Crushing Krisis

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Wetworks

From The Beginning: WildStorm Universe – Deathblow #13-15

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]It’s time to return to Deathblow without Tim Sale and after the epic tale of the Black Angel, and I had no idea what to expect.

What I do know is that Brandon Choi is now down to scripting just this and Gen13, and I miss the guy! Not only for his consistency, but for the way the entire WildStorm Universe gelled under his pen.

deathblow_013As great as Choi was on the global intrigue of Stormwatch and the teen angst of Gen13, something about this pair of procedural tales makes me think his heart remains in these gun-for-hire stories. These three issues are by far the best of Deathblow yet, despite them having nothing to do with his mega-arc with the Black Angel.

Choi imports of a noirish the vampires and werewolves from Wetworks for a noirish tale in issues #13-14. It works perfectly to establish Michael Cray’s new status quo nine months after his battle with the Black Angel. Now he’s a gun for hire who can’t help but step into supernatural affairs.

The story is tense, bloody, and maybe the first true mystery tale we’ve seen from WildStorm. It also feels an issue or two longer than it actually is (in a good way) thanks to being packed with plenty of rising action and fine details.

Similarly, the Navy Seals one-shot that follows is a satisfying standalone story that fleshes out the mysterious Gamorra mission where Michael Cray met Mr. Waering. It also ties in some plot threads from as early as Deathblow #0, with the Seals-in-training on the base all gunning for Cray’s head due to the spectacular bloodbath of Costa Mesa. It’s a thrilling little mystery with no easy resolution that leaves us as confused as Cray.

On art, original Stormwatch inker Trevor Scott has made the leap to penciller and his work is perfect for Deathblow! He’s nowhere near Sale’s look – and more like Whilce Portacio than Jim Lee. As amazing as Sale’s approach was, there is something deeply satisfying about seeing Deathblow drawn in Image’s house style. There’s nary a bad page here, and some truly interesting panel work. Scott isn’t addicted to splash pages like most Image artists, and he delivers a lot of interesting framing, smaller sequential panels, and silhouetted bodies.

At the start we’re back to the sickly gray and green palette from colorist Ben Fernandez, which will give you whiplash if you’re coming directly from Linda Medley’s warm limited palette on the last arc. Fernandez warms things up when Cray touches down in LA. It’s such a relief to see some saturated reds that aren’t blood (although, there is still plenty of blood). Issue #15 has downright normal colors as we see Cray driving the I-5 by day.

The Choi/Scott synergy on this trio of issues is remarkable. These are two of the first totally throwaway, fill-in types of stories we’ve seen on any WildStorm book, yet they both are gripping reads that only serve to make what came before more interesting.

Want the recap? Keep reading for the full plots of this trio of awesome issues. Here’s the schedule for the rest of this month’s WildStorm re-read. We’re in the home stretch! Tomorrow brings us Union (1995) #1-3 & Gen13 (1995) #0-1 (in two separate posts), followed by Team 7: Objective: Hell (1995) #1-3 on Tuesday, and then we’ve reached the main event – WildStorm Rising!

Need the issues? These issues have never been collected. For single issues try eBay (#10-12) or Amazon (#13, 14, 15). [Read more…] about From The Beginning: WildStorm Universe – Deathblow #13-15

From The Beginning: WildStorm Universe – Backlash #6-7

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]When we last saw our heroes this book was a chauvinist wreck being scripted by man-children. I wonder what will happen next!

backlash_v1_06No matter what I say about the lumpy scripting on this book, it’s definitely in the upper half of good looking WildStorm ongoings as Stormwatch wobbles through multiple artists and Deathblow switches away from Tim Sale.

While Brett Booth is a large part of that, so is a set of DC-esque vibrant colors from Martin Jimenez. Together, they make what could be a spy book feel like a superhero adventure. That lends a lot of implied joy to the proceedings that the script isn’t bringing to the table. Even spitting the three chapters of issue #7 between Melvin Rubi, Booth, and Dan Norton doesn’t change that – each of them delivers, especially Rubi on the intro.

Plotwise, the trio of scripters continue to be hapless. Issue #6 neatly ties up the book’s raison d’être in a neat little bow, with the VR device leading Backlash right to S’Ryn and having him neatly resolve her broken psyche with the help of Voodoo. That story probably deserved more than just one issue.

I’m not sure what the point of the title will be after WildStorm Rising, but luckily that’s not my problem this month!

Then, issue #7 finds the quickest possible route to dispose of that new status quo, while pitting a still unsympathetic Taboo against a term of mercs who I was rooting for 100%.

