aggregate rating of 3.055 compared to 3.17.

What did I pull this week? I caught up with Birds of Prey, Flash, and Titans to add to my DC pull list, sampled four new number ones, and dropped a pair of weak books. Here’s what I reviewed in brief:

  • DC Comics
    • Batgirl and The Birds of Prey (2016) #19
    • Detective Comics (2016) #974
    • The Flash (2016) #40
    • Sideways (2017) #1
    • Titans (2016) #20
    • Wonder Woman (2016) #40
  • Image Comics
    • Dark Fang (2017) #4
    • Death of Love (2018) #1
    • Paradiso (2017) #3
    • Port of Earth (2017) #4
    • Sleepless (2018) #3
    • Slots (2017) #5
    • Twisted Romance (2018) #2
  • Marvel Comics
    • Avengers (2017) #680
    • Cable (2017) #154
    • Captain America (2017) #698
    • Marvel Two-in-One (2018) #3
    • Old Man Logan (2016) #35
    • Weapon X (2017) #14
    • X-Men: Blue (2017) #21
  • Smaller Publishers: Aftershock, Boom! Studios, Dark Horse, Dynamite, & Zenescope
    • Babyteeth (2017) #8, Aftershock Comics
    • Barbarella (2017) #3, Dynamite Entertainment
    • Black Sable (2017) #4, Zenescope Entertainment
    • Cold War (2018) #1, Aftershock Comics
    • Giants (2018) #3, Dark Horse
    • Judas (2017) #3, Boom! Studios
    • Xena (2018) #1, Dynamite Entertainment

Pick of the Pull

Big Two (Marvel/DC) Issue of the Week: The Flash (2016) #40, DC Comics

I have never before been so viscerally scared of Grodd. He is utterly terrifying here, and I was really concerned that we could be seeing the end of Flash at multiple points – and, in a way, we did.

Joshua Williamson is proving that he is one of the best writers in the business with this constantly thrumming plot that has been building non-stop rising action for 40 straight issues. While you could easily jump right one with every arc, each of them builds off of everything that came before. That means this run has notched itself as the third or fourth best extended Flash run of all time in under two years, and it shows no immediate signs of stopping.

Carmine Di Giandomenico continues to stun on artwork with vivid coloring from
Ivan Plascencia. This issue includes some of the most inventive action paneling I can think of reading in recent memory. The paneling of Avery catching the lighting rod is breathtaking.

An A+ book through and through, with a thrilling final moment.

Best Small-Pub Issue of the Week: Giants (2018) #3, Dark Horse Comics

There’s no denying the craft, power, and charm of Giants. For a third issue in a row The Valderrama Brothers. turn in a beautiful, action-packed comic full of heart.

We begin our story with Zedo, the boy left for dead who is now making a cavalier power-play to control the gangs of the underworld. Only a child could see things as so black and white, yet both in the last issue and here he is making vicious choices that he can’t take back.

In stark contrast, Gogi has found a group of other children who are necessarily tough but still enduringly kind. Their acceptance and willingness to give without asking anything in return is alien to Gogi. At first he resists it, then he resents it, but finally he understand that’s it’s easier to live openly then be on guard and full of distrust.

Gogi’s journey from underground child to hero in the wider wider stands in stark contrast to Zedo’s dark turn at the end of this issue. Neither boy can entirely blame fate, nor can he say that the choices were all his own. That makes Giants a powerful allegory for the role of environment on our lot in life.

We might not all be fighting giant monsters, but we’re frequently either the child who ran away or the child that was left behind. [Read more…] about The Pull List: Avengers, Death of Love, Detective Comics, The Flash, Paradiso, Sideways, & more!

