Travis Charest

WildCATs – Definitive Collecting Guide & Reading Order

The definitive issue-by-issue comic book collecting guide and reading order for WildCATs in omnibus, hardcover, trade paperback, and digital comics. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics Guide to Collecting Indie & Licensed Comics. Last updated April 2023 with titles scheduled for release through August 2023.

In 1992 there was no hotter artist in comics than Jim Lee. That meant his Image Comics flagship title WildCATs launched to immediate and massive popularity – maybe even before Lee and his creations were ready for it.

Jim Lee pencilled his first issue of X-Men with writer Chris Claremont in May of 1989 with Uncanny X-Men (1963) #248. X-Men was already one of the most-popular comic books in America, but Lee’s gradually takeover as the primary artist from fellow Image founder Marc Silvestri elevated its popularity into the stratosphere. That popularity climax two years later in August 1991 when the launch of X-Men (1991) #1 became the highest-selling modern comic, selling millions of copies driven largely by Lee’s complete redesign of the cast as splayed across four covers.

Lee’s final work on X-Men arrived just a year later on X-Men (1991) #11 in August 1992 – the same month he launched WildC.A.T.s (1992) #1 at Image Comics with childhood friend Brandon Choi on scripting duties. In the interim, Lee’s character designs started pop up everywhere – from merchandise, to toys, to the revered X-Men: The Animated Series – which debuted in October 31, 1992. No other comic artist had more visibility for their work than Lee in the early 90s.

While WildCATs is often labeled as an off-brand X-Men, Lee’s concept for the series is closer to Marvel’s Inhumans and Eternals than their X-Men. The members of his team were all descendants of a pair of warring alien races who crashed to Earth millennia ago. The Kheribum seemed brave and majestic while the Daemonites in their truest form resembled Aliens or The Brood. The team payed out that ancient conflict in the modern day, making peace between Kheribum factions and hunting rogue Daemonites. (Over the course of the series, we learned that those first impressions weren’t the whole truth).

Lee had proven to be a fast penciller on X-Men, but he was now penciler, plotter, and co-founder of what was suddenly the most-popular comic company in America. The entire Image Comics line was hit by delays, including WildCATs. Lee was determined to pencil every issue of his pet creations, but filled in the gaps between his issues with a Special and a three-issue limited series penciled by Jae Lee. The book was always gorgeous, especially in a marquee crossover with Marc Silvestri’s Cyberforce. However, the plot and script never quite stood up to the majestic pencils. This is where the book slipped into X-Men comparisons, with familiar character archetypes that felt a lot like Cyclops, Jean, Wolverine, and more.

Lee lasted just two more issues on WildCATs than he did on his X-Men relaunch, bowing out of regular penciling duties with issue #13 in September 1994. Scripter Brandon Choi departed the title with Lee, turning it over first to James Robinson with Travis Charest through issue #20, and later to the grand wizard himself, Alan Moore in July 1995. While Robinson hewed close to Lee & Choi’s original concept, Moore exploded the cast and concept to focus on societal conflicts within both alien factions.

While Robinson and Moore were ultimately good for the growing lore of the team, that meant that the “classic” WildCATs line-up only had a year of surface-level stories for fans to enjoy. Meanwhile, that initial cast (along with Lee’s designs) were featured in an animated series that launched in 1994 with an accompanying toy line. As the comic grew increasingly intellectual and far less toyetic through the 90s and into the early 2000s, many fans still had an expectation that it would “play the hits” of its first two years of issues (when really there weren’t many “hits” in that run).

WildCats has been revived several times over after Lee sold his WildStorm creations to DC Comics in 1998 and joined the company as an executive. However, Stormwatch’s transformation into the mega-popular The Authority took the spotlight off of WildCats as the marquee team of the WildStorm universe. It was Stormwatch and Authority that continued to generate higher-selling series with more spinoffs. Meanwhile, a fourth WildCATs volume meant to be scripted by Grant Morrison and pencilled by Lee fizzled after just one issue in 2006.

In 2008 Christos Gage relaunched WildCATs (alongside an Authority relaunch) with an all-inclusive, fan-pleasing cast alongside an equally-massive, world-ending plot. In a way, this volume felt the closest to Lee, Choi, and Robinson’s original 20 issues, even though it took advantage of the swell of characters and concepts that had been introduced in the intervening 15 years.