(The letters columns in #7 include a cascade of praise for the one-note evil sexbot Taboo. I’d ask what book they were reading, but then I remembered some stuff about teenage boys and just shook my head.)

Also, there are some intractable continuity problems here – Backlash visits the WildCATs headquarters with a recovered Voodoo in Backlash #6, placing it after WildCATs #18. Then Backlash #7 begins with two weeks elapsing. The trouble is that WildCATs #19 happens just seconds after #18 and immediate moves into the start of WildStorm Rising, which puts Backlash #8 way into the crossover (but not really, since Backlash’s #8 is one of the chapters).

These issues needed some kind of reshuffling to extend the story in #7 – perhaps by inserting the disconnected Australian Outback in #8 to displace the big finalé with S’Ryn into #8, leaving Slayton and Diane’s sudden breakup to end this pair of books.

Want the recap? Keep reading for the details of this pair of issues. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow brings us a new arc sans Tim Sale on Deathblow #13-15, followed by the start of new Union and Gen13 ongoings on Monday.

Need the issues? You’ll need to purchase single issues – try eBay (#6-7) or Amazon (#6, 7). [Read more…] about From The Beginning: WildStorm Universe – Backlash #6-7

From The Beginning: WildStorm Universe – Wetworks #4-7

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]The opening arc of Wetworks masqueraded as a modern Team 7 with a supernatural bent, but this run of issues locks in the vampire underworld drama as the central plot of the book. 

wetworks_v1_04It feels like the team takes a backseat in these issues, although they do finally get some character development off the battle field. While I’ve finally got all of their names straight (Dane, Grail, Claymore, Jester, Pilgrim, and Dozer back at base), it’s hard to care about any of them aside from the team’s advance scout, Pilgrim. Coincidentally (or not?), Pilgrim gets two of the biggest scenes in the run that generate more questions than answers.

There’s also a lot of focus on the mystery of Mother One – who, let’s not forget, murdered two of the team in #3 just to gather telemetry. That was meant to be a surprise, but here she’s dropped all pretenses of being anything other eeky cyborg lady who freely reads everyone’s minds and is only 20% human to begin with. The team quickly grows as suspicious of her as we are as readers.

If it was hard to trust Mother One as a reader, it’s impossible to root for either side of the vampire conflict. Drakken is definitely written as more “evil,” but we’re talking about vampires here – they’re all evil. By contrast, his cousin the queen seems bored by her entire existence, barely deigning to make a semi-century appearance in front of her subjects and bristling at her inability to join in the fray of battle. Would it be so bad to depose her?

We learn that Wetworks is less an interloper and more a third wheel in the internecine vampire wars, thanks to their creepy benefactor Waering being a werewolf himself. Or, at least, the letters columns told me that – I had to go back to #5 and squint pretty hard to figure he was the human identity of the werewolf we meet.

Whilce Portacio isn’t delivering the same A-Game we saw in the first few issues. As with all of the Image founders within their first years, not being reigned in by editorial brings out both his best and his worst tendencies. The other founders had moved past that phase at this point (and, in Jim Lee’s case, off of his book) while Portacio is still figuring things out.

His panels are overly busy and too dark. It results in a lot of muddled, making characters hard to recognize (on top of them all being identical and gold). Plus, some key actions are indecipherable, as with a pivotal scene with Claymore and Jester that I can’t make heads or tails of. He seems to really cut loose when the WildCATs are briefly on panel (or maybe that’s Joe Chiodo enjoying their brighter palette) in a way that we don’t see again in this run. Francis Takenaga scripts Portacio’s plot with way too many words and far too little clarity; these issues are his first comic credits.

This run gives us a lot of information about  the timing of other titles. Lynch is out at IO and Santini is reporting directly to Craven in #4, which places this after Gen13. Then, WildCATs appear in #4-5 sometime around WildCATs #14 (it’s prior to Voodoo’s injury in WildCATs #15) except they’re missing Warblade – so maybe that is after #19? Anyhow, it gives Grifter and Dane their first meeting. That throws a bit of a wrench into Deathblow #9-12 (where Lynch is with IO and Grifter and Dane work together), except maybe none of that actually happened, so we’re not going to get too worried about it.

Want the full details? Keep reading for a deeper breakdown of the plot. Here’s the schedule for the rest of this month’s WildStorm re-read. tomorrow we’ll work on three WildCATs tie-ins: Warblade: Endangered Species (1995) #1-4, Grifter: One Shot (1995), and a WildStorm Rarities Maul story. Then, it’s back to Stormwatch (1993) #17-21 & Special 02!!!