Filed Under: comic books, reviews Tagged With: Aftershock Comics, Alex de Campi, Allen Passalaqua, Avengers, Babyteeth, Batgirl and The Birds of Prey, Batwoman, Black Sable, Boom Studios, Cable, Captain America, Carmine Di Giandomenico, Chris Samnee, Christopher Sebela, Cold War, Cullen Bunn, Dan Abnett, Dan Brown, Dan DiDio, Dan Panosian, Dark Fang, DC Comics, Death of Love, Detective Comics, Donal Delay, Donny Cates, Dynamite Entertainment, Ed Brisson, Emanuela Lupacchino, Felipe Sobreiro, Gary Brown, Greg Pak, Ibraim Roberson, Image Comics, Ivan Plascencia, James Robinson, James Tynion, Jeff Loveness, Joshua Williamson, Judas, Justin Jordan, Kenneth Rocafort, Leila Del Duca, Mark Waid, Marvel Comics, Meredith Finch, Old Man Logan, Omar Estévez, Paradiso, Paul Pelletier, Phillipe Briones, Port of Earth, Saida Temofonte, Sarah Vaughn, Sideways, Sleepless, Slots, The Flash, The Pull List, Titans, Triona Tree Farrell, Twisted Romance, Valderrama Brothers, Venom, Vincente Cifuentes, Weapon X, Wonder Woman, X-Men, X-Men Blue, Xena, Yildiray Cinar, Zenescope

DC Rebirth – Every 2016 Rebirth One-Shot Ranked

January 5, 2017 by krisis

DC Comics was full of bold movies in 2016.

Not only did they relaunch their entire line with the DC Universe Rebirth one-shot, but they followed it up with 21 additional one-shots to launch the majority of the books in their line – and I’m here to rank them!

(That left out non-Rebirthed books like Action and Detective Comics, plus heroes who jumped off of their appearances in these initial issues straight to their own series, like Superwoman and Harley Quinn.)

The one-shots are a double-edged sword for new readers. They make for easy, low-risk, low-commitment samplers. That means it’s likely that – like me – most fans would read most or all of them out of curiosity.

However, there’s a risk that they’re exactly that – samplers. It’s hard to craft a one-shot so good that it tells its own story plus pulls you in for a subsequent series.

To achieve that goal, I think a solid Rebirth issue needs to do three things:

  1. Give a sense of the character’s recent and relevant history
  2. Portray a vital truth and inherent coolness about the title character
  3. Set up a reason to keep reading the series (i.e., Always leave them wanting more!)

How many of the 21 Rebirth one-shots of 2016 hit the mark? Below, I’ve ranked every issue, rating it and giving the percentage chance that I might keep reading its respective series?

Place your bets now – did I love my long-term favorite Wonder Woman? Did I find a way to get excited about the staid Superman or enjoy the typically impenetrable Green Lantern? And, what about relative B-listers in this muscular line-up like Batman Beyond, Deathstroke, and Blue Beetle?

Find out now, and then head to my DC Rebirth Guide to snag the upcoming collections of the titles that pique your interest.

Rebirth Ranked: The Best!

Superwoman #1 

I know, I know – it’s not a Rebirth one-shot. It should have been. It’s a phenomenal issue full of action, explanation, and heart that will definitely leave you surprised – plus, stunning pencils from writer/artist Phil Jimenez. Read it and keep reading with Superwoman Vol. 1: Who Killed Superwoman?

Nightwing: Rebirth 

I hope all future Rebirth one-shot writers took notes, because Tim Seely delivered an absolutely perfect comic book in Nightwing: Rebirth.

It was so good that it makes me not only want to read subsequent issues of Nightwing, but I feel compelled to go back to New 52 to read past issues because this comic made them sound so freaking awesome.

Tons of exposition and backstory? Check. Emotional scenes with a protege that weren’t all they seemed to be on first read? Check. Bisexual flirting? Check. Uncharacteristically light, bouncy figurework from Yanick Paquette? Check.

If you’re looking for lightweight, snappy DC reading in Rebirth that’s Batman adjacent, you’ve found your book.

Chances I keep reading: 200% – that’s 100% for reading forward into Rebirth and another 100% for reading backwards into New 52. I’m hooked. Keep reading with me with Nightwing Vol. 1: Better Than Batman. [Read more…] about DC Rebirth – Every 2016 Rebirth One-Shot Ranked

Filed Under: comic books Tagged With: Benjamin Percy, Bryan Hitch, Carlos Pagulayan, Carmine Di Giandomenico, Christopher Priest, Dan Jurgens, DC Comics, DC Rebirth, Joshua Williamson, Otto Schmidt, Patrick Gleason, Peter J. Tomasi, Phil Jimenez, Ranking, Tim Seely, Yanick Paquette

Review: Birthright, Vol. 1 – Homecoming, by Williamson & Bressan

September 13, 2015 by krisis

Image Comics knows what’s up with finding readers outside of the Direct Market. Valiant, too. Really, everyone except DC and Marvel.

