Crushing Krisis

The Newest Oldest Blog In New Zealand

Suicide Squad

New For Patrons: The Definitive Guide to DC’s Suicide Squad – from Silver Age to Present Day!

by

Today’s guide for Patrons of Crushing Krisis seemed like it would be a straight-forward team guide, but I wasn’t accounting for how unique each iteration of this death-defying squadron tends to be…

Suicide Squad – The Definitive Reading Order and Collecting Guide

Suicide Squad wasn’t always a team of villains serving a compulsory stint as reluctant heroes.

The title has its origins in the Silver Age with a pair of paramilitary mad science tales in The Brave and the Bold and Star Spangled War Stories (which, by the way, means that Suicide Squad actually predates the Justice League by a few months).

That Squadron X was a wildly different team than the modern version lead by Amanda Waller. The two were cleverly linked in the wake of Legends, the first post-Crisis DC event. Legends served as the introduction to Waller and her team of ne’er-do-wells, most of whom were incredibly obscure villains. Captain Boomerang was probably the most widely-known of the original cast, at the time!

Of course, now we associate Suicide Squad as much with Amanda Waller and those once-obscure villains like Boomerang, Deadshot, and Enchantress as we do with Harley Quinn. That was all the work of the New 52 iteration of the team in 2011 and the 2016 film version. Harley’s addition to the Squad makes for an odd fit at points, but it’s the version that hit cinemas so it’s like to be a permanent change. [Read more…] about New For Patrons: The Definitive Guide to DC’s Suicide Squad – from Silver Age to Present Day!

The Pull List: Action Comics, Avengers, Eternity Girl, Infidel, Judas, Marvel Two-in-One, Vampironica, & more!

by

The Pull List was slightly lighter this week than the past three, partially due to me not managing to pick up any additional ongoings from Marvel or DC. I made a heroic effort to catch all the way up with Doctor Strange, but fell an arc short.

This week’s comics felt a little ho-hum for me, with even typical standouts like Flash and Paradiso falling flat. However, it also brought not one but two near-perfect comics, plus one unexpectedly great debut.

Here’s The Pull List for the 14th of March, 2018. New adds to the pull list are marked with *; dropped titles are marked with #.

Artwork from Infidel #1 cover by Aaron Campbell & José Villarrubia

  • DC Comics
    • Action Comics (2016) #999
    • Batgirl and The Birds of Prey (2016) #20
    • Detective Comics (2016) #976
    • *Eternity Girl (2018) #1
    • The Flash (2016) #42
    • Mister Miracle (2017) #7
    • Sideways (2018) #2
    • Suicide Squad (2016) #37
    • Titans (2016) #21
    • Trinity (2016) #19
    • Wonder Woman (2016) #42
  • Image Comics
    • Bonehead (2018) #3
    • *#Dry County (2018) #1
    • *Infidel (2018) #1
    • Paradiso (2017) #4
    • #Sleepless (2017) #4
    • Slots (2017) #6
    • VS (2018) #2
  • Marvel Comics
    • All-New Wolverine (2016) #32
    • Astonishing X-Men (2017) #9
    • Avengers (2017) #684
    • Marvel Two-in-One (2018) #4
    • New Mutants – Dead Souls (2018) #1
    • Old Man Logan (2016) #36
    • Weapon X (2017) #15
    • X-Men: Blue (2017) #23
  • Smaller Publishers: Aftershock Comics, Archie Comics, Black Mask Studios, & Boom! Studios
    • Judas (2017) #4, Boom! Studios
    • *Come Into Me (2018) #1, Black Mask Studios
    • *Vampironica (2018) #1, Archie Comics
    • *Betrothed (2018) #1, Aftershock Comics

Before we begin, a reminder that 2.5 stars on my rating scale is an average comic book and my bell curve distribution peaks at 3/5 stars! Don’t freak out and assume a comic book is terrible because it has 2 stars. That means it’s just a hair below average (and there are a lot of those this week)

Picks of the Pull

Big Two (Marvel/DC) Pick of the Week:
Action Comics (2016) #999, DC Comics

Dan Jurgens leaves us with a truly perfect, contemplative issue of Superman that puts a wrap on his stellar Rebirth run but also addresses his writing from over 25 years ago, as beautifully rendered by artist Will Conrad and colorist Ivan Nunes.

