Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

Wildstorm

From The Beginning: WildStorm Universe – Deathblow (1993) #5-9

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Today we’re back to Deathblow, which I found to be wildly uneven on our last go-round. Now, Tim Sale has taken control of the artwork with Brandon Choi still scripting. Is the change enough to flip my opinion on the book?

Before we begin, a quick mea culpa: Lynch is still with IO in this arc, so this should’ve been read before Gen13. Oops! In fact, it might occur entirely between Gen13 #1 and #3 given the time that elapses and based on Lynch departing #9 directly for Gen13 #3. This arc also happens after Stormwatch #9, which means the arrival of the time traveller in Gen13 #1/2 misses Stormwatch #9 by at least a week.

deathblow_007Deathblow is different than all of the other WildStorm books. It’s not just the desaturated colors or the religious overtones, but the small cast combined with sense that the plot is paramount. It feels as though the story might keep heaving onward even if Deathblow decided not to show up. At points in this arc it feels like he’s an anchor dragging behind the good versus evil aspects of the story, until the final pages of issue #9 manage to reel him in.

All of the plot points teased in issues #1-4 collapse into a single story here – Deathblow’s faith and his cancer, Travis’s untrustworthiness, the miracle boy in Philadelphia, the Black Angel, the Order of the Cross, and more. They felt like a lot of random information, but it turns out they’re all part of the same plot.

There’s an inherent tension between the scenes with Deathblow, terse and rippling with muscle, and the supernatural plot, which could be ripped straight from… well, Supernatural, to use a modern example. The sense that Deathblow himself isn’t of this paranormal world is tangible, even as we learn those closest to him have already been inducted.

Add to that the constant suspense of how Deathblow’s Gen-Active powers will present themselves (aside from being impervious to gun shots and stab wounds, that is), and this mystery has suddenly become almost as much as a page-turner as Stormwatch.

This leads me to marvel at the incredible powers of Brandon Choi, perhaps for the 15th day in a row. This man was plotting the entire WildStorm Universe, with each book wildly different in style than the last. Choi really settles in to the terse vibe of Deathblow here. It feels like it has its own voice moreso than the initial run.

Now the permanent artist (save for covers), Tim Sale imbues the book the sort of stark, crime noir look it’s needed all along. He deploys Lee’s style of fine detail only when warranted. While you’ll immediately be yearning for Jim Lee’s over-the-top version of Deathblow himself just because it looked so damned good, everything else about the book is a better fit for the story. Seen through a noir lens, it all makes more sense.

New with issue #6, colorist Linda Medley keeps the desaturated color palette but loses the sickly photo-negative greenish cast. This could be hindsight talking, but digital colors pull attention away from Tim Sale’s stately art. What I wouldn’t give to see a modern colorist like Matt Hollingsworth apply a vintage palette and lack of gradients to these issues. They deserve even plainer colors and starker contrast.

By the end of the arc, all of our characters (including a nun cop, the angel of death, and Director Lynch!) converge on a convent outside of Philadelphia for a bloody battle that entirely alters the course of Deathblow’s life – and definitely his comic book!

I’m not sure if I should recommend this book to you or not! Choi and Sale have made a remarkable turnaround with this arc, but I won’t be sure it was worth the ride until we see how it begins to be resolved.

Need the issues? Deathblow #5-9 (and on through #12) were collected in a 1999 TPB titled “Sinners and Saints.” DC issued a revised, expanded, and re-ordered HC and TPB of #0-12 that both are still readily available. For single issues try eBay (#5-9) or Amazon (#5, 6, 7, 8, 9) – and note that Amazon offers these issues digitally(!) through Comixology.

Here’s the schedule for the rest of this month’s WildStorm re-read – tomorrow we’re back to Stormwatch (already!) with #11-13.

From The Beginning: WildStorm Universe – Gen13 #1-5 & 1/2

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Gen13 was a massive bombshell when it struck in 1994, a comic about college-aged kids that actually looked and felt like it was about real college-aged kids because it was being drawn by one while also revealing a ton of backstory and connective tissue about the two-year-old WildStorm Universe.

