Champions

The Pull List: Action Comics, Avengers, Calexit, Detective Comics, Jim Henson’s Labyrinth, The Terrifics, Thanos, & more!

March 4, 2018 by krisis

This week The Pull List is holding steady at a still-staggering 32 comic books.

I’m not sure if I was being a moody reader or if every company shipped some bunk books this week, but the average rating for the week was 2.70 – a full third of a point lower than the past few weeks. While that means most of the books were still better than average, it’s not by a whole lot.

Artwork from Thanos #16, line art by Geoff Shaw with color art by Antonio Fabela.

Here’s what I pulled this week, with *s on adds (whether I just caught up with them or started them fresh):

DC Comics
- Action Comics #998
- Detective Comics #975
- The Flash #41
- * Mera – Queen of Atlantis #1
- Milk Wars: JLA/Doom Patrol Special
- Raven: Daughter of Darkness #2
- * Suicide Squad #36
- Teen Titans #17
- The Silencer #2
- * The Terrifics #1
- Wonder Woman #41
Image Comics
- * The Beef #1
- Days of Hate #2
- Gasolina #6
- Twisted Romance #4
- Void Trip #4
Marvel Comics
- All-New Wolverine #31
- Avengers #682
- Captain Marvel #129
- * Champions #17
- Legion #2
- * Lockjaw #1
- Moon Knight #192
- Thanos #16
- X-Men Blue #22
Smaller Publishers: Aftershock, Black Mask, Boom! Studios, Dark Horse, Titan
- Abbott #2, Boom! Studios
- * Alisik #1, Titan Books / Statix Press
- Backways #3, Aftershock Comics
- * Calexit #2, Black Mask Studios
- Hungry Ghosts #2, Dark Horse / Berger Books
- * Jim Henson’s Labyrinth: Coronation #1, Boom! Studios
- * The Wilds #1, Black Mask Studios

Picks of the Pull

Big Two (Marvel/DC) Issue of the Week:
Detective Comics (2016) #975

A great-looking, contemplative issue that brings together the members of the Bat-Family we don’t usually see in this book – Nightwing, Batgirl, Red Hood, and Damian.

Batman has pulled these trusted lieutenants together as an inner council to decide Batwoman’s fate as a member of the Bat-family, yet in some ways their conversation is also a litigation of Bruce and his methods as the head of this dysfunctional household. Meanwhile, Batwoman holds herself accountable for her own actions, with a surprising result.

This isn’t an issue that’s going to appeal to a more casual reader – it looks amazing, but it has hardly any conflict. However, for someone who has been reading from the start this pierces right to the heart of this title and the ideological divide between Batwoman and Batman that has been brewing all along.

Part of what makes it so power is that Batwoman also has an avowed “no kills” philosophy, but she is willing to make exceptions when other lives hang in the balance. Batman won’t make exceptions, so he gets to watches thousands of Gothamites die from his moral high ground.

It’s heartbreaking to think of this book writing by someone other than Tynion or with a cast other than this one. Everything about it works so incredibly well. Yet, we’re in the “disassembled” phase, and there’s certainly more conflict to come before Tynion moves on.

Best Small-Pub Issue of the Week:
The Wilds (2018) #1, Black Mask Studios

A strong and sombre new zombie comic, The Wilds is definitely a descendent of Walking Dead but with a completely different tone – due in no small part to its pair of woman creators, Vita Ayala and Emily Pearson.

We get the same old zombie-pocked landscape with isolated camps trading resources and doing their best to survive, except the zombies are walking plant life – humans who have turned into semi-sentient flower pots. It makes for strangely calming, beautiful zombies to see all of their typical goriest bits covered in blooming flowers.

Pearson’s art evokes such masters of the modern form as Allred and Noto, employing their same plain, truthful faces and uncomplicated backgrounds.

Beneath the flowery dressing, this is the familiar story of a single senior errand runner who thinks it might be time to get out of the game, and how an act of compassion on her last journey might spell the end of the safety of her heavily fortified compound. There’s no slam bang action beats in this one, but the strange stillness of it is pulling me towards reading more.

Back Issue Review: Alan Moore’s The Courtyard, Captain Canuck, Dark Ark, & more!

January 7, 2018 by krisis

Welcome to a pilot of a new series of comic book posts on Crushing Krisis – Back Issue Review!