In Metropolis, Lois is newly reunited with her estranged Army General father after saving him from execution in the last arc. It’s his first time meeting Jon (sort of), but General Lane isn’t in on the Superman secret, so he thinks Jon is a regular kid. That makes it even more tense as Lois and her father square off across the dinner table about the philosophy of Superman. Jon has never been exposed to this kind of hatred and xenophobia about his father before – which is also, by extension, aimed at him.

Meanwhile, Superman is in space dealing with a routine chore of breaking up an asteroid that will stray a bit too close to Earth for STAR Labs liking. Superman is thinking about fathers – General Lane, his own father Jor-El, as well as Zod – all of whom were tangled in the cross-time plot he just wrapped with Booster Gold.

Superman can see the errors in the ways of each of those parents and they in turn reflect his errors back upon him. Clark Kent is good-natured to a fault, but he’s not always right. General Lane isn’t entirely wrong about him – sometimes his absolute power corrupts him, both in how he metes out justice and in how he isn’t accustomed to apologizing for his actions.

As a result, Superman decides to put right two wrongs. One is with Hank Henshaw, the Cyborg Superman, who he currently has imprisoned in the Phantom Zone. The other, eventually is General Lane. [Read more…] about The Pull List: Action Comics, Avengers, Eternity Girl, Infidel, Judas, Marvel Two-in-One, Vampironica, & more!

The Pull List: Action Comics, Avengers, Calexit, Detective Comics, Jim Henson’s Labyrinth, The Terrifics, Thanos, & more!

by

This week The Pull List is holding steady at a still-staggering 32 comic books.

I’m not sure if I was being a moody reader or if every company shipped some bunk books this week, but the average rating for the week was 2.70 – a full third of a point lower than the past few weeks. While that means most of the books were still better than average, it’s not by a whole lot.

Artwork from Thanos #16, line art by Geoff Shaw with color art by Antonio Fabela.

Here’s what I pulled this week, with *s on adds (whether I just caught up with them or started them fresh):

  • DC Comics
    • Action Comics #998
    • Detective Comics #975
    • The Flash #41
    • * Mera – Queen of Atlantis #1
    • Milk Wars: JLA/Doom Patrol Special
    • Raven: Daughter of Darkness #2
    • * Suicide Squad #36
    • Teen Titans #17
    • The Silencer #2
    • * The Terrifics #1
    • Wonder Woman #41
  • Image Comics
    • * The Beef #1
    • Days of Hate #2
    • Gasolina #6
    • Twisted Romance #4
    • Void Trip #4
  • Marvel Comics
    • All-New Wolverine #31
    • Avengers #682
    • Captain Marvel #129
    • * Champions #17
    • Legion #2
    • * Lockjaw #1
    • Moon Knight #192
    • Thanos #16
    • X-Men Blue #22
  • Smaller Publishers: Aftershock, Black Mask, Boom! Studios, Dark Horse, Titan
    • Abbott #2, Boom! Studios
    • * Alisik #1, Titan Books / Statix Press
    • Backways #3, Aftershock Comics
    • * Calexit #2, Black Mask Studios
    • Hungry Ghosts #2, Dark Horse / Berger Books
    • * Jim Henson’s Labyrinth: Coronation #1, Boom! Studios
    • * The Wilds #1, Black Mask Studios

Picks of the Pull

Big Two (Marvel/DC) Issue of the Week:
Detective Comics (2016) #975

A great-looking, contemplative issue that brings together the members of the Bat-Family we don’t usually see in this book – Nightwing, Batgirl, Red Hood, and Damian.

Batman has pulled these trusted lieutenants together as an inner council to decide Batwoman’s fate as a member of the Bat-family, yet in some ways their conversation is also a litigation of Bruce and his methods as the head of this dysfunctional household. Meanwhile, Batwoman holds herself accountable for her own actions, with a surprising result.

This isn’t an issue that’s going to appeal to a more casual reader – it looks amazing, but it has hardly any conflict. However, for someone who has been reading from the start this pierces right to the heart of this title and the ideological divide between Batwoman and Batman that has been brewing all along.

