Crushing Krisis

The Newest Oldest Blog In New Zealand

Voodoo

From The Beginning: WildStorm Universe – Voodoo/Zealot: Skin Trade

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It’s back, girls and boys!

I had so much fun reading and writing about the WildStorm Universe in November that I’m not quite ready to go back to just reading it, so I’m going to file the occasional continuing readalong post on a much lesser intensity and frequency because I so do not have the time or stamina to write about 126 WildStorm comics every month.

While I’m very eager to pick up all of the books exiting WildStorm Rising to check out their new status quo, I’m going to use the next few installments to review later WildCATs solo outings that fit into pre-crossover continuity – Voodoo/Zealot: Skin Trade One-Shot, the Spartan: Warrior Spirit mini-series by Kurt Busiek, Zealot’s three-issue mini-series, and some WildCATs anthology stories.

This makes for a fantastic moment to pause and call out a really phenomenal blog: Weathering WildStorm. The author is undertaking this endeavor slightly more slowly than I have been, but he is doing it with the benefit of having read almost all of these books before. As a result, he’s got a fairly well-reasoned reading order that explains how these various side-stories fit. It’s by far the best one I’ve seen on the web in the four years I’ve been getting books together for this read!

Voodoo/Zealot: Skin Trade was published in August 1995, a hair later than WildStorm Rising, but per Weathering WildStorm’s guidance it directly follows either issue #13 or 14 (and maybe explains why the team was so ready for a break in #14-15). It follows up on Steve Gerber’s strong story in WildCATs Special #1.

The issue begins with an intriguing (and beautiful!) opening scene of all women, including Providence and Destine from Special #1 facing each other down in the remains of Yurgovia.

The next page is an ass-shot of Zealot followed by she and Voodoo fighting while dressed in their best Vampirella outfits. Those art choices are not just for the benefit of one splash page – this issue takes its “Skin Trade” name literally and gives a heavy dose of T&A whenever possible courtesy of artist Michael Lopez.

I’m tempted to write this one off as pure wish fulfillment, but there is considerable plot content tangled up with all the skin. Skin Trade turns Voodoo into a bit of a Mary Sue murder doll at points, but it gives context to her more active role in her own psyche in #18 and then on the battlefield in #19 and WildStorm Rising. It also greatly deepens Zealot’s history, if not her character, and creates a (largely unfulfilled) plot hook.

And, if you can tolerate a heaping of cheesecake, Lopez’s art is truly remarkable throughout the book save for a few pages with one bad inker on a solid team effort.

Final verdict? If you’re going all in on a sequential WildCATs read you ought to include this, but if you’re simply revisiting the high points of WildStorm you can skip it.

Continue reading for a recap of Skin Trade‘s plot. Need a copy? Check Amazon and eBay. As for what’s next, I still need a bit more of a breather to work out a schedule for my my leisurely readalong. [Read more…] about From The Beginning: WildStorm Universe – Voodoo/Zealot: Skin Trade

From The Beginning: WildStorm Universe – Backlash #6-7

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]When we last saw our heroes this book was a chauvinist wreck being scripted by man-children. I wonder what will happen next!

backlash_v1_06No matter what I say about the lumpy scripting on this book, it’s definitely in the upper half of good looking WildStorm ongoings as Stormwatch wobbles through multiple artists and Deathblow switches away from Tim Sale.

While Brett Booth is a large part of that, so is a set of DC-esque vibrant colors from Martin Jimenez. Together, they make what could be a spy book feel like a superhero adventure. That lends a lot of implied joy to the proceedings that the script isn’t bringing to the table. Even spitting the three chapters of issue #7 between Melvin Rubi, Booth, and Dan Norton doesn’t change that – each of them delivers, especially Rubi on the intro.

Plotwise, the trio of scripters continue to be hapless. Issue #6 neatly ties up the book’s raison d’être in a neat little bow, with the VR device leading Backlash right to S’Ryn and having him neatly resolve her broken psyche with the help of Voodoo. That story probably deserved more than just one issue.

I’m not sure what the point of the title will be after WildStorm Rising, but luckily that’s not my problem this month!

Then, issue #7 finds the quickest possible route to dispose of that new status quo, while pitting a still unsympathetic Taboo against a term of mercs who I was rooting for 100%.

(The letters columns in #7 include a cascade of praise for the one-note evil sexbot Taboo. I’d ask what book they were reading, but then I remembered some stuff about teenage boys and just shook my head.)

Also, there are some intractable continuity problems here – Backlash visits the WildCATs headquarters with a recovered Voodoo in Backlash #6, placing it after WildCATs #18. Then Backlash #7 begins with two weeks elapsing. The trouble is that WildCATs #19 happens just seconds after #18 and immediate moves into the start of WildStorm Rising, which puts Backlash #8 way into the crossover (but not really, since Backlash’s #8 is one of the chapters).

These issues needed some kind of reshuffling to extend the story in #7 – perhaps by inserting the disconnected Australian Outback in #8 to displace the big finalé with S’Ryn into #8, leaving Slayton and Diane’s sudden breakup to end this pair of books.

