George Perez

Teen Titans, Titans, & Young Justice – The Definitive Collecting Guide and Reading Order

The definitive issue-by-issue collecting guide and trade reading order for Teen Titans, Titans, & Young Justice comic books in omnibus, hardcover, and trade paperback collections. Part of Crushing Krisis’s Crushing Comics. Last updated February 2019 with titles scheduled for release through June 2019.

In 1965 the Silver Age of comics was in full swing, with all of DC’s iconic heroes starring in their own titles as well as in the the Justice League.

One element that DC generally lacked at the time was the youthful energy of Marvel’s Silver Age titles, which included hip young heroes like Spider-Man and The X-Men alongside more iconic DC analogs like The Avengers or Thor. It wasn’t that they lacked for young characters. It seemed the every DC hero had a teen version of sidekick. They hadn’t been assembled all in one place.

That changed with The Brave and The Bold (1955) #54 in 1964, which combined Golden Age creation Robin (Dick Grayson) with the more recently-made sidekicks of Kid Flash (Wally West), and Aqualad. Their next appearance in issue #60 added a formalized version of Wonder Girl (Donna Troy) and gave the group a name – “The Teen Titans.”

After just one more anthology series appearance (in Showcase (1956) #59), the Teen Titans graduated into their own title in 1966. While many other teen heroes appeared, only one became a more permanent member – Speedy, Green Arrow’s sidekick. The team-up was revived in 1973 and then shuttered in 1978 as the heroes felt they were growing too old to be “teens.”

Marv Wolfman and George Pérez reawakened the franchise in 1980. In an astounding act of creation, they introduced team mainstays Cyborg, Starfire, and Raven in a preview story in DC Comics Presents (1978) #26, where they also reintroduced Beast Boy as “Changeling.”

Wolfman and Pérez would become synonymous with the Teen Titans for the next decade in the same way Chris Claremont was with the X-Men, who the Titans rivaled in popularity. Along the way the co-writers introduced Slade Wilson as Deathstroke and changed Dick Grayson to Nightwing. Their characters made it through Crisis on Infinite Earths relatively unscathed as DC chose not to rock the boat of their most-popular team franchise. [Read more…] about Teen Titans, Titans, & Young Justice – The Definitive Collecting Guide and Reading Order

Crushing Comics S01E052 – Avengers Assemble by Kurt Busiek & George Perez (+ an explainer on Onslaught and Heroes Reborn)

January 2, 2018 by krisis

In this episode I am totally faked out by set of books that are so thoroughly-wrapped that I was sure I’d be talking about an Absolute Edition! As I unwrap them (under this mistaken assumption), I talk about how Marvel only occasionally releases a book that large – variously titled an Adamantium Edition or Vibranium Edition.

Instead, I wind up unwrapping the first half of Kurt Busiek and George Perez’s 1998 run on Avengers! That lets me give an explanation of how Heroes Reborn extends from Onslaught and changed the status quo of the Marvel Universe.

Want to start from the beginning of this season of videos? Here’s the complete Season 1 playlist of Crushing Comics.

Episode 52 features the Avengers Assemble Volume 1 and Volume 2, plus Avengers Forever. For more information on these books and what they contain, see the Guide to Avengers (1996-2005).

10 Marvel runs from the 90s you might have missed (and that ought to be omnibuses) – 1990 to 1997

May 3, 2017 by krisis

It’s our third installment of backwards time travel through Marvel runs that could easily fit into an omnibus volume to help inspire your votes on the Most-Wanted Marvel Omnibus Secret Ballot.

Today I’m taking a slightly different perspective than I did for 1998 to 2008 and 2008 to present. For those installments, I focused on runs I knew well or at least could recommend from context. However, when it comes to runs I’ve read, the 90s are pretty thoroughly covered over both by existing omnibuses and the current votes of the poll. Add to that how much of this period are covered by the end of runs from the 80s, that I’ve already mapped X-Men, and my temporary avoidance of exhaustively mapping Fantastic Four and Spider-Man, and the pickings wind up being pretty slim!

Thus, this list comes with a caveat – I’m not necessarily suggesting you run out and buy and read all of these runs right now. I mean, I own nearly all of them, and even having not read them cover to cover I can tell you that most of them are very 90s comic books.