Unfortunately, the run was cut off by DC’s Flashpoint. While individual team members like Grifter and Voodoo graduated into New 52 with their own ongoing titles, New 52 never once brought together the full team, with Warren Ellis launching a completely separate universe of The Wild Storm to reimagine the core of the team.

After a full decade of clamoring from fans, finally DC began to introduce WildStorm characters into their main continuity – including the emergence of Grifter in Gotham City under the pens of James Tynion and Matthew Rosenberg. After much teasing, that lead to WildCats relaunch at the end of 2022. Shortly after, DC announced plans for The Authority to be one of the anchors of their new cinematic universe. After years on the margins of DC Comics, 2023 finally found Jim Lee’s WildCats and Stormwatch back in the spotlight in the DC Universe.

From The Beginning: WildStorm Universe – WildStorm Rising

November 30, 2016 by krisis

It’s the grand finale of my daily read of the first three years of WildStorm Comics – WildStorm Rising!

WildStorm Rising is the first direct crossover between any WildStorm books. Just like here at CK the WildStorm crew doesn’t do anything halfway – their first crossover hits every one of their eight ongoing titles, adding a prologue and a pair of bookends for 11 total issues:

Team 7: Operation Hell #1
WildStorm Rising #1
WildC.A.T.s #20
Union (1995) #4
Gen 13 (1995) #2
Grifter #1
Deathblow #16
Wetworks #8
Backlash #8
StormWatch #22
WildStorm Rising #2

The crossover is really only meaningful to a trio of them – dual flagships WildCATS and Stormwatch, and the debut of Grifter. Everyone else is merely a bystander in the culmination of a year-long plot launched in Stormwatch to alter the struggling status quo in WildCATs.

There are pros and cons to any linewide crossover, and WildStorm Rising is no exception.

On the pro side, the event manages to accomplish something that few Marvel crossovers could manage back in the 90s (and still can’t today): Each chapter worked well as an issue of its own book advancing some of its own themes. That’s true despite the fact that many books weren’t written by their typical authors and many of them continued directly to the next title in the crossover sequence.

Plus, we really do get a new status quo for several books, none more so than WildCATs!

On the con side, WildStorm Rising squanders Defile’s long-running infiltration of Stormwatch in favor of him chasing a McGuffin of power discovered in Team 7: Objective Hell. Many of the pillars of plot that support this crossover were built from Defiles machinations, so it feels like a massive cheat to see his master plot lose steam just as WildCATs and Stormwatch come to blows. He almost literally says, “Screw my plans that have been built up in Stormwatch since issue #6, now I’m going to focus on this other thing.”

Even worse, in a hairpin final turn of plot it turns out the McGuffin has no real meaning. It was merely a red herring to bring back a fan favorite character squandered too early in the life of the line!

What is this amazing McGuffin? It’s both a key and a symbol. It’s about the balance of power in the ruling class of Daemonites. When they arrived on Earth in a space ship chasing the Kherubim, there was a natural division of power between politics, military, and (sort of) transportation. A representative of each held a key to the ship that also signified their unquestionable ruling power. All three would need to align their keys to activate interstellar navigation technology so none could shift the balance of power too far towards government, military might, or (one would imagine) commerce and colonization.

The transportation key was lost in the ship’s crash, which left the political and military arms of the Daemonites stuck in a two-party struggle for planetary power for 2,000 years with no means to escape. Now, the two pieces of the lost key have showed up in possession of a rogue Daemonite and a member of Team 7. Both sides of the Daemonites are racing to collect the pieces while the assembled might of our heroes try to defend them (while resolving their inter-squad squabbles).

Is WildStorm Rising worth a read? As a self-contained event it’s nothing special. However, if you plan to read any other WildStorm books from 1995-1997 – like Grifter’s solo series or Alan Moore’s WildCats – it’s a good primer. (It’s far back enough from Ellis’s takeover on Stormwatch to be irrelevant there.)

The rest of this post is split into two sections. The first reviews each issue of the crossover (w/links to purchase) with relatively few comments on plot. The second second offers a plot recap of each issue so you can fill in the gaps of your read if you don’t own every issue.

Want to read the entire thing in one go? All of the material aside from the prologue is collected in a single TPB (Amazon / eBay).