Need the issues? You’ll need to purchase single issues – try eBay (#4-7) or Amazon (#4, 5, 6, 7). Since further Wetworks series hit these same issue numbers, be careful to pick up issues from the 1994 series – an easy way to tell the difference is that Mike Carey is the writer on the later relaunch. [Read more…] about From The Beginning: WildStorm Universe – Wetworks #4-7

From The Beginning: WildStorm Universe – Backlash #1-5

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Backlash leaps to his own series after a brief supporting turn in Stormwatch and co-starring with Grifter in The Kindred.

(This clearly comes after WildCats #14 since Marlowe and Savage Dragon are on a first-name basis. It’s also after Wetworks #5, as we’ll see in Backlash #4. A brief scene with Diva seems as though it could fit between Stormwatch #11-12.)

backlash_v1_01I’m not convinced anyone liked Backlash enough for him to merit his own series, but at this early stage in WildStorm’s life it seems they’re intent on playing out a certain set of plots and Backlash’s Daemonite hunt is one of them.

My main beef with Backlash to this point has been that his fearsome reputation doesn’t line up with what’s on the page. He’s supposed to be tough, but all we see is him getting the tar beat out of him. He’s supposed to be heartless and arrogant, and while he’s got the latter down to a tee he’s more tactical than he is cold-hearted.

This betrays a weak spot in WildStorm’s early scripting. Even when characters aren’t stereotypes, they’re a flat package of clearly labelled traits without much humanity. Backlash is a potentially rich enough character that he can actually portray these seemingly opposed traits, but no one with enough skill to balance it has written him yet – he slipped out of Stormwatch just before Ron Marz could get his hands on him.

Unfortunately, the writing that finally shows Backlash as the dynamic, serious threat he is rife with toxic masculinity that goes beyond any aspect of chauvinism in Backlash himself. In his five issue run, guards whine about their women and try to score with their female compatriots, Diva cries on Backlash’s shoulder, Backlash narrates about guarding his lover Diane even if she doesn’t want that from him (while calling her “kiddo” – super gross), a cop hopes to run into “a drunk starlet,” and Taboo is suddenly sex-crazed for Backlash.

Each taken on their own most of these would slip by me aside from the cop who wants to commit sexual assault, but they’re compounded by a particularly ugly one – Pike threatening Zealot with sexual violence. I think that’s a first so far in WildStorm.

Not only is the Zealot comment disgusting, but it’s the laziest of writing to take the toughest, most-dynamic character in your entire universe and decide the only way to weaken her is to threaten her sexual agency. It rings completely false on the panel, even if Pike is exactly that nasty of a guy.

This marks the first time a WildStorm title has kicked off without Brandon Choi having a hand in the proceedings. While Choi hasn’t exactly been the paragon of writing female characters not named Zealot, he’s been surprisingly even-handed when it comes to women as objects and women in peril. Not these writers – each issue is attributed to the crowd of artist Brett Booth, Jeff Mariotte, and Sean Ruffner. They’re giggling like maniacal pimpled teenage boys every time they can suggest one of their male characters might be able to seduce or assault a woman, and their version of agency for Taboo is her coercing Backlash into having sex.

Is Backlash any good if you can look past its misogyny? It might not be as weak as The Kindred, but it’s still just average tough guy fare, despite a killer first issue. [Read more…] about From The Beginning: WildStorm Universe – Backlash #1-5

From The Beginning: WildStorm Universe – Wetworks (1994) #1-3

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Whilce Portacio makes his slightly-delayed entrance into WildStorm with Wetworks, originally previewed in WildCATs #2 in 1992. It’s also the first true origin story of WildStorm other than Gen13 – in no other book this far have we watched as an entire cast of heroes has been created.

Portacio was of the same generation of beloved X-Men artists as Jim Lee and Marc Silvestri and was originally intended to be the seventh founder of Image Comics – with Wetworks as one of its flagship books. An illness in his family caused him to step away from the  launch of Image, and it took him two years to make his entry – now part of the WildStorm table rather than its own imprint.

wetworks_v1_01(Since these issues were written as much as two years prior to their release, they occur in story order prior to Gen13. As confirmation, we see that John Lynch is still with IO. They likely fit sometime just prior to Killer Instinct.)