And you know what? It’s still every bit as great today – even moreso after spending the past two weeks reading all of the comics that lead up to it.

gen13-1994-001The cast of Gen13 were some of Jim Lee’s final creations in the early years of WildStorm. In an interview in Gen13 #1/2, he discusses being motivated to move away from the gear-laden extreme look (and the violence that accompanies it) that many classic characters at Marvel and DC were moving towards. (The irony of the entire team wielding guns on the cover from Lee is not lost on me). He also intentionally created Caitlin Fairchild as a literal strong female who was also super-smart – an obvious choice to lead the team.

It’s Lee’s focus on creating a different book rather than an imitation of something familiar that makes Gen13 so memorable. Caitlin Fairchild may not yet be a Tony Stark level genius, but her hairpin turn from ingénue to terrorist and leader never seems rushed given the breadth of her intellect and depth of her drive. It’s the same way almost all of Marvel’s original generation of male heroes are depicted as super-brains of some sort to explain their mastery of all things. Marvel has scant women who fit the same mold (at the time, just Mockingbird and Kitty Pryde), and none who also lead a team.

(Lee also included a buff, masculine, hyper-sexual Asian male with Grunge (a rarity even today) and an indigenous woman with Rainmaker who… well, we’ll get to that later.)

If we’re going to talk about the unique touches that make this book stand out, we have to discuss artist J. Scott Campbell. Campbell was discovered at age 19 in the talent search advertised in WildC.A.T.s #2! Prior to Gen13, his only published comics work was portions of Stormwatch #0, Deathmate Black, and pin-ups.

That’s it!

To go from obscurity to co-creating one of the most popular mini-series of the 90s is unbelievable. His achievement is made more incredible by the fact that he’s not specifically aping any single Image founder. Campbell draws distended, hyper-tall figures like Liefeld, he details muscles and clothes like Lee, and he has the fussy sketch lines of Silvestri. Campbell’s characters are all visually distinct and exciting as regular people wearing clothes, and his backgrounds and buildings are bristling with detail.

To have a 19-year-old designing 19-year-olds is part of the kinetic magic of Gen13. In fact, Lee reveals that Campbell designed Roxy AKA Freefall, who is by far the most visually distinct of all the Gen13 kids. Yes, Campbell errs on the side of some egregious T&A at points, but he’s seemingly just as eager to show nearly-nude men as he is women – he’s a kid who just wants to draw hot kids being hot. Also, the present-day fashion aspect of his pencils is powerful – Roxy the club kid, Caitlin’s mousy Princeton get-up, Bliss’s S&M dresses, Grunge’s early-90s flannels.

Yet, great art alone does not make for a good Image title – or else I’d be head over heels in love with WildCATs instead of constantly dissing it. The script here is wonderful. Brandon Choi was great on Stormwatch, but he was never better on early Image than on this initial run of Gen13 collaborating with Campbell (who picks up a story credit by the third issue). Characters all have distinct voices, details make sense, and each issue has its own rising and falling action. Caitlin Fairchild as our point-of-view character is so analytical that it makes perfect sense for her to issue a recap via narration at the beginning of each issue.

gen13-1994-005It’s not just the Gen13 kids who make this story interesting, but I.O director John Lynch finally being fleshed out into a dynamic character instead of just a conniving government villain. If you’ve read any WildStorm up to this point, he hasn’t exactly been a sympathetic character (except for maybe in WildCATs #2 when he doesn’t arrest the team). That’s especially true coming from reading Kindred, where he seemed as hugely unsympathetic as ever!

Here we see another side of him. It’s not a sudden turn, but a transformation that makes sense for his character. For all of his heartless decisions over the years, he does have regrets – chief amongst them the raw deal many of his Team 7 teammates got if they didn’t go underground or let I.O. control their lives. That guilt means he cannot in good conscience support a renewed Genesis program – especially one that preys on the children of his teammates!