Want the recap? Keep reading for the details of this pair of issues. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow brings us a new arc sans Tim Sale on Deathblow #13-15, followed by the start of new Union and Gen13 ongoings on Monday.

Need the issues? You’ll need to purchase single issues – try eBay (#6-7) or Amazon (#6, 7). [Read more…] about From The Beginning: WildStorm Universe – Backlash #6-7

From The Beginning: WildStorm Universe – WildCATs #15-19, written by James Robinson

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wildcats-v01-015[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]WildCATs hasn’t been my favorite title to cycle through in this marathon of reading, but I’ll read just about anything to enjoy Jim Lee art.

So, you’ll understand my trepidation about today’s read when I remind you that of WildCATs #15-19, Jim Lee contributes only to #19, and then only the layouts with Richard Bennett on finishes. What I had forgotten about these issues was who took over for Lee and his BFF Brandon Choi on scripts – Travis Charest on art, with James Robinson scripting.

Robinson is the obvious good sign. While we didn’t know it at the time, he had begun something truly historic the month WildCATs #15 was released … and it wasn’t WildCATs! Robinson also began his legendary, Eisner-nominated, 80-issue run on DC’s Starman the same month. Since then he’s become well-known as a sort of historian archeological scripter, a writer who will dig through all the layers of a character’s lengthy history to find the bones that fit together best into a new story.

wildcats-v01-016We last saw Charest on WildCATs #0, Special, and back-ups on #8-9, where he was a reliable Lee clone. In the year that elapsed he must have been pricked with a radioactive pencil or something, because his artwork here is something else entirely. It’s the first time so far I’ve opened up a WildStorm book and felt it was not just exciting or dynamic or challenging, but beautiful.

Charest’s pencils with inker Troy Hubbs are so far ahead of their time for 1994, made all the more remarkable by what colorist Joe Chiodo was achieving with 90s technology. I’d hold up the quality of the art in these issues to peak John Cassaday or Travel Foreman. They’re that good. There’s a certain stained glass quality to his figures work, where it feels like he’s defined each distinct plain of their features while still keeping them round and dynamic.

(Since then, he’s become even more remarkable – check out his website!)

The combined powers of Robinson, Charest, Hubbs, and Chiodo pull WildCATs out of the middle of the pack of Image books and makes it a proper must-read. Part of Robinson’s method of doing that is zooming out from the team for his first arc (and also taking Voodoo off the table until he has the chance to do some repairs). His first arc is told from the point of view of a random Black Razor who had his knee shot out by Jacob Marlowe back in issue #2. Now he’s leading the Razors in lieu of Lynch (which places this just after Gen13) and his first mission is to protect the man who nearly crippled him.

wildcats-v01-018-13Seeing Marlowe and his team of lethal, unleashed warriors through the eyes of the humans who have to keep them contained completely changes the nature of this book. Finally, Warblade and Maul seem powerful and fantastical. Zealot, despite being a whirlwind of blades and death, seems more human and fallible when we’re not relying on her to save the day as a necessary function of the plot.

Then, Charest takes center stage with a puzzle of a structure from Robinson on issue #17, expanding three branching stories symmetrically first in vertical slices on the same page, then in single page splashes, and finally in full page spreads.

Finally, Robinson gets out his archeologist tools and goes to work on Voodoo – and, to an extent, Void. Much as WildCATs Trilogy made Zealot a dynamic character through defining her history, Robinson makes Voodoo’s sudden dedication to being a fighter real and grounded in a psychic dream sequence that explains that she is not only part Kherubim, but also part Daemonite – maybe the only person on Earth who can claim such a lineage!

It’s phenomenal stuff, especially since Robinson plays to Charest’s best strengths and uses issue #18 (and parts of #17) as a series of pinups. It’s unfortunate to see the legs get swept out from under it so soon with the end of #19 leading directly into the WildStorm Rising crossover. I know all good fiction is about interrupting the “Status Quo,” but when it comes to comic books it’s disappointing to get only five or six great issues before an event shakes things up.

Want the full details? Keep reading for a deeper breakdown of the plot. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we nip over to Wetworks #4-7 (which occur before this arc!) before a second dose of WildCATs with Warblade: Endangered Species (1995) #1-4 & Grifter: One Shot (1995) (plus the WildStorm Rarities Maul story I originally planned to cover today).

Need the issues? These issues were collected in 2009’s James Robinson’s The Complete WildC.A.T.s, ISBN 978-1401222048 (Amazon / eBay). For single issues – try eBay (#15-19) or Amazon (#15, 16, 17, 18, 19). Since other WildCATS series hit these same issue numbers, be sure to match your purchase to the cover images in this post. [Read more…] about From The Beginning: WildStorm Universe – WildCATs #15-19, written by James Robinson

From The Beginning: WildStorm Universe – WildCATs Special & WildCATs Trilogy #1-3

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]After WildC.A.T.s managed to wrap up its intended three-issue mini-series in four issues and 10 months it was unclear what the more permanent version of the title would be.

wildcats-v01-special-01In the gap, WildStorm quickly thrust WildCATs Trilogy, a three-issue mini-series from newly-poached Marvel young gun Jae Lee. It took just six months to complete (that’s sarcasm, by the way), and was accompanied by a single-issue Special #1 from Lee’s remarkable feel-alike protegé Travis Charest (which explicitly states that it fits prior to Trilogy).