Wetworks is a completely different flavor of team than WildCATs and Stormwatch. It’s a nearer neighbor to Deathblow, or even the Underworld film series. It’s all about big guns, synthetic symbiotes, and bloody ops, but also about vampires!

Back when it was intended to be part of Image’s launch, Wetworks was teased briefly in a four-page back-up in WildCATs #2. All we learned in thie brief story is that the team’s leader, Dane, is bulletproof and loves causing carnage.

Wetworks seems to be exactly the sort of “extreme” team title that Jim Lee wanted to veer away from on Gen13. Every member is dipped in gold from head to toe and festooned with guns, ammo, cybernetic enhancements, and ridiculous gear. There’s a slight hint of Wetworks being an anti-terrorist or maybe anti-war-crimes group, but mostly the our pages are about setting the tone – they’re a team of Punishers.

Wetworks #1 begins at least a few weeks prior to that preview. Prior to their golden years, Wetworks are the modern-day Team 7 – a team of well-armed but decidedly-human soldiers lead by original Gen12 member Dane (who maybe isn’t entirely human – we’ll see).

Portacio along with Brandon Choi on script mines the same geopolitical concerns we’ve seen across WildStorm, including how world peacekeeping has an undertow of political oneupmanship. Team 7 believe they sent to rescue hostages in Transylvania by the omnipresent International Operations (I.O.), but really they were being sacrificed – either to test the efficacy of newly developed symbiotic skins or to test the hardiness of the tribe of vampires infesting the area. Maybe both.

The sacrifice doesn’t go as planned, and the team comes away with nigh-indestructible, golden, synthetic, symbiotic skins seemingly permanently attached to their own. They also come away beholden to a decidedly sketchy member of the National Security Council, who is hip to the vampire threat and focused on destroying them. WetWorks is more interested in destroying the I.O. players who burned them on their Transylvania mission, but they’re happy to kill some vampires along the way.

wetworks_v1_02That first issue is a visual stunner that’s all edge-of-your-seat action – a perfect pilot episode. Whilce Portacio’s style is adjacent to Lee’s, with slightly more penstrokes and slightly more emotive faces. He lends a real world weightiness to high-octane military action that most big-guns books are missing. While #2-3 aren’t quite as perfect, there’s no denying this is a visually stunning book. Portacio does decent blood and gore, but his fight choreography can be a bit stiff. His human moments are better.

My main critique is that the team is just too big and too homogenous for any reader to keep track of –  even before they all turn gold! I’m even not sure how many of them there are. Maybe seven?

Choi doesn’t help by switching between their given last names and their call signs. It couldn’t have hurt to throw in more than just a single woman, some different body types, or someone non-white with distinct features. Even after the membership is thinned out by the end of this arc I can’t keep them straight. I’ve maybe got three of them down.

Without being able to tell the team apart, they read as a single lump with a relatively undifferentiated set of personalities. As a result, I found it difficult to get emotionally invested in their success, starting with their evacuation from Transylvania in #1 by the mysterious cybernetic Mother One. So many innocent soldiers wind up dying to abet their escape that as readers we’re almost forced to dislike them, although most of that blame can be shifted to their mysterious collaborator Mother One. Given that she also sacrifices Wetworks members in the name of science in issue #3, I think we’re right not to trust her.

wetworks_v1_03It’s much easier to follow and sympathize with the pair of warring vampire factions, and when your book is having trouble getting the reader to root against vampires you might be having some problems. One faction wants to infect a the attendees of a fictional goth Grateful Dead band’s big show. The band happens to also be vampires from the other faction, whose queen is as obsessed with Wetwork’s leader Dane as she was with Hitler.

In the absence of caring about the team, the most interesting element of the book could be the symbiotic skins themselves. What is their origin? How can some of the vampires communicate with them? What was their intended use?

Wetworks is going to be an intriguing read if it can keep the focus as much on the the vampire-busting gore as on the mysteries behind it. However, it’s going to get old pretty quickly. if this turns into Venom as Punisher vs. Vampires.

Need the issues? These three issues have been collected as Wetworks: Rebirth (ISBN 978-1887279338), which you’ll find cheaper on eBay than Amazon. Or, you can purchase single issues – try eBay (#1-3) or Amazon (#1, 2, 3). Since further Wetworks series hit these same issue numbers, be careful to pick up issues from the 1994 series – an easy way to tell the difference is that Mike Carey is the writer on the later relaunch.

Here’s the schedule for the rest of this month’s WildStorm re-read – tomorrow we read just a pair of issues – WildCATS #14 and Savage Dragon #13, part of the Image X-Over month.