As I re-read this mini-series, I repeatedly asked myself: Are you seeing this through rose-colored glasses? Is this the joy of nostalgia talking?

I’ll admit a little buzz of returning to these characters, but given the sheer volume of comics I read, I don’t think my delight in Gen13 can be purely attributed to huffing the fumes of the 90s.

This is a good comic book that’s a perfect artifact of the times – even the gratuitous mid-mini-series guest appearance by Pitt.

Want the play-by-play? Keep reading for an extensive summary of this book, a major influence on me and an early inspiration to my 8th Grade version of Krisis. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we’ll finally make it back around to Deathblow, now with Tim Sale in control of art duties. Will I like it better this time around?

Need the issues? Gen13 was such a massive, game-changing hit that it’s the rare WildStorm book that’s been through several reprints. Here are the three you should focus on:

  • The 1998 Gen13 Archives (ISBN 978-1887279918) is a great, comprehensive collection that includes all of these issues and pushes through #13 of their ongoing series and isn’t too hard to track down all these years later (Amazon / eBay).
  • Gen13: Who They Are and How They Came to Be (978-1401211493) is a 1996 collection of just this mini-series (not including #1/2) (Amazon / eBay). If you go that route, also pick up Gen13 Backlist (ISBN 1-887279-41-5), which includes #1/2 and some other one-shots (Amazon / eBay).
  • A Gen13: Complete Collection is due in spring of 2017 that covers through #7 of the ongoing, but includes the special Gen13: Rave issue not in Archives (Amazon pre-order).

Alternately, you can purchase single issues – try eBay (#1-5 & 1/2, AKA #-1) or Amazon (#1, 2, 3, 4, 5, 1/2 AKA #-1 and alternative search #1, 2, 3, 4, 5, 1/2 AKA #-1) – and note that Amazon offers these issues digitally(!) through Comixology.

Keep in mind that as a key issue #1 can be pricey on its own but there were plenty of these printed, so you’ll probably be better served buying a lot of the entire mini-series. Since several future Gen13 series hit these same issue numbers, be sure to match your purchase to the images in this post (note that #5 has two different covers). The Gen13 #1 with 13 different covers is not this #1 – it’s the first issue of their subsequent ongoing. [Read more…] about From The Beginning: WildStorm Universe – Gen13 #1-5 & 1/2

From The Beginning: WildStorm Universe – Stormwatch #9, 25, & 10

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We’re finally here! It’s the issue of Stormwatch that inspired this month of blogging even though I had never read it before.

With “Images of Tomorrow,” Stormwatch #25 leapt one year into the future to show the dark timeline that awaited the team …but I’m already getting ahead of myself. First, we have to read issue #9, with H. K. Proger on script and Ryan Benjamin penciling.

The issue makes the unusual move of giving us a second story in a row with a point-of-view character outside of our main cast. This time it is Sunburst, one of the members of Stormwatch Prime rescued from Gamorra in #6-7.

stormwatch_v1_025_coverThe story is a “race to defuse the bomb” tale that gives us some backstory on Sunburst as well as context for his relationships with his teammates Nautika and Flashpoint. However, that was just a red herring (both for Sunburst and for us as readers), as at the end we learn the point of the story was for Defile to finally crack Sunburst’s psyche after he proved unbreakable during his captivity.

This would seem like a minor fill-in issue on its own, but paired with the portents of #25 it takes on considerably more foreboding.

Steven T. Seagle randomly steps in on scripting duties on #25, but he’s abetted by Scott Clark on his Stormwatch swan song after penciling six of the first eight issues. Between Seagle’s script, Clark’s slightly perverted character designs, and the darkness of the tale, the book is fantastic.

Every page carries a chilling new reveal that you’d typically expect from a “What If?” tale, except this one professes that it’s really going to happen! If I had sat down to read it at the time I would have never dropped this book.

Silver Surfer scripter Ron Marz takes the title over with #10 for a run through #24. While I was a little peeved to lose Brandon Choi on his best title, Marz quickly made me forget my annoyance. You can feel his expertise lock in immediately with the dreadful pall that hangs over Battalion’s narration, and the nuanced descriptions of his teammates doubling as introductions we’re getting for the first time.