If I tried to complete my quest to read 2018 comic issues in 2018 purely by keeping up with new releases, I’d have to read 39 new comics every week!

Since my pull list isn’t quite that deep, I pad out my new release reading (and my playing catch-up to get current with new releases) with a healthy amount of back back issue reading, both from my own ridiculously deep collection and in browsing for digital deals.

Here’s the rundown of the back-issues I’ve read this week and reviewed below:

Alan Moore’s The Courtyard (2003) #1-2
Aquaman (2016) #1-6
Avengers/Champions: Worlds Collide (Avengers #672-674 & Champions #13-15)
Captain Canuck (2015) #1-2
Captain Marvel (2016) #6-10
Civil War II (2016) – The Oath
Dark Ark (2017) #1-4
Freelance (2017) #1
Grimm Fairy Tales: Return to Wonderland (2007) #0-3
Judas (2018) #1
Monstro Mechanica (2017) #1
Port of Earth (2017) #1-2
Realmwalkers (2017) #1-3
Silk (2016) #14
Spencer & Locke (2017) #1-4
The Skeptics (2016) #1-4
Toil and Trouble (2015) #1

Interested in what I have to say about other random pulls? Leave a comment about a series you’d love to see me dig into in the coming weeks. Given the scope of my collection, you might be surprised to learn I already own a copy! [Read more…] about Back Issue Review: Alan Moore’s The Courtyard, Captain Canuck, Dark Ark, & more!

The Champions – The Definitive Reading Order and Collecting Guide

The definitive issue-by-issue collecting guide and trade reading order for Marvel’s The Champions comic books and omnibus, hardcover, and trade paperback collections. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated November 2018 with titles scheduled for release through July 2019.

Reading and Collecting The Champions

The Champions is one of Marvel’s most unusual teams, with a strange history both on the page and behind the scenes.

The team began its life as a pitch by writer Tony Isabella. While the details have grown hazy over the years, one thing is certain – Isabella had designs on Angel and Iceman, the two X-Men left over after the original team was splintered by the arrival of the Giant Size X-Men team, and the other three characters – Hercules, Black Widow, and Ghost Rider – were thrust upon him. The title was written entirely by Isabella and then by Bill Mantlo (with Claremont filling in on #4) along with a merry-go-round of artists.

The series opens with them all five characters on the UCLA campus, each for their own reasons, when it comes under assault by a strange group of anachronistic villains. They turn out to be agents of the god Pluto, who intends Hercules to be wed to Hippolyta!

Despite this oddball set-up, The Champions weirdly worked well. It’s a series about heroes being heroes because they simply cannot help it, joined together by proximity more than friendship or destiny. It gave Iceman and Angel a chance to breath away from Cyclops and Jean. It gave Black Widow a rare chance to shine after her breakup with Daredevil – she would go on to become the team’s chairman. And, it showed just how brutal and terrifying Ghost Rider could be – as he tended to have an unsettling effect on his teammates.

If fans took interest, this team could have become the de facto West Coast version of the Avengers years before that team made its debut. Alas, despite Marvel’s best efforts to promote the book it ended early, with its epilogue shuffled into a pair of Spider-Man issues.

That was the end of The Champions for forty years – unusual, given Marvel’s propensity for reviving their intellectual property every so often. In this case, it was because they were barred from doing so! While Marvel’s Champions were dormant, Heroic Publishing had began publishing a Champions comic book to support their popular 1980s role playing game.

Whether Marvel wanted to get the gang back together or not, they couldn’t – so Iceman and Angel returned from X-Factor to the X-Men in 1991, Black Widow and Hercules anchored the “Leather Jacket” Avengers, and Ghost Rider briefly expanded into his own franchise in the 90s.

Flash forward to 2016. Marvel is launching a youthful new team in the wake of Civil War II featuring characters like Miles Morales and Ms. Marvel that is quite deliberately not The Avengers. What could they be called? While the obvious answer seems like it ought to be “New Warriors” (especially with Nova on the team!), Marvel’s editorial team got a twinkle in their eye and asked Legal if they might be able to revive The Champions trademark – and they could!

That’s how we got a new Champions team so unlike the first one – it’s literally just an IP grab by Marvel of their own IP!

Surprisingly, this new Champions turned out to have some real staying power. Marvel’s youngest generation of heroes were never quite the right fir for the Avengers team they hero-worshipped as kids. They’re much more compelling when they are left to their own devices.