These companies realize that buying the first collection an untested property from an author you may or may not know is a risky proposition, and generally not something you’ll plunk a $20 down for. That’s why nearly every Image first volume trade paperback is a handy $9.99 – which puts it in the five to eight dollar range when you buy it online.

That’s the story of how I wound up with a copy of Birthright, Vol. 1 – a $6 gamble on a book with a beautiful cover that evokes Sword In The Stone with hints of more dire elements along the edges. I was completely unfamiliar with creator Joshua Williamson by virtue of him solely writing for DC after his first pair of creator-owned works, both short-form. That’s changed in the past two years, with Williamson writing a trio of ongoings for Image – Ghosted, Nailbiter, and Birthday (plus Robocop for BOOM!).

When I wrote up Nailbiter in last week’s new comic roundup and decided to grab the first volume (again: $6), I realized I had another Williamson book in my in box (an actual longbox) waiting to be read!

How was it?

Birthright, Vol. 1 – Homecoming 4 stars Amazon Logo

Birthright - Vol01

Written by Joshua Williamson with art by Andrei Bressan and color by Adriano Lucas

#140char review: Birthright is Goonies crossed w/Sword In the Stone plus something sinister, like Harry as an agent of Voldemort. Bressan’s art = perfection.

CK Says: Buy it!

Birthright is a batter of different genre tropes that baked up into something a lot tastier than its individual ingredients.

Birthright is primarily a Chosen One narrative in the Joseph Campbell model, like Star Wars and Harry Potter before it. Where it deviates is that we’re getting the story after the fact, and we see that part of the reason all of those stories end so pat is that the orphan hero tends to make some choices that haunt him after his victory. That’s the case here with young Mikey, who disappeared into the woods on an early birthday without a trace during a game of catch with his dad.

Here’s where creators Joshua Williamson and Andrei Bressen do something a little weird. They spend their start-up issues focusing on the human trauma behind a child who disappears, writing a family drama and a police procedural for a few pages before the fantastic main plot gets underway. It’s a risk. It gets a little too simple at points (random cop dude insists, “He is a security risk.” To what, exactly?). There’s a repeated rubber-band snap as we get yanked out of the fantasy-themed pages we crave and back into a dingy interrogation room. Yet, that tension and genre-hopping is what marks Birthright as not the hero story we’ve come to expect. It’s what makes this book a page-turner even before the biggest twist is unfurled.

The remainder of that success comes from artist Bressen and a remarkable set of colors from Adriano Lucas. Many indie comics are well-executed but don’t achieve the right color palette or gradient shading, but here Lucas breathes three-dimensional life into Bressen’s characters. They nearly leap off the page when they are in motion.

It’s difficult to say more without completely spoiling the super-punch surprises of the plot here. It turns out that the fantasy world has an ongoing relationship with Earth, as represented by several unusual visitors who have crossed over. They are working at cross purposes to each other, and it’s hard to know who to trust – especially if you are a family that has been shattered by grief for the past year. Would you believe anyone who told you what you wanted to hear and offered you a means of putting your life back together? Or, would you be skeptical of everything offered to you after such a tragic loss? How Mikey’s family answers these questions divides them down the middle.

Ultimately, the heroic tale and the familial drama are one and the same, and to enjoy them both you might need to forgive the police procedural portion of its weaker spots. What shines through each element is that the whole Chosen One business is unfair. It picks on kids who don’t know who they are or want to be and it tears families apart by necessity. Every one of the four family members has been damaged in the process, and with so much book ahead of us it’s unknowable whether they can help each other heal or if the wounds will just fester.

The dual-worlds narrative plus a last page reveal might leave you a little cynical that this is very much a post-Saga derivative. I’m optimistic. I believe in Williamson’s easy scripting and the consistently gorgeous visuals from Bressan and Lucas enough that I’m signing on for a full-priced second volume. Birthright has the potential to be a lasting epic if it can keep up the momentum of this first five-issue sprint.

Filed Under: comic books, reviews Tagged With: Adriano Lucas, Andrei Bressan, Birthright, Image, Joshua Williamson

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