Marz is re-teamed with his Stormwatch Special collaborator Dwayne Turner, who does a much better job drawing a solid, dour version team of the team this time around. Maybe that’s because Marz gives him so much more room to breath than in the rushed pace of the Special. Each member gets their own spread to show off their abilities as he explains their histories.

It was a brilliant move to turn this Avengers-style procedural drama about policing the globe into a towering tragedy via glimpsing the horror of a future that cannot be prevented it. It elevates Battalion – already a great character – to the position of being WildStorm’s own tragic Hamlet. And, we the reader are left dreading every page turn for what it might reveal about Battalion and Diva’s fate.

Want the play-by-play? Keep reading for a summary of these two teams going head to head. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we get to one of my favorite runs of this entire era – Gen 13’s original mini-series! Will it hold up to re-read 20 years after my last time paging through? I can’t wait to find out.

Need the issues? You’ll need to purchase single issues – try eBay (#9-10 & 25) or Amazon (#9, 25, 10). Since further Stormwatch series hit these same issue numbers, be sure to match your purchase to the images in this post. [Read more…] about From The Beginning: WildStorm Universe – Stormwatch #9, 25, & 10

From The Beginning: WildStorm Universe – WildCATs #10-13 (Lee & Claremont Reunited!)

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]What happens when you take Jim Lee’s high-gloss WildCATs and mash them up with storied X-Men author Chris Claremont?

That’s what we learn in WildCATs #10-13, where Claremont takes over scripting duties from Brandon Choi for Lee’s swan song on his own title.

wildcats-v01-010Claremont seems to agree with my assessment of the title – that Zealot is the interesting part, and everyone else should be jettisoned. He spends barely a combined two pages writing Marlowe, Spartan, Maul, and Warblade and the book is better for it.

Instead, he recruits a new primary team composed of Zealot’s smarter little sister Savant, generic gun-guy Soldier who is redundant to Grifter (since he’s stuck in Kindred for the first half of this story), Superman analog Majestic, and his own Huntsman.

It makes sense that Lee would recruit Claremont for a story that opens the door to so much of the history of Kherubim without ever saying it out loud. Lee seems to be in a rush to get all of these elements out onto the table before he departs the book, and it shows in his art. It’s still Jim Lee, but there are few of the magnificent, splashy panels he’s most known for. It’s his most utilitarian work on the series to date.

Even Claremont can’t seem to make sense of Lee and Choi’s WildCATs, their allies, or their villains. Tapestry is a visual stunner, but her power to weave souls isn’t too different than Misery’s psychic push from Killer Instinct. Her motivations are even less clear – does she want Marlowe, the mysterious Alabastar Wu, or Zealot?

Who knows. What becomes rapidly apparent is just how much Lee and Choi’s stories really have adhered to the Claremontian model. Is this truly so different than WildCATs #1-4? Is Voodoo’s ruse any different that Misery’s in Killer Instinct? Is Voodoo’s distribution of power any different than the Void/Marlowe team-up from the last story? Is it partially resolved by women repeatedly wielding the totality of their psychic powers?

This confusing yarn is an enjoyable read because the real Chris Claremont knows how to leverage these wordy tools like no other. Also, his stoic Huntsman is more charismatic than the entire male cast of the book save for Grifter – who mercifully returns to the action for the final issue.

The real delight here are the back-up features, which hint at a world beyond the WildCATs team we’ve been reading so far. Solider’s story is generic, but opens a new window on Zealot’s immortal history. Majestic’s interlude makes him out to be a Superman who decided to abandon humanity. And, Zealot’s first encounter with Tapestry shows she hasn’t always had a will made of steel – and some of that might even be Tapestry’s doing!

Want the full details? Read on to watch me try to make sense of my first Claremontian recap – may the goddess save our souls.. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we head back to Stormwatch for this month’s main inspiration, the fast-forward from Stormwatch #9 to #25 and then back to #10!