From The Beginning: WildStorm Universe – Gen13 (1995) #0-1

November 28, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]After the amazing Gen13 mini-series I (and many other comic fans!) were rabid for more, which arrived in the form of the team’s first ongoing series in March 1995.

gen13-1994-000 The series would go on to be WildStorm’s longest-running book, and it debuted in memorable fashion with thirteen variant covers, which might not sound impressive today in the world of 50-states covers from both Marvel and DC but at the time was unheard of. (Here’s the best recap of the covers I’ve ever seen!)

Gen13 #1 lacks the special magic that imbued each issue of the team’s mini-series – even the gratuitous cameo from Pitt. Yet, despite not enjoying it in 1995 or 21 years later in 2016, I can appreciate that Brandon Choi and J. Scott Campbell made a wise move in their pivot away from the tone of the mini-series.

There are a few key differences between this relaunch and the team’s mini-series., other than the obvious one of the team not being under pressure in life-or-death circumstances the entire time.

First, Fairchild is relegated to the background in favor of breakout stars Roxy and Grunge, with Burnout barely appearing and Rainmaker purely used for titilation. It’s nearly the reverse of the line-up of the mini-series, where Roxy and Grunge broke up the drama with occasional comic relief while the remaining trio handled all the heavy lifting.

Second, the plot. There’s no IO or government intrigue about the team’s origins in sight. Instead, we get a mismatched pair of interdimension assassins hunting down a ridiclous green alien rodent.

Less tangible than those developments is that newcomer J. Scott Campbell’s art has already begun to tip from comic book exaggeration to ridiculous deformity. His long-legged women are nothing different from his prior five issues, but his proportions here are not as consistent, as on Grunge’s once-massive chest. Faces suffer, in particular. This is exacerbated by a lack of backgrounds and a bright, almost-neon color pallette from Wendy Stouts, which strips characters of the muscular heft they had in the miniseries.

Also, what was a depiction of playful teen sexuality in the mini-series is now deliberate pandering, as with the nude Rainmaker (suddenly a sexbomb with long hair) and upskirt shots of Roxy’s underwear.

Those details quickly drove me away from the book back in the 90s, but in retrospect I can see the reason for all of them.

gen13-1995-001 Fairchild was intentionally the most generic character in the original series – a bookworm turned she-hulk – but fans responded more to the other four characters, each a familiar archetype. To force the young team’s new life to be seen exclusively through the eyes of Caitlin the all-night studier would stunt the growth of the book and the cast.

Every character needs her or his spotlight issues, and this is Roxy’s. We still get signs hints that Fairchild’s journey will be as a tactician and leader, and that’s not going to happen overnight.

To make Gen13 all about bashing heads with IO from the first issue would have been foolish. Jim Lee and Brandon Choi had already learned their lesson on WildCATs and Stormwatch, which were each so thick with continuity that they hardly seemed to be about anything other than re-connecting with long-lost enemies.

Also, without a youthful book in the mix at WildStorm they line was missing the chance to do these sorts of stories – stories with cartoonish extra-dimension villains and the annoying green space rats they’re hunting. Gen13 mining this territory is no different than Chris Claremont inserting Kitty Pryde into the X-Men and giving her a pet purple dragon.

As for Campbell? This is only his sixth full-length issue, and he was under enormous pressure. On the whole it has the same high-gloss look of his pencils on the mini-series, just with slightly more room for error in the looser constraints of real world California rather than the tech-festooned hallways of IO’s Death Valley base.

(I have no rationale to offer for the amped up sexuality of the art. I have a lot of affection for this cast based almost exlusively on the mini-series, and I’d hate to see them quickly devolve into a group of sex mannequins. I’ll have to read more to see what fate holds for them.)

Brandon Choi and company also broke up the wait for the big debut with a #0 issue (technically part of the 1994 mini-series) to explain the team’s separate road trips after Wizard #1/2. This issue hits all the great notes of Choi’s mini-series script, comprised of four stories, each with a different artist – Jim Lee on Caitlin Fairchild, Richard Johnson on Burnout and Rainmaker, J. Scott Campbell, and Travis Charest on Lynch. (It’s telling that of the four vignettes Campbell’s with Roxy and Grunge that is the weakest spot.)

Want a recap? Keep reading for a recap of both #0 and #1 Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we go back in time again with Team 7: Objective Hell #1-3, which act as a prologue to Wednesday’s WildStorm Rising – the line’s first multi-book crossover!