However, they also represent under-collected material that’s relatively unknown to modern readers. While it might be more reasonable to see all of it covered with Epic Collections, I think it would be more expedient to see them collected in this format than to wait around for trade paperbacks.

Ready to dig deep into the extreme 1990s? [Read more…] about 10 Marvel runs from the 90s you might have missed (and that ought to be omnibuses) – 1990 to 1997

Collecting The Avengers Vol. 2 (1996-1997) & Vol. 3 (1998-2005) as graphic novels

The definitive, chronological, and up-to-date guide on collecting Avengers comic books from 1996 to 2005 via omnibuses, hardcovers, and trade paperback graphic novels. A part of Crushing Krisis’s Collecting Avengers: A Definitive Guide. Last updated February 2016 with titles scheduled for release through October 2017.

Avengers: Reborn and Disassembled

Avengers, Volume 3 (1998) - 0025 This run continues from Avengers (1963).

In 1996, The Avengers were presumed dead at the hands of Onslaught in the Marvel Universe, but they were just hidden – trapped in a pocket dimension without realizing they had been removed from their own reality. This was an attempt by Marvel to revitalize some of their most-established (but not especially popular) properties by handing them to the creators who left them for Image Comics.

The experiment was short-lived, but Marvel took advantage of the heroes return to restart The Avengers third volume in 1998 with a bang – they brought in Kurt Busiek and classic DC artist George Perez.

The series remains popular to this day, as does the following run by Geoff John. However, Marvel hasn’t shown any recollection love to the two Chuck Austen stories that followed prior to Brian Bendis thoroughly disassembling the franchise to launch New Avengers.

[Patreon03][/Patreon03]

DC New 52 Review: Superman #1

September 30, 2011 by krisis

Superman has been dangled like a carrot over readers’ noses all through DC’s 52 debut month, from his hot-headed flashback appearances in Justice League and Action Comics to his benevolent present day cameos in Swamp Thing and Supergirl.

The promise was implicit: you’ll get your full dose of Superman in the title with his name on it. Not only that, but that his modern depiction would help to contextualize the superheroes that appeared throughout all 52 books.

Well, we’ve arrived. 51 books later and it’s time to unveil the boy in blue in the present tense – in the capable hands of comics veteran George Perez.

Superman #1

Script & breakdowns George Perez, pencils & inks by Jesus Merino

Rating: 2 of 5 – Uneven

In a Line: “Superman, however, was occupied with other matters.”

#140char Review: Superman #1 is all the reasons modern readers mock 80s comics. Perez way overdoes it on script in this tangled one-shot plot.

CK Says: Skip it

Superman #1 under-delivers, focusing on every possible detail except for Superman. Classic creator George Perez over-scripts this allegory about print media living past the digital wrecking ball. Despite keeping this plot confined to a one-shot and fitting in a super-brawl, this issue was a chore to read.

This issue is too obsessed with text. Do we really need to know all the ins and outs of the Daily Planet’s newfound home in a major media empire? Perez chooses to defray his heavy-handed narrative voice-over by assigning it to in-story speakers, but it just makes things worse.

From the mayor’s overbearing introductory speech to a nonsensical newspaper article that reads like a bad blog post fraught with grammatical errors, Perez presents an unfortunate example of why modern comic readers tend to mock the overly-narrated issues of the 70s and early 80s.

If there is one aspect of the issue safe from criticism, it’s the artwork. Perez’s breakdowns guide artist Jesus Merino to fine issue of art – where’s it’s not obscured by text balloons, that is. A Courtney Cox inspired Lois winds up the star of the issue, and like Cox she’s an ageless blend of leggy starlet and purring cougar.

A one page diversion that sets up Stormwatch makes no more sense here than it would in any other title, except this is the ostensible present-day super-flagship. It’s still awkward.

In a graphic design nitpick, center-aligned narration boxes that contain entire paragraphs are a bad move. Readers don’t want to drag their eyes down a ragged left margin of text in a box. It’s confusing.

Superman #1 is a disappointing delivery given the buildup we’ve seen all month. While I’d welcome a series of one-shot stories showing the Man of Steel in action, I don’t think Perez’s narrative style jibes with Metropolis – especially when the ultra-efficient Grant Morrison is the other scripter in town.