Need the issues? This is another rare WildStorm title with a TPB collection, called WildC.A.T.s: A Gathering of Eagles (ISBN 978-1887279451)! Here it is on Amazon and eBay. Note that I’m unsure if it includes the backup features. For single issues, try eBay (#10-13) or Amazon (#10, 11, 12, 13 or #10, 11, 12, 13 (try both sets)). Since future WildCATs series hit these same issue numbers, be sure to match your purchase to the cover images in this post. [Read more…] about From The Beginning: WildStorm Universe – WildCATs #10-13 (Lee & Claremont Reunited!)

From The Beginning: WildStorm Universe – The Kindred #1-4

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Today we’re tackling the first WildStorm book to deliberately connect their various franchises – The Kindred mini-series.

We’ve seen many hints dropped throughout WildStorm’s books about International Operations and Team 7. It’s obvious that it has some resemblance to the retconned Weapon X program, which turned out many more characters than just Wolverine.

the-kindred-4-promoThe Kindred capitalizes on these dropped hints to tell a new story that isn’t just expositional history, but that ties several pieces of information together along the way.

The book is more memorable for those revelations than for its plot. For a title starring the electric Grifter, the badass Backlash, and the mysterious Lynch, it seems like it could have escalated to a considerably higher-intensity.

Maybe the simmering intensity level is a good thing – it corrects the pacing issues that hurt the opening arcs of both WildCATs and Deathblow, presenting easy-to-follow rising action with a definitive end-point.

There’s no single credit for scripting on this book. At points it shows in the torrent of gently conflicting information. Also, while Grifter and Backlash bumping heads ought to be a teeth-gritting delight, somehow their combined prickliness slightly waters them both down.

Backlash is a character whose coolness isn’t fully justified by what we’ve seen from him so far on the page. He’s lithe, gray-haired, wields a whip, wears a slick black suit, and can dematerialize into fog. It’s all dangerous, but altogether it doesn’t suggest a terrifyingly deadly character we ought to be scared of. He definitely qualifies as “the most arrogant man alive” for all his bragging and complaining,  but not the deadliest. Kindred doesn’t really do him any favors – he gets beat up more often than not, here, and he’s a lot of bark with relatively little bite.

(Grifter, on the other hand, just keeps getting cooler now that we know he went AWOL from Team 7 thanks to his unrequited love, is hated equally by Backlash and Lynch, and was the softy who tried to save his teammates who got left behind. Also? Still no hint of his powers.)

The villainous elements of the mini-series are needlessly complex. The Kindred’s leader Bloodmoon isn’t even a Kindred and the result of a totally separate Team 7 caper, which leaves a lot of questions and ultimately makes The Kindred sort of window dressing in their own story. It also leaves a lot of open questions about Bloodmoon that a little dose of simplicity could have solved better than more explanations.

Art from Brett Booth is solid and enjoyable. All of the characters are recognizable and Booth draws clear action that’s easy to track. His characters can have a slight Spider-Man rubbery-ness to them that calls back to earlier Eric Larsen or even Todd McFarlane. That this would become somewhat of a trademark of Backlash rather than a more muscular stance is definitely down to Booth’s early influence on the character.

The biggest reason to include this in your WildStorm read? Context, glorious context. We finally understand Director Lynch’s place in the WildStorm Universe, and how Team 7 and IO are linked with the history of Stormwatch.

Want the full details? Read on to learn more about the connective tissue of the WildStorm Universe. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we head back to WildCATs to see Jim Lee reunited with his X-Men co-conspirator Chris Claremont on WildCATs #10-13!

Need the issues? This is a rare early WildStorm title with a TPB collection! Look for it on Amazon and eBay. Also, the single issues to this series tend to be pretty cheap – try eBay (#1-4) or Amazon (#1, 2, 3, 4). Since a second Kindred mini-series hit these same issue numbers, be sure to match your purchase to the cover images in this post. [Read more…] about From The Beginning: WildStorm Universe – The Kindred #1-4