Need the issues? Early Gen13 is some of the most reprinted of WildStorm’s first three years of comics.

The 1998 Gen13 Archives (ISBN 978-1887279918) is a comprehensive collection that includes all of debut mini-series and pushes through #13 of their ongoing series; it isn’t too hard to track down (Amazon / eBay).
A Gen13: Complete Collection is due in spring of 2017 that covers both the mini-series and through #7 of this ongoing, plus the special Gen13: Rave issue not in Archives (Amazon pre-order).

Alternately, you can purchase single issues – try eBay (#0 & 1) or Amazon (#0 & 1 and alt search #0 & 1) [Read more…] about From The Beginning: WildStorm Universe – Gen13 (1995) #0-1

From The Beginning: WildStorm Universe – WildCATs #15-19, written by James Robinson

November 22, 2016 by krisis

wildcats-v01-015 [Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]WildCATs hasn’t been my favorite title to cycle through in this marathon of reading, but I’ll read just about anything to enjoy Jim Lee art.

So, you’ll understand my trepidation about today’s read when I remind you that of WildCATs #15-19, Jim Lee contributes only to #19, and then only the layouts with Richard Bennett on finishes. What I had forgotten about these issues was who took over for Lee and his BFF Brandon Choi on scripts – Travis Charest on art, with James Robinson scripting.

Robinson is the obvious good sign. While we didn’t know it at the time, he had begun something truly historic the month WildCATs #15 was released … and it wasn’t WildCATs! Robinson also began his legendary, Eisner-nominated, 80-issue run on DC’s Starman the same month. Since then he’s become well-known as a sort of historian archeological scripter, a writer who will dig through all the layers of a character’s lengthy history to find the bones that fit together best into a new story.

wildcats-v01-016 We last saw Charest on WildCATs #0, Special, and back-ups on #8-9, where he was a reliable Lee clone. In the year that elapsed he must have been pricked with a radioactive pencil or something, because his artwork here is something else entirely. It’s the first time so far I’ve opened up a WildStorm book and felt it was not just exciting or dynamic or challenging, but beautiful.

Charest’s pencils with inker Troy Hubbs are so far ahead of their time for 1994, made all the more remarkable by what colorist Joe Chiodo was achieving with 90s technology. I’d hold up the quality of the art in these issues to peak John Cassaday or Travel Foreman. They’re that good. There’s a certain stained glass quality to his figures work, where it feels like he’s defined each distinct plain of their features while still keeping them round and dynamic.

(Since then, he’s become even more remarkable – check out his website!)

The combined powers of Robinson, Charest, Hubbs, and Chiodo pull WildCATs out of the middle of the pack of Image books and makes it a proper must-read. Part of Robinson’s method of doing that is zooming out from the team for his first arc (and also taking Voodoo off the table until he has the chance to do some repairs). His first arc is told from the point of view of a random Black Razor who had his knee shot out by Jacob Marlowe back in issue #2. Now he’s leading the Razors in lieu of Lynch (which places this just after Gen13) and his first mission is to protect the man who nearly crippled him.

wildcats-v01-018-13 Seeing Marlowe and his team of lethal, unleashed warriors through the eyes of the humans who have to keep them contained completely changes the nature of this book. Finally, Warblade and Maul seem powerful and fantastical. Zealot, despite being a whirlwind of blades and death, seems more human and fallible when we’re not relying on her to save the day as a necessary function of the plot.

Then, Charest takes center stage with a puzzle of a structure from Robinson on issue #17, expanding three branching stories symmetrically first in vertical slices on the same page, then in single page splashes, and finally in full page spreads.

Finally, Robinson gets out his archeologist tools and goes to work on Voodoo – and, to an extent, Void. Much as WildCATs Trilogy made Zealot a dynamic character through defining her history, Robinson makes Voodoo’s sudden dedication to being a fighter real and grounded in a psychic dream sequence that explains that she is not only part Kherubim, but also part Daemonite – maybe the only person on Earth who can claim such a lineage!

It’s phenomenal stuff, especially since Robinson plays to Charest’s best strengths and uses issue #18 (and parts of #17) as a series of pinups. It’s unfortunate to see the legs get swept out from under it so soon with the end of #19 leading directly into the WildStorm Rising crossover. I know all good fiction is about interrupting the “Status Quo,” but when it comes to comic books it’s disappointing to get only five or six great issues before an event shakes things up.