Part of what makes it so power is that Batwoman also has an avowed “no kills” philosophy, but she is willing to make exceptions when other lives hang in the balance. Batman won’t make exceptions, so he gets to watches thousands of Gothamites die from his moral high ground.

It’s heartbreaking to think of this book writing by someone other than Tynion or with a cast other than this one. Everything about it works so incredibly well. Yet, we’re in the “disassembled” phase, and there’s certainly more conflict to come before Tynion moves on.

Best Small-Pub Issue of the Week:
The Wilds (2018) #1, Black Mask Studios

A strong and sombre new zombie comic, The Wilds is definitely a descendent of Walking Dead but with a completely different tone – due in no small part to its pair of woman creators, Vita Ayala and Emily Pearson.

We get the same old zombie-pocked landscape with isolated camps trading resources and doing their best to survive, except the zombies are walking plant life – humans who have turned into semi-sentient flower pots. It makes for strangely calming, beautiful zombies to see all of their typical goriest bits covered in blooming flowers.

Pearson’s art evokes such masters of the modern form as Allred and Noto, employing their same plain, truthful faces and uncomplicated backgrounds.

Beneath the flowery dressing, this is the familiar story of a single senior errand runner who thinks it might be time to get out of the game, and how an act of compassion on her last journey might spell the end of the safety of her heavily fortified compound. There’s no slam bang action beats in this one, but the strange stillness of it is pulling me towards reading more.

[Read more…] about The Pull List: Action Comics, Avengers, Calexit, Detective Comics, Jim Henson’s Labyrinth, The Terrifics, Thanos, & more!

DC New 52 Review: Suicide Squad #1

by

It seems like every comic book villain has been made into a hero, or at least a terrible person masquerading as a hero, which I suppose is pretty true to real life.

DC isn’t immune to the epidemic, but they haven’t been struck with it quite as hard as Marvel, where the X-Men to such an extent that they literally have no rogue’s gallery left.

DC’s Suicide Squad mirrors the concept of Marvel’s similar Thunderbolts: what if a group of some of the most irredeemable villains were offered temporary clemency to use their powers to benefit the government?

I’ll confess that the only thing that looks familiar here is Harley Quinn, who I only know from Batman cartoons. Will a squad of villains I’ve never met resonate at all?

Suicide Squad #1

Written by Adam Glass, art by Federico Dallocchio & Ransom Getty

Rating: 2.5 of 5 – Okay

In a Line: “A scream lets me know we’re making progress.”

#140char Review: Suicide Squad #1 is an effective intro that seems to tread Deadpool “bloody & whacky” ground, but I don’t know that I care about any of the villainous chars.

CK Says: Consider it.

Suicide Squad #1 stands in the middle of the pack of average DC Relaunch books with a nuanced story structure but inconsistent artwork. It comes down to whether this team of minor-league villains is compelling enough to support their own book, which is as much about them as about the plots they are subjected to.

So how is their first plot? Adam Glass sets up an interesting narrative, where half the team get brief origin stories – not of their villainous ways but of the missteps that lead to their capture. It’s a seriously effective device for a team book, and it jives well with the brutal interrogation they’re all being subjected to.

Deadshot and El Diablo both have human vices, but the deranged Harley Quinn is pure chaos and King Shark is a one-note cannibal. It would have been a good choice to throw in one or two members that weren’t in the same torture session as the squad, even if that meant holding a few characters back until next issue.

Federico Dallocchio handles the team well in the heavy blacks of the one-on-one torture sequences, but some of the other pages have a gawky silliness to them (especially on Quinn), which pushes the book into comedic Deadpool territory. A spread of the entire team on their first mission is especially bad. Can Dalocchio only draw this team well in low light and bondage gear? If so, it’s hard to know which version of Suicide Squad to come back for next month – the moodier, darker tone or the sillier one.

Despite the reintroductions I’m not sure this issue did enough to distinguish any one character for newer fans, though I will admit that a few last-minute twists piqued my interest. I think it is worth picking up the second issue to see if the team can get to the purpose of their new mission without committing mass murder, but the final direction in art will have a lot to do with if it’s worth sticking around beyond that.