Both arrived in time to promote the continuation of the WildCATs mini-series to a full-time ongoing with #5 in fall of 1993. Both also wisely put a heavy focus on Grifter, Voodoo, and Zealot, quickly realizing that the rest of the team is a snoozefest.

The Special issue is an outstanding adventure that proves that the book, its concept, and its cast will have many stories to tell thanks to Voodoo’s status as the only proven Daemonite detector on Earth. Marvel vet Steve Gerber – the co-creator of Howard the Duck! – shows a deftness with set-up scenes that makes the long, slow build-up of this issue as interesting as the brief burst of action that ends it.

On art, Charest does Jim Lee as well (maybe sometimes better?) than Lee, especially with an assist from Lee’s habitual inker Scott Williams.

Trilogy has its gawky moments of art from Jae Lee, who was still a teenager without much experience. Its strength is as an early shot of origin for the magnetic Zealot. Serving that here was a wise choice, as her popularity and narrative power would go on to threaten the team balance of the main book. Spending so much time explaining the Coda in the ongoing title would tip the scales a bit too far away from the rest of the team, but it feels just right in a mini-series.

Want the play-by-play? Keep reading for a summary of this introductory story. Here’s the schedule for the rest of this month’s WildStorm re-read – tomorrow I tackle Stormwatch #4-5 & Special #1.

Need the issues? WildCATs Trilogy #1-3 was collected in a 1999 TPB as The Way of the Coda, but Special #1 has never been collected. For single issues try eBay or Amazon (Trilogy, Trilogy Alternative Search, & Special) [Read more…] about From The Beginning: WildStorm Universe – WildCATs Special & WildCATs Trilogy #1-3

DC New 52 Review: Voodoo #1

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Busty woman have always been a part of the draw of comics, but in the late 80s and 80s it went completely overboard.

Already attractive female characters has their breast sizes increased to the point of physical impossibility as their waists collapsed and costumes became increasingly skin-tight (or, just skin). This trend was perpetrated hugely by Image’s superstar artists, so of course when they launched their own line of books they featured a bevy of those scantily dressed females.

The problem (beyond the obvious objectification) is that when female characters are babes from the concept stage, their origin stories become intertwined with their curves. Voodoo was originally conceived as a regular girl with the super gift of seeing aliens in human bodies … who happened to be an exotic dancer. Her tight outfits, slick figure, and crazy boots were part of her identity.

When a female hero was conceived as a vapid sex symbol, does she really merit their own titles? Like anything else, it has to do with good writing. DC’s relaunch already pilfered a large part of Voodoo’s prior origin – they handed her ability to see aliens walking around in human skin to the rebooted Grifter.

Art previews of the issue revealed many scenes set in a strip club. Did scribe Ron Marz find any other aspects of Voodoo to write about, or are we getting a book about a stripper who … strips?

Voodoo #1

Written by Ron Marz, art by Sami Basri

Rating: 1.5 of 5 – Weak

In a Line: “We don’t need to be doing it from a ringside seat.”

#140char Review: Voodoo #1 wastes intriguing setup & capabilities of Sami Basri art on too many pages lingering in a strip joint. Embarrassing to read. Gross

CK Says: Skip it.

Voodoo #1 is an embarrassing waste of an interesting character concept and an artist who is clearly capable of so much more than nudie pinup pics.

The blame rests mostly on writer Ron Marz’s shoulders. Yes, we get that part-alien Voodoo is a stripper because men can’t resist her and she wants to study their behavior. That doesn’t mean we need to spend an entire issue in a strip club with panels so revealing that I was terrified of reading this comic on the bus.

I choose not to implicate artist Sam Basri too much – he’s just drawing what he’s told. There are only so many non-lascivious ways you can draw a piece of script that must have read, “Voodoo crawls forward on the stage, her bosom practically escaping her skimpy bikini top.” Although, I guess when the background of a panel has a man waving a dollar bill at the ass of a woman hanging from a stripper pole that’s mostly the artist’s prerogative – so I suppose he’s complicit.

When Basri gets a break from drawing cheesecake, his clothed figures are really super – they have the illustrated-from-life effect of the art of Buffy without looking traced from photo references.

There is a story beneath the grossness here, and it’s potentially interesting. A pair of secret agents have been tapped to keep an eye on the clearly otherworldly Voodoo, but one of them is a little impatient to get to the bottom of her mystery.

Unfortunately, the getting to the bottom takes the literal form of a pages long lapdance.

That’s the entire problem with this issue. You can set a story in a strip club without it being disgusting and exploitative. There are panels here that never needed to be seen, even with the script staying entirely intact.

I can’t call this terrible, because of Masri’s engaging artwork and the interesting core concept of Voodoo as a character. I’ll probably check back in for a second issue based solely on that and hope that Marz and Basri have cleaned up their act, but based on this introduction I don’t have a lot of hope for their take on Voodoo.