Want the full details? Keep reading for a deeper breakdown of the plot. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we nip over to Wetworks #4-7 (which occur before this arc!) before a second dose of WildCATs with Warblade: Endangered Species (1995) #1-4 & Grifter: One Shot (1995) (plus the WildStorm Rarities Maul story I originally planned to cover today).

Need the issues? These issues were collected in 2009’s James Robinson’s The Complete WildC.A.T.s, ISBN 978-1401222048 (Amazon / eBay). For single issues – try eBay (#15-19) or Amazon (#15, 16, 17, 18, 19). Since other WildCATS series hit these same issue numbers, be sure to match your purchase to the cover images in this post. [Read more…] about From The Beginning: WildStorm Universe – WildCATs #15-19, written by James Robinson

From The Beginning: WildStorm Universe – WildCATs #8-9

November 8, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug] WildCATs #8-9 represent a two-issue breather after two substantial arcs (or, at least, substantial for the pre-writing for-trade 90s). The pair of issues are both extra-long, with a full-length Brandon Choi / Jim Lee A-story plus a substantial backup with art from Travis Charest (#8 is written by Steve Seagle and #9 by Jeff Mariotte).

wildcats-v01-0009 Issue #8 slams the breaks on all the action so we can finally see these characters’ personalities develop. It’s not too effective considering they break into the obvious chunks – the already awesome Grifter/Zealot, the boring as dirt Warblade/Maul, and the slightly interesting Spartan/Voodoo AKA what if Cyclops was more of an unfeeling automaton and really did get with Psylocke.

The sad truth this arc brings to light is that WildCATs simply isn’t stocked with the right characters for good chemistry. I’d suggest that maybe I’m just not in the right mindset to appreciate early Image, except Choi is killing it on Stormwatch issue after issue!

The difference is all down to archetypes and how they are balanced.

Stormwatch certainly has them (the strong female 2nd-in-command, the huge and cheerful foreign tank, the taciturn Russian), but it also has the decidedly non-stereotypical Battalion as a point-of-view-character and relies on real-world intrigue blended with its fantasy. There are not one, but five bland, energy-projecting dudes that I cannot always tell apart, but they exist in the service of the story.

WildCats is a team that’s as deliberately-balanced as a football squad when it comes to powers (energy projection, psychic, strength, sharp bleedy things, guns). In terms of personality archetypes, there’s hardly anything to work with as we hit issue #8 (#12, if we count Trilogy and Special).

We have a lot of information about the complex relationship between Zealot and Grifter, and a hint of tension between Voodoo and Spartan, but little else to go on. The book continues to flatline whenever Grifter and Zealot aren’t on panel (and these issues give up Grifter in the opening pages so he can star in Kindred). The Spartan romance subplot is especially clunky because the book does such a bad job of defining just how sentient Spartan truly is.

What does work here is the streamlined plot – a single villain with a singular beef with Jacob Marlowe. Choi writes Lord Entropy like rogue fencepost that a tree grew around, where that tree is the modern world. He’s not the most interesting antagonist, but his actions raise the question – where are all the other pureblood Kherubim that didn’t wind up Coda like Zealot? Lord Entropy is one, and he’s got a twisted history with our Jacob Marlowe AKA Lord Emp. We’ve yet to meet any others, but even if they definitively lost the war there are bound to be a few.

The back-up tales in each book are a welcome chance to add depth and breadth to Voodoo and Warblade, respectively. Voodoo’s tale comes off more as a continuity-fix on her changing costume and attitude towards entering the fray. Warblade’s story does less plot heavy-lifting, but accomplishes more as a character piece.

Unless you are going all-in on a WildCATs re-read, I don’t think you need to pick up these issues. Perhaps I’ll be proven wrong later if Lord Entropy becomes a bigger plot point, but it seems like you could simply skip to the next arc or substitute The Kindred here.

Want the full details? Keep reading for a deeper breakdown of the plot. Here’s the schedule for the rest of this month’s WildStorm re-read. Though Grifter departs here for Kindred, before we get there we’ll read Union #1-4 and 0 tomorrow.

Need the issues? These issues have never before been collected! For single issues – try eBay (#6-8) or Amazon (#8 & 9 or 8 & 9 (try both)). Since further WildCATs series hit these same issue numbers, be sure to match your purchase to the cover images in this post.